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Jun 6, 2019 16:06:24   #
[quote=brooklyn-camera I]Just wondering if anyone else has or had the same problem. After a few calls to Canon maybe UHH can help. Seems as if Canon has no answer for this problem. When on a voice call (optimum cable service) at times I get disconnected and then when I establish the connection again the person on the other end says that they heard a fax machine on the line.

Canon tried using different settings and still not corrected.

Combo unit is in the ON status and in the copy mode. I tried leaving in different modes but still the results are the same. Every so often I get knocked off the line by the MX922 trying to receive a fax.

I tried leaving this unit OFF, but when I start up again it takes a long time for it to get back on line. Maybe this is the only thing I can do to remedy this problem.

By the way this is the second unit I owned and had the same problem with being knocked off line once in a while. Don't ask why I purchased the same, I like it and it works for what I need to do. So guess I just might have to live with this kink in the MX922.

[/quote

Just unplug the phone line when you are on voice calls, or put a switch on the fax phoneline to disconnect fax while in voice mode.
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Jun 6, 2019 15:56:10   #
Rayjenks wrote:
Hi looking for a wide lens for landscapes like a 10 to 20 or 15 to 35 . But do not want to spend 1,000. On it if at all possible up to about 700.00 or less if possible. Also need to use on a full Frame. Even if there is something coming out that someone has heard of.


Nikon 20mm f2.8.
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Jun 6, 2019 15:47:05   #
Steve Dollar wrote:
I have a granddaughter who has just started her photography business. She has purchased a Nikon 750 with kit lens. She already has a few gigs, including a wedding. She has a wonderful eye and has produced some excellent photos. She doesn't have a prime lens. What prime lens would you recommend for her head shots. I believe that a 100mm more or less but what manufacturer. I could buy her the Nikor but is that really what is needed and is that the price one needs to pay?


Buy her the 85mm f1.8 Nikkor. For weddings, get her the 50mm f1.8. Over ninety percent of a wedding can be shot with a 50mm. I shot weddings all through the 1970s with a pair of Nikons and 50mm lenses.
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Jun 5, 2019 12:56:52   #
wjones8637 wrote:
Looking over past photos using my Nikkor 35mm 18. and my Nikkor 50mm 1.8 on a D7100, I notice that when using the 35mm peoples noses and stomaches appear to be slightly larger than reality. When using the 50mm they appear more normal. I know this to be true with full frame cameras, but since the cropper sensor in the D7100 gives a more or less "normal eye range" I never thought about it . Now the question, for portraits and other people shots will I get more pleasing photos using the 50mm, a 105mm Sigma, or one of the zooms set to about 85mm? I know I would need to back-up for the composition.
Looking over past photos using my Nikkor 35mm 18. ... (show quote)


Short teles have been standard for portraits no matter what format. The 50mm on your APSC is a short tele and perfect for most head shots, (although there is the odd headshot where I use my 308).
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Jun 5, 2019 12:45:32   #
Dave H2 wrote:
I am attending a semi-annual luncheon of aviators from 50 years ago. I am the duty photographer and will be photographing the guys using a D7200. Which would be a better lens choice for candid shots, a Nikkor 55-300mm or an 18-200mm. I also have 35mm and 50mm prime lenses and an 18-105mm, all Nikkor.
Thanks, Dave


35mm prime.
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Jun 1, 2019 12:34:14   #
Capturing moments wrote:
Can anyone give me some pointers... I'm doing a free job for a school!
Whats the best settings for dark skinned people. Want them to have perfect shots!!


Use on camera flash as news and event photographers have done since the invention of the flash bulb.
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May 31, 2019 20:03:51   #
Rineal wrote:
Dear Hoggers,
I will be going out to the Grand Canyon in August for a course on Lightning/Landscape photography. I will be using my D500 but am wondering about my lenses. I have a Nikon 18 - 300 1.3.5 - 5.6 and 18 - 105 1.3.5 - 5.6. Any better ideas what lens I should possibly acquire for this trip?
Thanks for any suggestions,
Richard


Tokina 11-16 f2.8 for your half frame camera for ground landscapes. 18-105 for aerial shots. Rent helicopter time by yourself early morning or late afternoon to shoot aerial landscapes. Ask the charter company if they will remove the door where you will be sitting to give you more room to shoot. Use the longer end of your zoom so you don't catch the rotor blades in your images.
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May 31, 2019 16:05:58   #
Imagemine wrote:
trying not to fall into that new gear trap but I think now it's time to upgrade my Nikon DF with the Nikon d850 don't think this will be a lateral move, going for articulating screen, ease of controls many more MP to get more detail and better ergonomics , already have a d500 and love it . So are there any other Nikon d850 owners out there that care to commit so I can be sure I'm making the right move. Will appreciate any views


