gdotts wrote:
Sold ALL my Canon gear (35 years sideline football photographer) for Nikon gear. Drawn to the beautiful more colorful sharpened Nikon pictures my friends seem to have.
Canon allways seems so soft and lifeless I liked Nikon's picture control, especially VIVID but VIVID seem a little to unreal. I know I can adjust in camera picture control (D800) but what do you suggest?? Shooting Blue Angel's soon.
I withheld an editorial on your past post. Sadly, you're misunderstanding digital photography, and especially RAW processing.
Sharpening is a post processing technique
that applies to any / all cameras. Nothing unique to Nikon.
Saturation, Contrast, and White Balance adjustments are post processing techniques
that apply to any / all cameras. Nothing unique to Nikon.
VIVID is a Nikon-unique picture control. You said you plan to shoot in RAW. Although you can set the camera to VIVID, in RAW this sitting can be removed / modified, as well as you can use Standard and modify the RAW to any level of saturation desired. All things you could have done with your Canon equipment, or Sony, or Olympus, or Fuji, or any camera that captures in RAW.
For a while, I used Canon's Landscape to 'up' the saturation of blues and greens and sharpening. Then, I learned where / how to better manage these settings in my digital editor. Now, I have very discrete sharpening, using masks, and I don't have over-saturated and unrealistic blues and greens. Where desired in your digital editor, you can saturate individual colors and / or the luminance (brightness) of individual colors, things far more effective and precise than a global picture control.
You didn't respond in your prior thread to the software you'll use for RAW processing. This is the key question, along with your workflow and level of digital editing experience, things that matter far more important than the high-end equipment model and brand you plan to shoot in RAW.
Alas, prior to jumping ship, you could have presented some example images and asked how to modify your EOS settings to achieve similar results to those you were admiring. The answer might have been in the JPEG camera settings. Or, it could have been to shoot in RAW and edit. We can't go back in time now and confirm.