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Oct 15, 2017 07:58:15   #
Bill,

Just for my knowledge what focal length lens are you usually shooting and how far is the distance to the birds roughly?

Best,
Todd Ferguson

billnikon wrote:
When shooting birds in flight I like Aperture Priority, let us say I am using 6.3, I then want to shoot at least 1/2500 sec. So I play with my ISO until I get the shutter speed up to where I want it. I use Aperture Priority to knock out the back ground so the bird is isolated. I also use GROUP AUTO FOCUS, continuous auto focus, center weight metering (not spot). If my shots are dark or light, I use exposure compensation as a final adjustment. Good luck and keep on shooting until the end. ie. If I am shooting white birds, I tend to go a +1 on exposure compensation, if my birds are darker, I might go the other direction with exposure compensation.
When shooting birds in flight I like Aperture Prio... (show quote)
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Oct 15, 2017 07:20:01   #
Shoot RAW plus JPEG and keep a copy before you give him the JPEGs.
Some editing by you would be a nice thing to do also...perhaps have him pick out some shots to edit if you don't want to be stuck doing a ton of edits...

Best,
Todd Ferguson
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Oct 15, 2017 07:14:42   #
Haydon wrote:
Your WB is set to auto in the first image. Maybe a Custom WB is in order. Using a X-Rite Color Checker Passport would be the best choice here.
Please forgive me for a quick WB adjustment. This took a matter of seconds. Hope no offense is taken Cookie.


Haydon is spot on Cookie...it is a white balance issue.
If you have filter on your lens take them off.
Use a lens hood to provide protection against bumps and any flare from the sun.
Shoot in RAW and you can easily fix any white balance issues in PP.
Invest in a ColorChecker Passport for accurate color and WB.
Start watching some of the videos about the CC Passport on YouTube now.
Your shots are definitely improving.
Some could still benefit from some use of DOF and some cropping.
Study and practice the Rule of Thirds when composing or cropping.
Your camera may have a grid that you can turn on when shooting or reviewing to help with composition also.
You are getting there...keep at it!

Best,
Todd Ferguson
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Oct 15, 2017 07:00:21   #
Why would you ignore the meter? It is still telling you where the camera's meter sees the exposure based on all the parameters that you are shooting at that point in time. If the meter is telling you the shot is going to be over or under exposed it likely will be. Shutter and aperture priority are just saying that you are choosing that parameter as more important at that time.

I shoot a lot of trains moving at 50-70 mph. I shoot those in shutter priority mode with a shutter speed of 1/2000 most of the time. I select my ISO and set it, I don't care for auto ISO because l feel it gets it wrong too often. I prefer to control the parameter. The camera then selects the aperture. It is usually in the f/2.8 to f/4.0 range. That is generally fine because the subject being 100 feet or more away gives me decent depth of field at these open apertures. A DOF app for your phone or tablet can help you understand the combinations and how they will impact your results too.

I need to freeze the motion in this shooting because without that I don't have a worthwhile shot. If my meter is telling me I am overexposed or underexposed then I can judge if that is something I need to change in shooting or will deal with in post processing. Sometimes location of the sun and the orientation of the trains puts you in a backlight situation. It is up to me to decide how I want to shoot that situation. It is based on my knowledge of my equipment and what is most important to the shot. I can let the aperture go more open, I can increase ISO to get a closed down aperture at the same shutter speed, or I can reduce my shutter speed priority if I think I can still freeze the motion. These are the decisions I make as the photographer.

The other important consideration is understanding you different metering modes and using the metering that is most appropriate for the shooting situation. Again this is based on knowledge of your equipment, experience and experimentation to gain that knowledge. For example, if Imam using spot metering do I have that metering mode linked to my focus point or not. Something simple like that could greatly impact the exposure.

So, experience and knowledge are your friend. The great thing about digital is the cost is very low to experiment. In film days it was very expensive to just fire off a roll of Kodachrome 64 to try some experiments. Today I can go out and shoot a few hundred shots if I want and if I don't like the results I can still learn from the exercise and simply delete them when I am done.

Also keep in mind that shooting birds is one of the most challenging and expensive types of shooting you can undertake. It will take time and practice to get good at it...

Best,
Todd Ferguson
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Oct 15, 2017 06:28:49   #
I don't understand why people complain so much about the installation of the MagMod mount for Speedlites. Put it on once and leave it on... Why take it on and off? I have had the mounts on my Speedlites for years with no issues.

I do agree that the Speedlites need to have better and stronger mechanisms for holding different angles. That improvement should not be that hard to design into the next generation of Speedlites. But if you look at the capabilities of Speedlites 5-10 years ago vs today they have come a long way.

