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Posts for: Chappy1101
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Aug 11, 2023 18:27:26   #
luvmypets wrote:
No, that hasn’t happened to me…..yet.

Dodie


That makes two.
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Aug 6, 2023 21:16:35   #
DirtFarmer wrote:
That is correct. You can do it that way. But it's a LOT of work if you have a lot of image files.

It's much easier to make the path be the same by renaming the new disk.


OP write that he had 600 files in a moved or new folder. Easy then to update the folder location, not 600 files one at a time!
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Aug 6, 2023 17:17:18   #
Jagnut07 wrote:
Good clear explanation. Maybe you can help with this:
I have all my photos on an external drive and the LRC catalog on my laptop. I have copied all my photos to another external (mobile) drive. How do I get LRC to look and use the photos from the new mobile external drive?
TIA.


If you copied/moved your photos from within Lightroom (best practice), then you are done. The laptop catalog "knows” the location of your files.

If you moved them via the OS (Explorer or Finder), then Lightroom will now show a bunch of question marks or exclamation points because it does not find the files anymore. While in LR, you can then right click on those folders with marks, and update the file locations.
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Aug 6, 2023 13:42:09   #
davidrb wrote:
I created a folder with 660 photos in it. It was inadvertantly created as a sub-folder. It, and the 660 photos are still in the host folder. I do not want that set-up, I want a separate folder in the cateloge with those 660 photos in it. The drag and drop technique does not work in this manner.


Might understand a part of your issue. Lightroom (Classic) gives you the option of showing total photos in parent folders that are contained in all of each parent folder’s subfolders. You might want to disable that option in the top Library Menu in order to see where your 660 phots actually reside. Them move them, if necessary, before removing the unwanted and empty subfolder.
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Jul 30, 2023 19:40:04   #
jerryc41 wrote:
Amazing, but this isn't a professional product, and I don't need Pro, nor do I want to pay $21 a month for it. As an instructor said on YouTube last night, "Do you want to keep paying indefinitely for a program you might use once a year?"


Jerry, recently discovered Davinci Resolve: a very complete video program that you can use to compile a “slideshow" of stills (and even add some audio). It’s free for less than 4K Video (2K HD is great for a slide show), and lots of online tutorial/help.
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Jul 29, 2023 16:15:27   #
MJPerini wrote:
The question has been answered, but I will make a suggestion, an iPhone can export pictures in lots of resolutions , from small to 'Actual Size', and the quality difference is huge from small which might be 100kb to actual size which might be from 3 -10 MB or more, further some email programs further limit size.
So if you want the best quality, email them to yourself one at a time , actual size.
There are also ways to export RAW from newer phones
Good luck


Really good point! When someone sends photos via email, it’s unlikely they will send them in Actual Size. In your wife's case, you may consider signing into her ICloud.com account on your PC/Mac. Then follow the directions earlier in this string by downloading the desired files to your PC/Mac folder to be synchronized in LRC.
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Jul 14, 2023 19:05:26   #
Well there you go. Clearly I did not know what you “meant”. Just read your words. That’s the danger here. The written word may not convey the nuance or tone where misplaced humor or sarcasm might be evident in f-f communication.
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Jul 14, 2023 17:33:37   #
sodapop wrote:
For crying
out loud, they were just kidding. Cant you see that?


You can’t be serious. No humor there. People follow bad advice from the internet all the time. This whole string should be taken down!
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Jul 12, 2023 08:42:26   #
larryepage wrote:
This is an interesting result. It also pretty much illustrates some of the folly of what we have been discussing. Before I mention a couple of considerations, let me reiterate my belief that you should do what makes you feel comfortable.

With that in mind, consider first that Tiffen filters, while they have been around for a very long time, are not a choice that routinely comes up when "good" filters are listed. I've not bought any of their offerings in recent years, so cannot speak personally about them, but that may be part of what is going on. Also...a number of filter purveyors offer a number of "grades" of filters. Bargain grade options usually present very different design and performance oarameters than come with premium products by the same provide.

Second, the 200-500mm lens is a specialty lens. Many parameters separate it from just about every other lens in your kit. Physical size, element size, construction type (perhaps), and optical grade (perhaps). Is it valid to generalize an observation made with this lens to all of your other equipment?

Third, your experiment is based on a quite extreme usage case for your 200-500mm lens at 500mm. I would be much more interested in results of a similar experment at a more typical subject distance...more like 100 feet, 300 feet, and infinity (or close), especially before making a general decision affecting usage of all my lenses.

As a photographer, I'm aware that we all need to make decisions about how we do the procedural parts of our craft. But as a scientist and particularly as an engineer I am convinced that we need to make those decisions in the most valid ways.
This is an interesting result. It also pretty much... (show quote)


Thanks for comments. Agree on your validity point. I did not mean to conclude that using a filter necessarily brings with it impaired IQ. But I certainly have reconsidered my practice of using them for physical protection, especially when with the sunshade in place.

