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Posts for: BigD
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Jun 3, 2014 12:23:39   #
LaurenT wrote:
I'm hoping that someone can help me with information for a device that will allow me to be able attach my cross body Black Rapid Sling, as well as my tripod mount.

I have a Sirui G10-KX ball head on my tripod, with the TY-50x quick release plate. I also have the Women's Black Rapid cross body sling which comes with a ConnectoR-2 and a FastenR-3.

My problem is that I cannot find a way to use both, without having to constantly screw and unscrew one or the other. I have even considered attaching the strap to the ring on the tripod quick release plate, however, the ConnectoR-2 won't fit it. Black Rapid offers a tripod fastener, however, it only fits a Manfrotto head. (I tried it anyway, and it's too thick).

Has anyone else had this problem, and found an answer?
I'm hoping that someone can help me with informati... (show quote)


I was going to recommend the FastenR T but you already tried it.
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Apr 3, 2014 20:20:20   #
Rickhstudio wrote:
I am looking for a new flash for my Canon 5dMKII. I have been using a handlemount Sunpak 622 Super but it's getting tired. I will be using it to shoot school groups, sports groups, etc. I need battery power with exchangeable powerpacks and fast recycle, also wide angle.


These are getting good reviews.

https://www.cheetahstand.com/Cheetah-Light-p/cl-180.htm
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Jan 7, 2014 01:40:36   #
jbrueck46 wrote:
what is the best flash for the Nikon 7100


:thumbup:

The BEST?

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Jan 2, 2014 16:21:06   #
Selkii wrote:
Great photo and great commentary. Just because technology allows us to now be bombarded by millions of snapshots per day, doesn't mean we've become inured to mediocrity.


Exactly, there are bunches of people that ski, but only a handful are "skiers" and there is a BIG difference...
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Jan 2, 2014 15:43:06   #
Wall-E wrote:
Nice shot.

The Exif shows that Portrait Professional was used.


Yea I used it to smooth his skin out a tiny bit. Still holding onto that adolescent acne

:lol:
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Jan 2, 2014 15:23:49   #
I’ve been reading a lot of posts recently basically alluding to the downward spiral of “quality” photography. There are those that believe the masses are more desires of the quick, fast, and low quality images grabbed on the spot by devices such as phones and the like. I say that in general people simply “settle” for these images because they are what the “photographer” is capable of producing, either because they do not have any other options, do not posses the skills to do a better job, or simply out of convenience. I think of the situation as a matter of differing levels of acceptance. Most people understand that these are quick snapshots and that there are better, more “professional” photographs that require more effort.

Recently a young man I have known for many years contacted me. He knows I am a Commercial Photographer and asked me to take some pictures of him simply to post on Instagram. He is an avid poster and had never been able to get over twenty something “likes” on any of his pictures taken with his IPhone 5S even though he has hundreds of followers. We went out and took some images and he posted the image below. It received hundreds of likes and over a hundred comments from his many followers easily becoming his most popular post. The bulk of the comments were not about how handsome he was, or his popular BEATS Headphones, not even about the super rare Jordan’s he was wearing. They were about the quality of the image itself. Comments like “it’s so clear” or “WOW that looks like it’s from a magazine” were pouring in. One woman said it was the best pic she had ever seen on Instagram and many wanted to know how he got the pic.

Now obviously I don’t think it’s the best picture ever taken but it was “technically” done correctly and with some descent equipment. I was actually very excited to read all the comments because it clearly showed that the masses (mostly twenty somethings) still have eyes and brains and when you hit them with a well-done or "real" image they can see the difference, and they still appreciate it. Oh and I have since been hired to take some of his followers pictures so they can shoot for Instagram fame HaHa. Keep snapping gang, and don’t let what the masses are doing distract or discourage you from “doing it right”.

For the techies, the image was shot with a Canon 5D MkII, Canon EF 70-200 f/2.8L IS II lens at 85mm, ISO 100, f/3.5 at 1/800’s. Lighting was ambient camera right through a 2/3rd Sun Bounce Scrim, Elinchrom Ranger through a Gridded Kacey Beauty Dish boomed overhead from camera left. A California Sunbounce Micro Mini from camera left behind bleachers for some fill and another Micro Mini low directly under the camera for fill. Processing was in Lightroom 4 with very minimal cropping and adjustments.


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Oct 31, 2013 14:56:53   #
SharpShooter wrote:
PhaseOne 645DF+ with 100mm lens.
The resolving power of that camera is unbelievable.

