FreoJim wrote:
Hi everyone. Although this is a personal question Im guessing that responses will help other too in building a good set of equipment
I have just moved from DX to FX and Im wondering if the experts out there would take a moment to give me some advice on my equipment specifically the gaps they see in what I have for what I want to do
Im finding that the classic Google search and check reviews track - including UH search! - is just adding randomly to my options more than helping right now!
Im an older guy with young kids. Both parts are relevant as I have a bad back - actually temporarily flat on my back right now after surgery - so backpacking heavy gear any great distance is out. And having young kids means that a lot of my photography is, inevitably, around them. Im happy with my current camera and lenses, for candid shots and school sports etc, but want to move into taking more formal i.e. planned, well lit portraits of them and eventually others, so some advice on basic portrait lens and lighting equipment would be very much appreciated. Making my 4 year old sit still for 2 minutes is another issue!
Enjoy macro by that I mean close ups of flowers and bugs. My current Tokina lens seems to be OK. What is the best way to control the lighting? Put them in some sort of lightbox? And/or one of those circular flashes which attach to the lens?
Landscapes plan to take more river and seascapes and shots in the bush. Weight of gear is not an issue in that I dont intend to carry it far so I think my current gear is ok? But maybe the tripod needs an upgrade?
Current gear:
Nikon D600
Nikon D7000 which Ill probably sell as I dont seem to need a second DSLR body
Nikon AF-S 24-70mm 1:2.8G ED
Nikon AF-S 70-300mm 1:4.5-5.6 G
Tokina AT-X Pro Macro 100 F2.8 D
Manfrotto 190XDB with ball head 486RC2
Nikon 50mm 1:1.8D
Nikon Speedlight SB-700
Nikon remote control ML-L3
Filters rather a random set of UV/ lens protection filters but now no Polarising or ND filters since I sold a few DX lenses.
Cost is not an issue in that I would rather buy good quality, even if I have to wait a bit, than go for cheaper compromise solutions.
Hi everyone. Although this is a personal question ... (
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You have a lot of breadth there already.
If you like to shoot portraits, I think Nikon's AF-S 70-200 f2.8 VRII which is sharp and yields a fabulous bokeh for portraits.
For off-camera flash, I think you can do quiet well with SB900 or SB910 Speedlights which give good TTL results of NIKON's TTL creative lighting system. THese put out good light with the Photoflex Octobox (I have a pair of the 60"era for portraits) and I also like the 60" Photek soft lighters which work very nicely with speed lights.
Off camera flash takes a bit more equipment, and while you can get good results with one flash, I have found that for environmental portraits you often find yourself wanting extra light modifiers for hair lights, backgrounds, main light, fill light, and then a reflector ( I have a pair of the California Sunbounces in white gold, and silver).
Shoot through umbrellas are also a good investment and not too expensive.
You will need a good background or two, and some decent light stands (I like the Manfrotto BAC models which come in different heights to suit your needs, which will give you good height and are stackable for transport and storage.
But as I said you can get great results with just one flash.
I also prefer to go manual, and use a light meter when using a flash, my meter preference is the Sekonic L758DR which can be calibrated to your camera with the Sekonic target.
I did this portrait of my uncle a few weeks ago at my house with just one main light: a SB-800, set to Manual, at ⅛ power about 3 feet from the subject camera right, shot through a 60" Photoflex Octobox, with a 4x6 foot white reflector on the opposite side as fill. This is a reliable set up for me. I only had a few moments before he had to catch a plane, so took just 5 images and every one was a great exposure, so it was just a matter of expression. This was my favorite- the expression he uses when he is holding 4 aces when we play poker, but doesn't want you to know it.
This was shot with a Nikon D7000, ISO 100, f5.6, 105mm lens @ 1/125.