Thanks Sarge, that fixed the page for me, now they are identical on ipad and laptop but I still cant log in from the ipad. Any suggestions?

If ? + ? is B & H, see this:
Nasim Mansurov
December 13, 2012 at 8:36 pm

just return it and buy it again at the discounted price! And if you do not want to deal with returns, give B&H customer service a call tomorrow morning. Tell them to give you the difference back – I am sure they will do it. Otherwise, you have 60 days to return your gear and buy it again at the new price!

Read more: http://photographylife.com/nikon-d800-200-off-nikon-d600-kit-700-off#ixzz2F6EWiqQA

Hope that puts a smile on your face.

Yep it's true. That 'fog' is the residue of saliva and saliva is full of acid. Helps the teeth break down food particles. Never lick your glasses (if you wear them) and then polish them, especially if they are coated lenses. Eventually you will see the coating come off.
A good tip for Divers though is to spit inside your dive mask (or wipe it with a potato is good if you have one handy), it will stop the inside of the mask fogging.
Dont ask how I know this stuff. Ask me something important and I'm stuck for an answer :)

I sit in the workshop (where I am allowed to smoke) with my morning cuppa tea and the iPad. Same problem as you. But, wait there's more; I cant log in from the iPad. Weird. Sorry I cant help with your dilemma. Maybe someone will help us both.

My earlier reply wasn't intended to kill your dream. And if you took it that way, I apologise for my lack of tact.
I was just trying to bring a touch of reality to the subject as some of the answers you had received, at that point in the forum weren't exactly constructive (at times thats a feature of this forum).
Ignore those that find 'reality' depressing. They have a problem and it is unfair of them to try and load their problems on to you.
My point was; that from the tone of your question, the fact that you couldnt afford to lose even $500 (from memory), that you were relying on friends and family to encourage and endorse your idea, these are not enough reason to leap in at the deep end.
On the other hand, you will always have the knockers around to tell you you are wrong. Even when you succeed, there are many who will knock your success. Many of these of course are just envious.
Hold on to your 'dream' and like a young plant in your vege garden, water it, nurture it and encourage it to grow. Dont let the dream (or the vege :)) die. You will know when you have enough knowledge and cash to start a business. Believe in yourself. Trust me, if it is something that becomes a passion and you cant sleep at night for thinking about it - then is the time to consider taking the plunge.
As I said earlier - good luck. :thumbup:

Mate, like most websites, start at the Home Page.
Look for all sections and go from there. Cheers :thumbup:

http://www.uglyhedgehog.com/s-101-1.html
I think this is what he is referring to.

Where to start? As part of my retirement from 40 years of being self employed in various business enterprises, I now mentor young (and some not so young) businesses on a voluntary basis. Often people with exactly the scenario you propose (but not a photographer so far).
How do I turn my hobby into an income stream?
Assuming you are not going to do this full-time and rely on the income to support your family and lifestyle, there is a lot of good information already posted but first you must look at your qualifications.
Are you a more than competent tradesman? (Photographer)
How do your results compare to others in your town/city?
Do you have the Capital (money) to invest in your business? (most business fail due to a lack of 'Start-Up Capital).
And the most important qualification -- do you have a PASSION for the business?
Unless you can answer YES to all these questions I wouldnt be recommending you go any further.
If you can answer yes, then the next step is to seriously research and study as many other similar businesses in your area as you can.
However, from the tone of your question, personally, I dont think you are ready to take the plunge. Well meaning friends and family are not the most reliable of references.
I would suggest you continue as you are, talk to Professional Photographers in your area (if the environment is similar to here in NZ, they will be happy to advise you), save spare income for Start-Up Capital and research, research, research. Find an area you enjoy and are passionate about and specialise in that area. Become an exceptional photographer and learn the trade.
Then of course you need to become a Businessman as well. But that is a whole other subject.
Would be interested to hear what you decide and see where you are in 12 months or so. Good luck. ('Luck' - the residue of good management:))

