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Oct 31, 2017 12:14:47   #
I really like the way Laura Shoe does her videos in 5 to 15 minute topic based bites... For me it is good to actually see the steps being done too...

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Todd Ferguson
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Oct 31, 2017 12:10:44   #
Great summary of the Canon Speedlites Alan. I have 3 600s and the STR3 for the camera. I just got back into Speedliting about 2014 so there were big changes from even 5 years before. I have been very happy with the quality, capability and portability of the system. It is very robust in capability. If I was going to be using them mainly indoors though I would consider monolights for more power. The ETTL capability and the radio communication and ability to control the settings and groups from the camera are really nice features.

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Todd Ferguson
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Oct 31, 2017 10:08:08   #
The trick to using the flash in manual mode is to understand what the output of the flash is at a given distance and use that to help determine the aperture and shutter speed to get the results you need. This will take a little understanding of the Guide Number and how it is calculated unless you have access to a handheld meter to get a reading of the flash output at a given distance. You can also do test shots to determine this if you don't have access to a handheld meter. With manual flash you will have the best results if the distance from the flash to the subject is not changing. If they flash is always 10 feet from the subject you will get a constant exposure of say f/5.6 at 1/100 at ISO 100 for example. You as the photographer can move closer or farther away and the light the flash is putting on the subject will remain the same. If the distance from the flash to the subject is changing, such as kids running around you will have trouble getting accurate exposures with the flash. This situation is where ETTL flash is so much better because it fires a pre flash which the camera then uses to calculate the proper exposure...amount of flash to use. Manual flash is limited in usefulness in some shooting situations, but in the right situations it can work just fine.

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Todd Ferguson
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Oct 31, 2017 09:56:06   #
The light meter is simply trying to meter whatever it sees to medium gray, 18% gray. If you take a meter reading of a polar bear on a snow field the meter will underexpose the scene and it will come out gray, if you take a reading of a black cat in a coal mine the meter will overexpose the reading to make it come out gray. The same can be demonstrated with a piece of black paper and a sheet of white paper. If you use a reflective meter to meter them the result will be a gray image. This is why you can use an 18% gray card to meter and set exposure. It will meter fairly accurately because it matches what a light meter is trying to do...make everything 18% gray. Meters can be fooled by backlit or high contrast scenes and also most cameras have several metering modes and the mode can also impact the accuracy of the metering. Meters just read the amount of light being reflected by the scene elements. This is the way a camera meter works, reading reflected light. A handheld meter usually reads the ambient light, that is the light that is falling on the subject or scene. Not the reflected light. There are meters such as the Sekonic 758 and 858 that also have spot meters built in to meter reflected light from a small area of the scene. Reading the reflected light is the same as how a camera meter works. A camera meter cannot make a reading of the light falling on a scene or subject like a handheld meter can.

And a meter does not create or impact the noise that can occur in a photo. Noise comes from the electronics involved in converting the analog light received by the sensor into digital data that the camera uses to create an image. There are many good videos about metering on YouTube. Search for Sekonic 758 or Metering Basics Photography. Then Watch and Learn.

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Todd Ferguson
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Oct 31, 2017 09:23:17   #
Get the larger screen. The cost is probably not that much greater over the life of the laptop. You have to keep in mind that these are diagonal measurements so the actual area is much larger on a 15" vs a 13" screen. If you want you can always add a monitor at home later on. I have a 15" MacBook Pro...love it.

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Todd Ferguson
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Oct 31, 2017 09:13:16   #
Yes Sir, Much improved...you are on your way now!!!

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Todd Ferguson
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Oct 31, 2017 09:07:46   #
Some people, like my buddy, carry a gun, I carry a BIG Canon!!!

BebuLamar wrote:
That's what I thought all along. You must have a gun.
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Oct 31, 2017 09:01:17   #
Don't assume that they can't see out just because you can't see in, it doesn't necessarily work that way. It sounds like he saw they flash fire for sure. It sounds to me like he may have been up to something he wanted to keep private. That is not wrong. But I would never offer to give anyone a memory card. I might delete a picture if the police told me I had to but that would be a stretch too in most cases for me. If you felt threatened then you should probably have called the police. Otherwise I would just continue on my way.

Best,
Todd Ferguson

gloryg wrote:
I was just taking some pictures today of some scarecrows for a photography contest. I first was taking them in one of the near by towns. It is an annual event. Kids make scarecrows on the main street in town.

I live in an apartment complex. When I came home from taking pictures before I happen to notice someone had put a small scarecrow on the lawn. This small scarecrow was small and cute and I thought I would take some pictures of it.

I was not inside any of the buildings in the complex. I was on the side walk and the scarecrow was on the front lawn of one of the buildings.

Most of the apartments you have to go up stairs to. There are a couple of apartments in the complex that are on the ground floor.

Where I was taking pictures was on the other side of the complex and I don't know how the apartments are set up where I was taking the pictures.

I took some pictures of the scarecrow and it was getting dark so the flash did go off.

The next thing I know some teenage kid comes out of the building as if he was going to attack me saying why was I taking pictures of his apartment?

I didn't even know what he was taking about. Apparently this was one of the ground floor apartments.

