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Apr 29, 2021 14:41:02   #
bshine3742 wrote:
why dont they add some on here


We had "contests" earlier and they gradually fizzled out for all the usual reasons - same people kept winning all the time. That was back when we were having fun with it and only had a couple of pros and didn't have the constant strife of all the experts who argue, ad infinitum, ad nausea, over every nitpickin' minute technical detail that arises. There were multiple categories, landscapes against landscapes, still life against still life, sports against sports, etc., decided by popular vote and a running tally was kept of the winners and their cumulative wins by place. Worked out pretty good and were interesting and fun but were very time and work intensive according to the person who ran the section. A minor problem did exist - often the contestants didn't know in which category their pics should be entered. Here was the winner of one of the still life contests if anyone wants to see just how primitive it was in uhh back seven years ago. If I recall correctly, the other entrants that week didn't seem to understand what a "still life" looked like https://www.uglyhedgehog.com/t-139441-1.html
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Apr 28, 2021 09:44:55   #
daldds wrote:
If a Taos New Mexico workshop convenes in August, I will have a chance to spend six days or so prior at two or three national parks between Salt Lake City and Taos. I am looking at Capitol Reef in Utah and Mesa Verde in Colorado (and Durango). I’m thinking also of the Arches. I’ve been to Bryce and Zion.
I will be traveling by myself. I’m 86, healthy for my age, able to walk a leisurely mile or more if it’s reasonably level.
Is what I plan feasible? Is two nights the proper amount of time? Considering the distance, would I be better off with three nights and two parks? If so, which?
I have, of course, photographed other national parks, but I have not done any night-sky photography. Any thoughts on that?
Any thoughts at all?
Thanks.
David
If a Taos New Mexico workshop convenes in August, ... (show quote)


Altitude does some amazing things to you when you're past 80 and having covid may have left you with lingering lung issues that would not be good if they suddenly show up at altitude. I have been a physical specimen most of the 42 years I've lived in Colorado but with slight COPD and being 84 I just about won't to more than 7k feet of altitude standing up anymore and even feel altitude discomfort when sitting down in the car. Still, if you're going to tempt fate, any one of your chosen sites would be a pleasant place to "kick the bucket."
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Apr 25, 2021 10:01:41   #
JohnR wrote:
Just acquired my first 35mm since film days 20 years ago - a Sony A7 with just over 6000 shots on the clock. Looking forward to a 24-240mm lens arriving next week in the post but wondering what adaptor/lens combinations work OK on the Sony. One guy down here was selling an A7iii with an adaptor and Canon 24-100mm(?) lens. What do all of you A7 users find works well? Cheers JohnR


As imagemeister said, get the Sigma MC-11 adapter for Canon lens. I've used it now with 50mm, 100mm macro, 70-200mm f/2.8 II IS, and 400mm f/5.6 with a 1.4x on Sony a6000, a6500, and Ar73 and it is a excellent combination. If it doesn't focus as fast as on my Canon 5dxx bodies, it's so close the wildlife can't tell the difference. Only in the rarest of circumstances does any of my lens go into a "hunting loop." One thing - for IS to work you have to go into the menu and tell the camera what focal length you're using because that isn't an automatic function with the mc-11.
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Apr 6, 2021 13:06:18   #
Cwilson341 wrote:
It seems to me that the overall quality of photography posted on UHH these days has improved. If you just look at "Newest Pictures" you get a quick sampling of what is being posted and I am impressed.

The atmosphere here is good also. Most are friendly, anxious to help, and non-judgmental, whatever the problem. I also feel that the learning opportunities have increased as people openly share their ideas and methods.

Congratulations are due for one and all!
It seems to me that the overall quality of photogr... (show quote)


I agree on the quality of the images. Seems like as the cameras get better, so do the images. Another "old-tmer" and I were discussing this just yesterday. There's always been a propensity to help, even by a lot of folks who don't.
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Apr 6, 2021 12:57:24   #
gessman wrote:
You didn't miss much - I had a Yashicamat and a Rolliflex and comparing them all I saw was th Rollei barely had better edge and corner sharpness but otherwise it was a horse race, Sold the Yashica and still have the Rollei but it doesn't get much use. Made some bucks on it though. When Rollei decided to make an updated version they jacked the price up to around $1,000 which pulled the old ones way up sever hundred dollars, especially the 2.8 version.