The iPad2 option works well for me. I use an Eye-Fi card (pro model) that sends the pics to the Ipad as I shoot. Theres about a 1 min lag between shoot and appearing on the iPad. I do a variety of work but the beauty of this system is that the client gets to see the pics on the day. The downside is if I stuff up a shot, they often get to see that before I can hide/delete it :-( I have done a number of equestrian and farming events (we call them A & P Shows), and I usually have an assistant with the iPad sorting and deleting and taking orders (and payment) while I'm shooting. Works brilliantly. They are also backed up on to the Eye-Fi site at the same time. I have a 64GB iPad2 with a sim card. Google Eye-Fi for details to save me raving on too much but hope you can see the benefit. I use a D300s with 2 cards. I save the jpegs to the Eye-Fi card and the RAW files to the CF card. Mind you I am not taking anywhere near as many pics as many seem to on this site. (I rarely, if ever use continuous shooting or bracketing modes). I have the free version of Photoshop (PS Express) on the iPad for minor tweaking of the 'proof'. For back-ups we have 2 WD 500GB remote drives both connected via the broadband modem, in our home office, to our 2 laptops. (Doesn't work for the iPad) The computers are set to copy any new files to the WD's as and when they are found in 4 nominated files. Bit hard to explain but the 'watched files' are named RAW, Original JPEG, Client, Ordered.
The beauty of the WD drives is when we go away, they fit in our fire safe or we take them with us. Personally am not comfortable with the 'Cloud' system. Living in NZ, home of Mr Dotcom and seeing how the FBI shut him down, I wouldnt relax knowing that ultimately the US Govt actually held the key to all my files. Hope Mr Gates or Mr Cook never offend Mr Obama :)

Nearly right. It is John Key, our PM. (Not Keys) :)

Nice one. Comfy, secure and loved. :thumbup: :thumbup:
Cheers, Tony Polglase

Are you sure the 2.8 is compatible with a TC? If you mean the old f2.8 80-200, be very careful attaching a Nikon TC. I didnt think you could. Suggest you look at the compatibility chart on the Nikon website before using a TC with any zoom. You can easily end up destroying a lovely collection of glass if it ain't compatible.

Wonder what Ken Rockwell is on about sometimes. Never, ever read anywhere that anyone has had an issue with this lens. It was one of the most popular workhorses used by professionals in every sphere from War Zones to , .. wherever. Built like a tank, heavy but sharp and reliable. I wonder if he is perhaps referring to an over abused 2nd hand one perhaps.

I still use my old 80-200 2.8. Mainly for portraits now and usually on a tripod. I compared the 28-300VR to the 80-200 and imo they just don't compare for portraits. The bokeh on the old lens is just superb and on my D300s, it may just be me, but the colour just seems . . . better? I didn't buy the 28-300 but did get the 70-300 4.5. It's an 'OK' lens (for hunting) but do now wish I'd spent the extra and got the 28-300. These days my backpack (which is in the car whenever we go out), has a D200 with 18-200 attached, the D300 has the 70-300 and my old Leica M3 has a 90mm attached (200ASA colour film). I also carry a Nikkor 50 1.8. (for when I don't want to look too conspicuous). (If I'm just wandering around the shops or whatever, I usually have the little DMC LX3 in my jeans pocket)I find with this lot, its not taking up to much space in the boot of the car and I'm able to deal to almost any situation I find that might inspire me on a day out.
However, from what I've since read I sort of wish I'd gone for the 28-300 rather than the 70-300, but NZ prices being what they are!!! Couldnt really justify the cost (being a poor old retiree :cry: ).
Hope some of this might help you but my overriding comment has to be, even tho its an oldie, dont write off the 2.8 80-200. I would never sell mine. Cheers

Cheers. Yes parts of NZ are truly scenic and very photogenic. Our native bush is quit lovely. Am going to start posting a couple of pics each week once I get a bit better organised so that may give people, who havent visited, a better appreciation of NZ.