I could not see into the building since there were blinds and they were drawn. The scarecrow I was taking pictures was small and of was on lawn on the ground.

I told him what I was doing. I showed him the photos of the scarecrow and even offered to give him the memory card.

He said he was sitting inside with his friends and saw the flash and one of his friends said there was someone taking pictures of his apartment. The blinds were drawn and I could not see inside this apartment. If I could not see inside he would not have been able to see outside. So something sounds fishy to me.

I have lived here for over ten years. I see people taking pictures all the time in the complex with camera and with their cell phones. I take pictures around the complex all the time. I have always tried to be careful and considerate and not to take pictures of windows. I am wondering if this kids were up to something and maybe I should have called the police? This kid seemed like he was going to attack me.
I was just taking some pictures today of some scar... (show quote)
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Oct 31, 2017 08:53:13   #
I use my Speedlites to shoot a drag races, usually using 2 Speedlites. You can get light stands that are pretty small when you break them down. One I use is a Matthews background stand to which I added an extension. It can go from ground level to to over 6 feet and breaks down in 30 seconds to air in a old computer bag or a backpack. There are also less expensive stands but this now is rated to hold 22 pounds. But I usually just have a speed light on an umbrella mount and a MagMod modifier or two. So, keep that in mind for the future. It is useful both indoors and outdoors.

Best,
Todd Ferguson

SusanFromVermont wrote:
Eventually I may get to those accessories, but mostly shoot outside and cannot carry a lot of gear. The speedlight - first step - will help with both outdoor and indoor photography, but I tend to move slowly on acquisitions. No GAS attacks allowed! Thanks for the video suggestion. I'll take a look at it.

Susan
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Oct 31, 2017 08:28:21   #
So, I see your point is you don't agree and don't want to shoot anything using that method. Great, don't. I am not saying you have to use the technique or saying you should shoot that way. It is another way to shoot and meter a scene that is out there if people want to try it and judge for themselves. Most people will probably just stick to chimping their jpeg histogram or using their phone.

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Todd Ferguson
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Oct 30, 2017 21:33:59   #
A light stand, umbrella and umbrella holder will quite possibly quickly follow the light... Check out Robert Harrington's video One Speedlite, Multiple Looks on YouTube...

Best,
Todd Ferguson

[quote=SusanFromVermont]The flash I have on my wish list will shoot in all directions, including backwards, making it excellent for bouncing light. It will also function as a master for off-camera speed lights. The other speed lights will come later after I have gotten some experience with the one. [The only flash I have now besides the on-camera one is a Nikon SB200, a low power light to use off-camera for macro photography. My on-camera flash acts as a master, just have to open it and block the light with a little shield that fits in the shoe!!!

Problem with getting a Speedlight off camera is I either have to hand-hold it or figure out a way to clamp it to something! This I will eventually have to tackle.[/quote]
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Oct 30, 2017 21:27:27   #
canon Lee wrote:
Thanks for the heads up. I ordered some filters from Paul C Buff co. I will try them out and let everyone know if they blocked enough UV to solve the problem.. Thanks again.


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Oct 30, 2017 21:25:52   #
I think the important thing to consider is rather you really need the ease of portability of Speedlites. If you need to shoot outdoors often or at certain sporting events, weddings, etc then Speedlites might be a great solution. If you are mainly shooting at a home studio or setting up for a family holiday event then monolights might be a better solution. Certainly dollar for dollar monolights can be comparable to good Speedlites. Monolights can put out more light than Speedlites and some have LED modeling lights that can also double as video or constant lighting. Speedlites are smaller and easier to transport and more weather resistant than many monolights. Monolights are much easier to use modifiers with in most cases. And if you have to light a large group monolights can provide the punch of light that would take many Speedlites.

There are other factors such as power supplies, batteries, high speed sync, IR and Radio control and firing. Both Speedlites and Monolights have come a long way in their capabilities in the past 5-10 years. It seems there are always hard decisions and compromises in photography equipment these days.

Best,
Todd Ferguson
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Oct 30, 2017 21:09:11   #
SusanFromVermont wrote:
I agree that Light is the third element in the exposure triangle. But it is simpler to say ISO, as one of those 3 factors that may need adjusting in the camera. Of course changing the amount of external light is the best solution! Just need to understand the best way to do it in different situations...

I seem to remember the existence of an Inverse Square Law from some course I took at University... Not that I remember it now! I am guilty of not having a good speed-light, but have finally decided to buy one. Now all I have to do is get around to it [already decided which one!].
I agree that Light is the third element in the exp... (show quote)


Good videos on the inverse square law and how it impacts photography lighting on YouTube. Sometimes I think inverse is the right word as it flys in the face of what people logically think light will do. Put a softbox a foot from the subject's face and many people don't realize that at 2 feet from the light you will only have 1/4 the light. At 3 feet 1/9 the light...the falloff is fast. Move the light 20 feet away and the falloff will be hard to notice at 21 or 22 feet...

If you get that Speedlite get it off camera, even if it is only at arms length with a $5 sync cord...

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Todd Ferguson
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Oct 30, 2017 20:38:46   #
If one is looking at monolights you might want to look at the Buff Digital Bees.

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Todd Ferguson
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