If they run out of those, I'll have to settle for a Hassey MF, for the same reasons.
SS


+1 and don't forget the IQ-180 digital back.
:thumbup: :thumbup: :thumbup:
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Oct 19, 2013 06:27:42   #
I coach High School baseball and shoot the game at all levels and the kids dig the staged shots. Try some of them fielding and with a bat and let them decide but most like the fielding shots they look "sick" :thumbup:




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Oct 1, 2013 12:16:13   #
rpavich wrote:
The decisions you make at Red Rock are the same sorts of decisions you'd make anywhere, in a backyard, alley, house...how to make a good photo isn't dependent on location or equipment.

If it were me and I had anything riding on a shoot where I had only one chance to get things right; I'd buy Roberto Valenzuela's webinar "Location! Posing! Execution!" and watch it several times and practice until I was confident in what to do.

http://www.creativelive.com/courses/location-posing-execution-roberto-valenzuela
The decisions you make at Red Rock are the same so... (show quote)



:thumbup: :thumbup: :thumbup:
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Sep 10, 2013 13:41:41   #


Looked before I posted, didn't see anything so I thought others might be interested. Your point?
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Sep 10, 2013 12:35:32   #
13oct1931 wrote:
Thanks for the report ! I saw it a few days ago from the factory.
Also: Thanks for speaking up; I thought I ws a majority of ONE.
Fellow "OLYMPIANS"--SPEAK-UP. Alyn


I converted to Canon a few years ago but I still have a soft spot in my heart for my old Oly gear...
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Sep 10, 2013 12:17:45   #
Oly fans check this out.

http://www.getolympus.com/us/en/e-m1.html?utm_content=em1_copy_link&utm_campaign=em1_ot_esys&utm_source=email_etprm&utm_medium=email :thumbup:
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Aug 25, 2013 00:37:35   #
SharpShooter wrote:
BigD, I was under the impression that at most weddings, lighting is not allowed during the actual ceremony.
I will assume the OP had a flash that he could not use. Even one flash would have resolved the problem.
To the wedding photogs. Could one use some reasonabley powered continuous LED lighting? Is that allowed for fill at a wedding during the ceremony ?? SS


If the Sun is the issue I assume it is an outdoor wedding and I have never shot one where you could not use strobe lighting. And a small light source like a "flash" is about as horrible as it gets. Using real lighting is what separates the snap shots from the rest. To do it right requires a large, diffuse, and powerful light source such as what I mentioned or one of the other systems out there. Once you see the product of good lighting you won't use a "flash" unless its the absolute last resort even if you can get it off the camera.
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Aug 24, 2013 13:01:12   #
This is a routine Environmental Portrait situation. Expose for the brightest part, which is usually the background. Then light the couple with strobes to expose them properly. I use a pair of Elinchrom Ranger packs with "S" Heads and either large Softboxes, Beauty Dishes, or the Maxi-Light reflectors depending on the look I want to achieve or how far I need to "throw" light. Triggered with Pocket Wizards Mini-TT1 and the matching ST-4 Transceivers on the Ranger Power Packs I can get up to 1/1000's Shutter Speed with perfect Flash sync. The combination can quite easily overpower the Sun in any conditions and then some including lighting a very large Reception Hall. The setup can also be used for the formals simply by grabbing the lights and moving them into position. Total cost about $10K for the lights, welcome to the club.
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Aug 11, 2013 20:40:05   #
MtnMan wrote:
They might. But they may also be stuck in the past. The high and ever increasing high ISO low noise capabilities of today's cameras are eliminating the need for some of the fast lenses of the past.

A photojournalist spoke at our camera club last year. He used an older pro model Canon and said he frequently uses ISO 3200. He works for a newspaper where the image demands aren't very high to start with, though. May demand a bit more for TV...but not much. More for printed mags...but how many of them are left?
They might. But they may also be stuck in the past... (show quote)


I shoot with Canon 1Dx bodies which have awesome high ISO performance and I still find myself using f2.8 all the time (and well above ISO 3200). Sometimes I use it for light to keep my Shutter Speed up to freeze action but other times I use it to try and cleanup that ugly background you cannot get around. I have shot news, sports, and events all over the planet and to be honest I don't really fear the guy with a point and shoot. I remember when the Sony NEX cameras came out and several guys claimed "the end of the DSLR" was here and that they were selling their over priced gear. Well cool beans one less guy trying to sell pics because they are simply no competition for the big boys, if they were the 1DX and D4 would never have been released.
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