And I did not of course explain my entire process. Suffice to say that the 200-500mm issue did not surface from a 20’ experiment on a $20 bill. The soft focus with that lens was apparent from many and varied real shooting situations at varied lighting and focal lengths.

Also, carefully checked 24-200mm Z, 105mm Macro, and 50mm f1.4-all with Tiffen UVs. No issues on any of them with focus or on/off filters. Clearly I experienced a single filter defect on the 95mm UV (btw, did not go to the trouble of rechecking with the replacement filter from Tiffen; just put it on the “shelf”).

The simple empirical $20 bill check of filter on/off, came only after several sessions of meticulous focus calibrations on standardized and carefully measured target sheets. Much ado about very little. Sometimes when in the forest, we can fail to see the trees.
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Jul 11, 2023 21:04:13   #
I find this whole topic somewhat redeeming. Had similar experience a couple years ago with a 95 mm Tiffany UV filter I bought for a Nikon 200-500mm. Also thought IQ too soft. Tried various micro calibration adjustments, etc. Then using $20 bill at about 20’ distance, zoomed to 500mm, discovered huge improvement by simply removing that costly filter. Tiffen did not dispute, and sent me a replacement filter (mine was out of warranty). Yes, I am an old film photographer and have always used a filter on all my lenses - no longer doing that!
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Jul 4, 2023 19:11:38   #
chasgroh wrote:
...I just use Beta for everything. Save as usual. When it's done it's done. I've even set my preferences for that in the external edit panel (that way when I right click to go to PS from LR it automatically goes to Beta). <shrug> No problems, if there *ever* is I'll just fall back to the newest PS I have on my 'puter.


Beta is fun and can be very interesting. No criticism here of Adobe, but Beta to me means all bets are off: stability, crashes, losses, etc. are all part of the agreement to try and to evaluate. Your choice, but I choose not to work on serious stuff that way. OP approach sounds smart.
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Jun 25, 2023 12:00:48   #
fetzler wrote:
1. Follow Burkphoto's advice.

2. Is the cable that you purchased compatible with your camera and flash. I know that Nikon has changed their "standard" a few times in the past.

3. Does the cable work on manual flash? This should only require the basic pins on the flash shoe.


One more thing to try. Recently had situation with Flashpoint/Godox in setting up remote wireless shutter release using flash trigger. Receiver is attached to camera via cable for this function (not via hot shoe). It did not work unless the camera was turned off during attachments and turning the rcvr and transmitter on. Sequence in this case did matter, and this was in fact documented in the manuals (for anyone actually reading them)😄
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Jun 18, 2023 14:51:29   #
b top gun wrote:
This post is very specific; I want to hear from you if you have hands on experience with the Nikon FTZ adapter and any of the following Nikkor AF lens ONLY...18-200 DX VR, 24-70 f/2.8 non VR iteration, and 70-200 f/2.8 current iteration....I want to know how the auto focus has performed...I have read comments that not all Nikkor AF lenses function when coupled with the FTZ. Hands on experience only, please.


I realize I’m not addressing your specific lenses, but maybe of value to you. I’ve been using FTZ II on Z6 with 200-500mm for past couple years. Excellent AF. Same true for 105mm Macro and 50mm f1.4.
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Jun 11, 2023 12:37:47   #
Gallopingphotog wrote:
Do mirrorless cameras have interchangeable lenses like DSLRs? If so, can lenses used with a DSLR be used also for a mirrorless? I have a Pentax k-DII but as I get more arthritic, the weight becomes more a factor. Unfortunately, we the nearest camera store is a 2-hour drive away (I do not consider Best Buy a camera store) and it doesn't carry Pentax so I'm just kind of noodling around looking for information. Thanks!


Don't forget the wonderful Fuji X100 series fixed lens mirrorless 24MP APSC Sensor compact digital camera. Love my 4th gen. And the new 5th gen is in high demand! A great addition, for me, to my Nikon equipment (for travel, street, family, parties & social outings, even serious photography).
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Jun 10, 2023 21:35:57   #
bdk wrote:
When I take a pic, I own it. Copyright law says its mine. To further prove its mine i put the C symbol and my name on the pic. To further prove ownership I can record it with the copyright office.
A few years ago, a guy took a copyrighted image. Then made changes to the image and claimed it as his own.
It went to court and the original owner lost , the court said it was a new image once edited.
Now look at the image with this message.
It is an AI created image. Copyright law is still being written I believe for these AI images.
so I took the original image, I made a few changes, and by the case mentioned above I should be able to claim it as my image and copyright it.
Whats your thoughts?
When I take a pic, I own it. Copyright law says i... (show quote)

Adding to the comments of others, not that simple. If you all have not read or followed it, here is recent Supreme Court ruling that decided against Andy Warhol on his rights to a changed photo of Prince by the original photographer. Copyright was upheld!
https://www.npr.org/2023/05/18/1176881182/supreme-court-sides-against-andy-warhol-foundation-in-copyright-infringement-cas
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