Interesting that it would be in your "Spam" folder.

You know you're getting old when your children get their AARP cards.

I once knew a man with a wooden leg named Smith...

Looks to me like a former KFC.

Judging by the tail lights, it's a 63. I had one. It was a hand-me-down from my brother. He dropped the engine, too.

While I've been enjoying reading topics for some time, I've never been compelled to put my 2 cents in before. I believe I can help with this subject, having a bit of experience in it. Granted, I'm old school (a filmy), so be repectful. I've found that lighting stained glass only from behind will give a very flat look to the picture, with no personality of the glass itself. It has to be backlit for the main light and harshly side lit ACROSS the front to pick up the waviness of the glass and show the lead between the pieces as well as the stone or concrete framework. I use an averaging reflective (selenium) meter to get the exposure right. There is no exposure setting that can be universally used due to the properties of the glass. This should get you going in the right direction. Everybody who's seen my pictures of stained glass in 2-1/4 square slides projected always asks how I got them. And there it is. Good luck.