If I could afford it, I'd buy both a D850 and a Z7. I'd love to shoot both.
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May 25, 2019 12:23:09   #
LMurray wrote:
Kirlian photography, although the study of which can be traced back to the late 1700s, was officially invented in 1939 by Semyon Davidovitch Kirlian. The Kirlian photographic process reveals visible “auras” around the objects photographed. These photographs have been the subject of much myth and controversy over the years. Interestingly, much of which was initially put forth to explain the Kirlian photography phenomena was put forth by the inventor himself, along with his wife. The process of taking a Kirlian photo is a fairly simple one and does not even require the use of a camera. First, a sheet of photographic film is placed on top of a metal plate. Then, the object that is to be photographed is placed on top of the film. To create the initial exposure, high voltage current is applied to the metal plate. The electrical coronal discharge between the object and the metal plate is captured on the film. The Kirlian photograph, which shows a light, glowing silhouette around the photographed object, becomes visible as a result of developing the film. Although the Kirlians invented this photographic process in 1939, they didn’t publicly release information about their experiments until 1958, and Kirlian photography wasn’t a well-known phenomenon to the general public until 1970.
Quarter 3 by nebarnix
The Myth of Kirlian Photography The first mythical explanations put forth about Kirlian photography were suggested by the Kirlians themselves. They believed that these photographs were depicting the actual life-force or “aura” that many people believe surrounds all living things. New Age spiritualists attribute huge importance to the aura and believe that specially trained aura-readers can provide important insights into a person’s spiritual, emotional and physical state. The Kirlians were convinced that these photos could accurately predict emotional and physical states and could be used to diagnose illnesses. The assertion that Kirlian photographs could depict emotional and physical states was quickly adopted by energy practitioners. While the use of Kirlian photography has largely fallen by the wayside as a diagnostic tool these days, there are still alternative practitioners who believe in it as an accurate way to help those who seek their services for healing all kinds of conditions both emotional and physical. Kirlian photography has been a staple of paranormal research for some time as well. In the 1960s and 1970s paranormal researchers connected it to many types of unexplained phenomena, one of which was telepathy. Researchers proposed that telepathy was the result of people's auras communicating together. The Science of Kirlian Photography It can be hard to separate the fact versus the fiction when it comes to Kirlian photography, since these photos are very real and do clearly show some phenomenon at work. However, the fact that these glowing auras are seen around non-living objects as well as living objects in Kirlian photos is often simply ignored by those who want to believe in the supernatural explanation.
fingerprints by nebarnix, on Flickr
So if the glowing auras seen in Kirlian photography aren’t really caused by something spiritual, paranormal or our “life-energy” then what are they caused by? The answer is water. The high-voltage frequency applied to the metal plate rips the electrons off of atoms. The air around the photographed object becomes ionized. If that air contains any water, the resulting image will show the glowing silhouette around the object, which scientists actually call a “corona plasma discharge”. When a person is sweating more due to being overheated, or excited in some way, Kirlian photographs taken of their hands at that time will show a larger more intense glow due to the increased moisture. Conversely, cold dry hands will produce an image which shows a weaker glow. Despite the ready availability of this accurate scientific explanation, New Age proponents of Kirlian photography will still argue that the person whose hands showed a larger, brighter glow is a natural healer when they are really just sweaty.
fingertip by nebarnix, on Flickr
Factors other than humidity which can influence the final image include the pressure and angle of your hand touching the metal plate as well as the amount of voltage. Kirlian photographs taken of the exact same person can be very different taken only minutes apart due to these variables. A very well-known Kirlian photography experiment documents a leaf as it slowly dies. The initial photograph was taken when the leaf was freshly cut and shows a prominent glow. As the leaf gets older more photos are taken, which show that the glow is starting to weaken. This was once explained away with the life-force theory. However, we now know that the weakening of the glow is simply a result of the leaf losing water and drying up over time.
Ivy Leaf by nebarnix, on Flickr
In another experiment involving a leaf, an initial photo is taken which shows the usual strong glow or aura. Then, part of the leaf is torn away. Surprisingly, a ghostly glowing trace of the missing part of the leaf showed up on the film. For years this result was considered more proof of some sort of “life-force”. In reality though, it was simply a result of some moisture residue left on the glass. If the residue is completely removed prior to photographing the leaf again, the phantom glow does not appear. One final scientific observation to point out is that the Kirlian effect simply doesn’t happen in a vacuum since there is no water vapor, which prevents ionization. In Conclusion While the mystical and paranormal explanations for the glow in Kirlian photographs have been debunked, the truth may be just as interesting as fiction to the more scientifically minded. Its potential for studying certain aspects of life are being explored scientifically. Also, there are a few artists using Kirlian photography to create beautiful images of what has been called “living art”. Like other forms of artistic expression such as traditional photography, this should and will be explored to its fullest.
Kirlian photography, although the study of which c... (show quote)