...obviously, in my next to last line I meant to say "'several' hundred dollars." New keyboard is on the way.
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Apr 5, 2021 22:54:10   #
benjayman1937 wrote:
Hello, bridge
My first post! Back in the late 1960-70s, I too had a Yashica Mat (couldn't afford the RolliFlex) and it took great photos. Liked the 120 format so graduated to a Mamiya SLR with revolving back; film choices included 6x4.5, 2-1/4 square and 6x7. Great results but for me, it weighted too much to use in the field; it was a good studio camera. Kept it 'til 2007; sold it along with a trunk load of 35mm misc. to dealer.


You didn't miss much - I had a Yashicamat and a Rolliflex and comparing them all I saw was th Rollei barely had better edge and corner sharpness but otherwise it was a horse race, Sold the Yashica and still have the Rollei but it doesn't get much use. Made some bucks on it though. When Rollei decided to make an updated version they jacked the price up to around $1,000 which pulled the old ones way up sever hundred dollars, especially the 2.8 version.
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Apr 5, 2021 22:35:59   #
Joecosentino wrote:
I learned how to clean sensors after going through 6 bodies the year the Nikon d 600 was introduced. Anyway now the new z cameras have in body stabilization to me tha means these sensors are mounted on some form of a gyro.

I am looking for opinions on cleaning your own mirrorless sensor. I would think it would be easy to knock this system out of calibration.

Any thoughts?
Thanks
Joe Cosentino


I have two, Sony a6500 and a7r3 and have cleaned both a few times with no ill-effects. I use wet swabs and don't put much pressure on it. I haven't detected any movement of the sensor during cleaning. Just be gentle.
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Mar 25, 2021 16:57:55   #
You can set Win10 to run legacy programs. I don't know if it will run ALL legacy programs or not but evidently quite a few. Look in HELP or GOOGLE it!
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Mar 25, 2021 16:14:07   #
larryepage wrote:
Again...I see the words, I hear the hype. I don't see the wonderful new images.

I would expect to at least see some comparison images from someone who has upgraded from, say, a D3500 (or even a D5500). But I've yet to see even one. And I'm in no way convinced that there is even anywhere meaningful to go from some of the best DSLR images that have been posted here.

I'm fine with claims of improved process and flow by those who have moved from what I would call "crippled" DSLRs or from cameras that don't even provide the option for photographer controlled operation (like my ancient Nikon CoolPix P3). If my mental capabilities decline over time, I may need the assists and crutches that the new cameras can provide to replace thinking that I might no longer be able to do for myself. Or help me if I become unable to continue to hold my camera steady enough.

But I still maintain that the "better" lenses do not provide any meaningful, real-world benefits over the best existing lenses, or that the best existing lenses could not be made even better.

And what I am willing to fuss about, like the OP, is what I believe is a very disingenuous effort to replace an existing product with a more cheaply made replacement, designed and implemented to be assembled by robots, then sold at a 50% price premium while trying to make those of us who choose not to buy think we are missing out on the new "miracle machine."

By the way, I never put glass packs on any of my cars, but if I ever felt that the sound of my shutter mechanism was making me anxious, I think I'd be asking my doctor if he could prescribe something that would calm me down a little bit.
Again...I see the words, I hear the hype. I don't... (show quote)


Could it be that the reason you're not seeing any comparison shots is because some of the shots now being captured with inexpensive mirrorless cameras weren't, perhaps couldn't be, consistently captured with a comparably priced dslr, at least a prosumer dslr?
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Mar 25, 2021 14:20:44   #
NikonRocks wrote:
When I put my D500 into Live View mode, don't I have a pseudo "mirrorless camera" now? The screen that shows what is coming through the lens is on the back of the camera instead of the viewfinder. And further more I have a histogram operating in real time so I can make adjustments before the shot is taken. I can also critically focus, expose and frame the shot as needed. Why buy some new gear to keep trendy when I've got it all - 3 in 1 - DSLR, Mirrorless and Video. This will satisfy my needs for years to come.
When I put my D500 into Live View mode, don't I ha... (show quote)