It sounds to me that your assessment is that each solution is a compromise. That is true but I am very happy with the MagMod overall systems capabilities and ease of use as a Speedlite modifier platform...

Best,
Todd Ferguson
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Oct 14, 2017 10:52:13   #
Or if you are shooting in manual just find the proper exposure of the soil with the spot meter and just shoot away or adjust after that if you want to change aperture or shutter speed for your subject. Several ways to skin the Cat...no pun intended.. Exposure lock is probably very underutilized by most people...

Best,
Todd Ferguson

CatMarley wrote:
Very much not a negative! Suppose you have an unusual lighting situation and you want to use an area such as soil to meter, since it approaches 18% gray in tonal value, but you want to spot focus on your subject's eyes. You need to have your exposure lock onto the soil and then your spot focus on the subject's eyes.
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Oct 14, 2017 10:21:48   #
The 100-400 II only has a magnification ration of 0.31... not near macro. But you can get some fairly good close up shots if you are willing to crop. I do the same with my 70-200 and the 2.0 TC III. The one thing that I don't really care for on the 100-400 is the external zoom...but it is an excellent lens and value.

Best,
Todd Ferguson


Architect1776 wrote:
I have the 2x and the 100-400 MII. If you can afford it get the 100-400. Focuses to slightly less than 3' at 400mm. That is approaching macro capability and far better that any other zoom in that range and that includes the 70-200 lenses too.
The 2x on your 70-200 will work very well with virtually no loss of quality with the MIII version so you can save a lot of money to get 400mm. The problem is you need to change lenses with the 2x to get 400mm where with the 100-400 you get nearly the same range of focal lengths in one lens and no changes required. Keep the fast 70-200 for low light but I would go the 100-400 if budget allows and it will become your go to general purpose telephoto lens except in limited dark situations.
I have the 2x and the 100-400 MII. If you can affo... (show quote)
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Oct 14, 2017 10:15:44   #
markngolf wrote:
I use the 2X III with the Canon 70 - 200 f/2.8 II. IQ is still excellent.
Mark




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Oct 14, 2017 10:12:13   #
If you have a spot meter and an idea how much you can safely push your exposure to the right you can use this simple but reliable technique if you are shooting in RAW. Simply identify the brightest area in the frame and spot meter on this place. It is often a cloud on a daylight shot. The meter will meter this bright area as middle gray. I know on my camera I can safely open up two and two thirds stops. I also use this method with a handheld 1 degree spot meter. The issue you can run into with a spot meter on a camera is that the spot is larger and its size varies depending upon the focal length the lens is set at for the shot.

Best,
Todd Ferguson
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Oct 14, 2017 07:19:48   #
Unobtanium!!!

ttheme wrote:
When will the Nikon D850 be available for purchase?
Thank you
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Oct 14, 2017 07:15:27   #
What about the Three Tenors...

Best,
Todd Ferguson
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Oct 14, 2017 07:11:41   #
Paint the wood...flat black perhaps...

Best,
Todd Ferguson
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Oct 14, 2017 07:07:46   #
LFingar wrote:
First, take a bunch of test shots of different scenes under different conditions and see if it is actually detectable in your photos. If not, I wouldn't worry about it. If it is detectable in your shots, or if it just bothers you enough knowing it is there, I would contact Nikon. If it can be repaired you know they will do it right, although, you may find it isn't worth the price.



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Oct 14, 2017 07:02:33   #
If the light meter indicated the exposure was correct as you say then the light meter must be working. As others have suggested set the ISO at a value, say 200 or 400 and try shutter or aperture Priority mode and see what the meter is selecting...

Best,
Todd Ferguson

joanloy wrote:
I have a Nikon D500. Yesterday I was shooting outside in manual mode and the light meter quit working. When I changed the aperture and/or shutter speed the light meter indicated that the exposure was correct because I was using auto ISO. When I changed the ISO the pictures were not correctly exposed, and I could not get a correct exposure. I have changed to a few different lens, and the lens is not causing the problem. I have called Nikon. The person I spoke to could not find an answer, and I'm waiting for a call back.

Does anyone have any idea what could be wrong and if I can do something to correct it? I really don't want to send it to Nikon.
I have a Nikon D500. Yesterday I was shooting out... (show quote)
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Oct 14, 2017 06:53:25   #
Dehaze slider in Lightroom CC. Viberance Slider will enhance blues and greens. You can hit the J key to toggle black and white clipping points and use that sliders for Blacks, Whites, Shadows and Highlights to adjust your Dynamic Range. If you really want to optimize your colors I highly recommend you invest $100 in a ColorChecker Passport. Probably the best $100 I have spent on digital photography.

Best,
Todd Ferguson
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