TMI
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May 20, 2019 15:14:33   #
traderjohn wrote:
Or a past president.


👍👍
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May 19, 2019 17:48:42   #
Min Ron wrote:
I've read a lot about Canon's throughout the feeds. Is there a distinct difference between the Nikon? Would one be greater than the other; DSLR, or is it all in the lenses in front of the shooter?


Cameras can be as personal as a custom suite. I agree that the photographer behind the camera is much more important then the brand of camera. I suggest you fly to New York and go to BH or Adorama and try different cameras, find the ones that fit your hands, face and eyes. Check the camera menus for understandability. For instance, I hated the feel of Minolta Maxxim cameras, but I shot Nikons since the 1960s.
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May 19, 2019 15:32:29   #
Tino wrote:
My question for everyone on here is this. Out of all the shots you take what is the percentage that you would consider displaying on a wall in your home for anyone to see? Not that I take a lot of pictures but out of what I have taken, I find very few that would be worthy of displaying. My girlfriend thinks a number of my shots are beautiful but I disagree. Then again, I am a very harsh critic of my photography and can always find something wrong.


When I shot professionally in the 1970s, large format 8x10 architecture, every shot had to be a keeper, so every one was a masterpiece. But we shot six to ten pictures a day at best.
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May 19, 2019 15:20:28   #
Jrhoffman75 wrote:
Iceland CAN be very expensive for travelers, but it doesn’t have to be. Aside from fuel, where there aren’t any options, you can find inexpensive guest houses with breakfast buffet for lodging and gas stations have the great hot dogs. Look for lodging in the area just west of Vik for a central base.

A four day visit in the southern area will give you a good exposure to the types of features Iceland has to offer. Golden Circle trip has waterfalls, geothermal and the rift area. A little further east and you have Sellfoss and Seljalandfoss.
Iceland CAN be very expensive for travelers, but i... (show quote)


My son toured Iceland a couple years ago. He raved about Icelandic hot dogs from a 24 hour stand at the old harbor in Rykevick. They went in January and saw a lot of northern lights.
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May 19, 2019 14:17:29   #
Pysanka Artist wrote:
I have finally decided to muddle through purchasing a tripod system. I need help with quick release clamps and plates. I am thinking of purchasing an FLM CB-32 F ball head. I will need an arca quick release clamp and plate. I will be using my Canon 7D Mark II. I will also be using the Canon tripod mount rings B and D.

FLM has a 40 and a 60 quick release clamp that is compatible with arca plates. And there are a gazillion other quick release clamps out there.

And then I need to buy an arca plate for the 7DMII. Again -- a gazillion choices.

I need recommendations for a good quality clamp and plate -- something I'm not gonna have problems with that will work with my equipment. Do you have any?
I have finally decided to muddle through purchasin... (show quote)


If you haven't used a ball head, I would recommend you look at pan tilt or geared heads. I never got comfortable using ball heads. YMMV. For plates, etc I recommend Kirk.
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May 19, 2019 00:18:00   #
Wags wrote:
My daughter in law has asked me to provide photography for an upcoming reception that she is hosting for a non-profit organization that she heads up. What I know so far is that it will be indoors, late afternoon, early evening, but I have not seen the facilities yet. It will most likely include random shots and a number of group photos. I haven’t said ‘yes’ yet because this is way beyond my pay grade, but I am excited about the opportunity. I shoot with a Nikon D500. I have a Sigma 18-35, and a Tamron 24-70. I do have a flash that I can use, depending on the lighting. I’m looking for any suggestions I can get. Thanks!
My daughter in law has asked me to provide photogr... (show quote)


Since this is a business reception, be ready for a bunch of speakers at a podium and grip and grin awards shots. Get close, shoot quick. Your 18-35 should be your best bet with flash for everything. Practice beforehand.
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