So, with a d500 you can set mode "M" and watch the exposure change in real time before hand on the lcd when you turn a knob or spin a wheel to change aperture, shutter speed, or iso? I haven't touched a d500 so I'm asking? I cannot do that on my Canon dslrs but they're a little older by now.
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Mar 25, 2021 13:42:02   #
CHG_CANON wrote:
You’re a crazy fool if you think this contraption will ever displace the horse ...

You’re a crazy fool if you think autofocus has a place in professional photography ...

You’re a crazy fool if you think digital cameras will replace film ...

You’re a crazy fool if you think Americans will sit on their couch and order their shoes (groceries, books, clothes, etc) and have them delivered without ever trying them on ...


LMAO! Being an infrequent hobbyist shooter with other things on my mind, I have always had some difficulty in remembering everything that goes into total control of a dslr in terms of knowing in advance everything I need to do in order to get the image out of the camera that I want and hence, have mostly resorted to using aperture preferred mode and letting the camera make some of the choices for me. With mirrorless, because I can see the image, and hence the exposure change as I twist the knobs in "M" mode, that alone makes a mirrorless worth much more than a dslr to me. I think a lot of dslr shooters who are using a mirrorless for the first time will be asking themselves what in the hell they've been thinking.
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Mar 10, 2021 15:10:43   #
Beandip wrote:
Good morning to all! I am a “new” photographer relatively. I’ve always tried to take a million shots to get the “one” but have been an apprentice to a professional photographer fo the past few months...he is amazing and my best friend! I am happy to share some shots I have acquired over the past few months. I am soo inspired by my friend and love photography...please give me some great advice or suggestions. Thank you and keep shooting my friends.


Welcome Beandip. Exceptional light, nice shot. Looks like you'll be an asset here. I'm willing to bet that you just posted that shot as a test to see if a.) anyone here was bright enough to notice the lean, or b.) if anyone noticed, would they'd say anything. Well, either way, it looks like folks here are on their toes so that should help get your compass nicely calibrated for future posts. Either way, your education was advanced and you don't even need to say "thank you." If you want to submit shots for show and tell with no anticipation of critique, there is a place for that called the Photo Gallery. If you have an image that looks pretty good but there's something that just doesn't quite feel right about it, there are multiple sections where you can post and ask for critique, analysis, even physical help in finding out just what that nagging sensation is that you're having about a shot. If you want to explore what all subjects the forum covers, go to the bottom of a daily bulletin you should receive via email and click on "All Sections," lower right side, to get a list of all the specialty subjects that are covered in some detail and read the description for each section to determine which one, or ones, is/are right for you. Happy shooting.
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Mar 5, 2021 23:29:57   #
sudamar wrote:
Who is the most famous person you have photographed?


Queen Elizabeth II, Prince Phillip, The Queen Mum, and Princess Margaret at the dedication to the newly rebuilt Coventry Cathedral in 1962 that had been bombed out by the Luftwaffe during WWII.
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Feb 25, 2021 22:58:21   #
SX2002 wrote:
Another surprise in the mail today..I got another gong in the magazine I've been subscribing to for a couple of years now...the last pic is the actual shot...


Congratulations!!
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Feb 20, 2021 00:14:42   #
[quote=SX2002][quote=gessman]I believe she originally released this tune, "Lily was Here" in 1989. She calls Denver her home now and it pretty popular around here. Originally from Sweden she came to the States years ago around the time this tune was originally released here.[

She's Dutch actually......


Candy Dulfer - Wikipedia
en.wikipedia.org › wiki › Candy_Dulfer
Candy Dulfer (born 19 September 1969) is a Dutch jazz and pop saxophonist[/quote]

Ok. That works for me. I quoted a local source who apparently wasn't well informed and didn't fact check it.
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