nikonbrain wrote:
O.K. I do alot of large format printing on a Canon IPF8300 44 inch model . mostly canvas gallery wraps .some paper for a handfull of artist. I just purchased a 38 inch Daige laminator to do face mounting metallic prints to acrylics .Of all pro labs involed in this Like Artisan HD and Prolabdigital , and whitewall they use Lambda type printers using a wet processing chemical baths made popular by artists like Peter Lik. a laser printer on Kodak Endura , or fugiflex crystal archive paper. i have printed on kodak professional metallic paper and love the look of the pearlescence of the paper and it is said to come close to the endura. Does anyone have any experence with face mounting the Kodak paper or fugi , moab ,canon etc. or SILVERING efect from laminating any particular paper......I have not attempted any laminatting yet just acquiring supplys and samples ..... just starting for my own prints first . Thanks in advance
O.K. I do alot of large format printing on a Canon... (
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Sorry I cannot help you, but am anxiously awaiting responses.
I just did a small exhibition (23 prints) of portraits from Vietnam and Cambodia. I was not happy with the mounting on just foam, or standard boards. Is the laminating Cold or Hot? Would it work with the inks from a canon imageProGraph Pro-1000?