I've had a number of different meters over the years.... Sekonic, Pentax, Minolta, Gossen and others. I still have a bunch of vintage meters in my collection (Weston, Leitz, Konica & others).

But my current and relatively recent "users" are:

Sekonic L358... digital readout incident and flash meter with modern range that works well for digital. Can be set to read out in 1/2, 1/3 or 1/10 stops, depending upon your need. It's a discontinued model, but the L308 is the same except it doesn't have option of adding a radio trigger. The more expensive L358 can be fitted with internal Pocket Wizard, Radio Popper and some other triggers, for use with wireless studio lighting rigs). It can still be found used, or just get the L308 if you don't need the radio trigger option. I take this meter with me any time I'm out shooting and use it fairly often. (Sekonic still offers meters with built-in radio triggers... but AFAIK they are no longer user interchangeable, so the meter is dedicated to a specific triggering system... though of course it can still be used for general purpose, non-flash metering or with any flash system that's triggered manually or by other means.)

Sekonic 298 Studio Deluxe... probably almost 40 years old now. This is an analog incident meter. Built like a tank, simple and doesn't require any batteries... it uses a light sensitive cell that generates it's own small current for the meter readings. This type cell is prone to losing accuracy and failing over time... but the one in this meter has been flawless and accurate for all those years, with no signs of any issues. It's "old school" metering, has a little metal leaf that the user slides in place for stronger light, removes for lower light conditions. I'd still be using this meter and would never have bothered with any others, except that the 298 can't meter flash. It's an ideal backup for outdoor, daytime use, since it requires no battery and is simple to use. Sekonic still makes the very similar L398 Studio Deluxe!

Minolta IV F... another digital incident/flash meter. Must be prior to 2003 since that's when Konica and Minolta merged and started selling them under their joint names. Works very well, but wasn't ideal for use with modern digital cameras. I keep it as a backup to the L358... and now can't even recall how it didn't work as well as the Sekonic for digital. The same meters sold under the Konica-Minota name until 2006, when Sony bought K-M's photography division. Sony spun off and sold the light meter division to Kenko, who still make them today. I'm sure Kenko has appropriately updated the meters and wouldn't hesitate to buy one if needed.

Minolta III F.... an earlier version of the above incident flash meter which I used extensively with film cameras. I've hung onto it because I have a number of specialized accessories for it, such as a fiber optic extension that allows metering through a camera's viewfinder, another that fits inside a 35mm film camera right at the film plane, and others. It also works well to take readings off the ground glass of medium and large format cameras and was great for macro lighting. I don't use it with digital, but occasionally get it out when shooting film. Another meter with ranges and readouts more appropriate for film than digital, I updated from this meter in part because batteries for it are a bit hard to find (the Minolta IV F uses easy to find alkaline cells).

Pentax, Sekonic and Soligor 1 Degree Spot... other specialized reflective meters that I used extensively with film. Modified slightly for use with Zone System and black and white film. I started out with the Soligor and used it for some years, but it eventually stopped working (though it's still somewhere in storage.... it's a cool looking, all metal beast). Replaced it with Pentax and Soligor 1 Degree meters and used those for a number of years. These are reflective meters which measure only a very small area (as the name suggests!). The technique using them was to measure multiple locations in a scene to determine the dynamic range and "place" tonalities as one see fit, by the exposure, film processing and enlargement techniques used to make a print. I don't use these (or the Zone System, for that matter) with digital.

Gossen Luna Pro were another incident/flash meter I used a lot. I think I've sold them all now, though there might be one or two old ones in storage. The models I had required now-unavailable mercury batteries... but Gossen made a little accessory that instead allowed using a pair SR44, type 303 or other silver oxide batteries, which continue to be available. That worked well, so those old Gossen are still fine to use. (That little accessory device also works well in some vintage cameras that similarly used mercury batteries.) I'm sure Gossen has updated their meters to modern batteries and specs, and wouldn't hesitate to consider them if I needed a meter.

Polaris is another brand I've seen and heard of, but not personally used. They seem fine, too.