Posts for: Chan Garrett
Jun 14, 2020 17:05:51 #
Go to Steve Perry's web site and purchase ($29.00) his digital course "Lightroom #1, The Library Module." It is easy to follow. You will end up having all the knowledge and reference resource you need to get off to a great start in LR Classic.
Jun 3, 2020 08:58:39 #
Blynknnnod wrote:
Thank you..I really wanted the wifi and flip out screen and just thought the newer processor would be worth it..but sadly not..
No mention of the m50??
No mention of the m50??
I have and use the M50. I ordered it as a light, quality camera to carry with me on a group tour (few occasions to pause long enough to finely think about and compose photos) to Israel. When it arrived, I was taken back with how small and light it was, but I came to love it. Mine came with two lenses. Both proved to be amazingly sharp. I currently have two images from that trip enlarged (12x18, and 20x24) framed and hanging on my wall.
Apr 11, 2020 09:46:41 #
pbphoto wrote:
I will pre-empt this post with a brief summary - I... (show quote)
What did you do differently while capturing the group shots than the other shots? Camera on tripod and remote shutter release? Live view? I had a similar experience the first time I tried to use a recently Infrared converted Canon T3i with live view and a remote shutter release. The camera gave every indication of recording the image each time I executed the release. I could even look at what appeared to be the captured image on the screen, but no files were present when I went to download to my computer. I learned I needed to activate the shutter release twice in order to create a saved image. Just a thought.
Apr 7, 2020 07:58:09 #
locustthorn wrote:
Seems like now days almost anyone with the Photo Shop and all the software on line consider themselves a Photographer. Seems like with all this software anyone with a little computer knowledge can doctor up a print. So many go out claiming to be Wedding and event Photographers then go into a software and make things look good. Would anyone without this software consider themselves a true Photographer? What did you do before all this software?
When I started out, I built a darkroom in my home and developed and printed my own images. Both capturing the image on film and printing the image involved skill. I would never "just make a straight print." Dodging and burning was always involved to produce the best print I could make.
As a professional portrait and wedding photographer, I always sent my exposed film to a professional lab that would work to give me the best print from a neg. possible.
Now, with digital, my computer is my dark room. I still modify exposure, dodge and burn and sharpen. I just have more tools to use. No one produces unprocessed images. Either they are manipulated on your computer, or you let the computer in your camera do the manipulation and produce a JPEG.
Was Ansel Adams a true photographer?
Mar 24, 2020 10:07:45 #
ssiretire wrote:
My daughter recently passed away. She was a part time professional photographer. I have her portfolio and am receiving a lot of requests from friends of hers for framed copies of her work.
What is the best way to handle framing. Sizes are mostly 8 x 10 13 x 19 18 x 24 and 24 x 36.
I also have an offer to show some of her work at a craft show. Any suggestions as to the best sizes to go with for this.
Or is there a website that has good information on this,
What is the best way to handle framing. Sizes are mostly 8 x 10 13 x 19 18 x 24 and 24 x 36.
I also have an offer to show some of her work at a craft show. Any suggestions as to the best sizes to go with for this.
Or is there a website that has good information on this,
So sorry to hear about your daughter.
I have had good results going to the framing department at my local Michael's store. I do not buy the ready made, but do the custom framing. Yes, more expensive than ready made, but much better quality. They can custom frame any size you desire. Look for sales if time allows.
Mar 16, 2020 10:35:08 #
good2gonc wrote:
I am looking for some reviews from actual users fo... (show quote)
I own, and have been using an M50 for well over a year. I also own a 7d Mark II. I love the M50. The light weight allows me to carry it all day without getting tired. I use the kit lenses and find both to be very sharp. I currently have a 16X20 print from an image I captured on a trip to Israel hanging in my home. I recommend that you buy it.
Feb 5, 2020 10:31:57 #
Tomfl101 wrote:
Considering that “photo” means light and “ography” the study of it. Yes, I’d say lighting is everything.
Well, almost. The word "Photograph" comes from a combination of two Greek words. "Photo," does mean "Light." "Grapho" means "Write/Writing," or "Draw/Drawing." Therefore, a photograph is a, "Light drawing."
Light may not be "everything" to a photograph, but it is the basic ingredient upon which all else is built.
Nov 20, 2019 09:26:01 #
[quote=Wallen]A lot had been discussed about how the final image should be shown and I personally put them into these four categories.
In one sense, only a raw file is straight out of camera. A jpeg is the result of processing by the camera after capture. Raw images have not been given post processing by the camera, and must be post processed before use.
In one sense, only a raw file is straight out of camera. A jpeg is the result of processing by the camera after capture. Raw images have not been given post processing by the camera, and must be post processed before use.
Nov 8, 2019 09:57:01 #
Notorious T.O.D. wrote:
Not sure that he can use flash. Not sure that his body even can sync that fast. I say 1/125 should be fast enough to stop wedding action in most cases. And it frees up a stop vs 1/250... Just sayin...
I do see your point. Shutter speed is relevant in two ways:
1. Do not set speed higher than camera sync speed. (Unless camera is capable of high speed sync.)
2. slower shutter speed will allow capture of more ambient light in room, but will not effect exposure of subject focused on. (That exposure is determined by light from flash which is much faster than shutter speed.)
Nov 8, 2019 09:35:59 #
Notorious T.O.D. wrote:
Curious as to why such a high shutter speed... to me you are killing a Stop right there for no reason...
Sorry. I now see you were responding to another post, but the question could also apply to my post.
I recommended a setting to use with flash.
the shutter speed I recommended will meet the flash sync requirement and the flash duration will be far faster than the shutter speed no matter what speed is used. A slower shutter speed will simply allow for more camera or subject movement to cause blurring. The camera will certainly be hand held. The flash should be set on auto and should provide the proper power to match the aperture.
Nov 8, 2019 08:59:20 #
Ynot wrote:
Not at all !! Wife cousin & They have a professional . Newbie here just thinking this would be good time to practice ! I’m sure there’s gonna be lotta people taking photos that would be able to help ,I don’t think it’s the right time to go around asking everybody what your camera set on LöL . Thx
Although a wedding might sound like a good place to practice with your own camera, it's not. The wedding is a (hopefully) "one time" event for the bride and groom. Leave the photography to the pro the bride and groom have chosen to hire for the event. If you must engage in your own photography, limit it to the reception only, and stay out of the pro's way. In that case, use a good flash and try setting at f8, 200 and ISO of 400.
Oct 31, 2019 16:55:34 #
[quote=E.L.. Shapiro]Ceiling height is a factor in studio design and construction. ]
My comment on height of light referred to the main light, not the fill. I mentioned ceiling height because when I set up my first studio, I had to use my basement which had only a 7' ceiling. How great a 12' foot would be!
My comment on height of light referred to the main light, not the fill. I mentioned ceiling height because when I set up my first studio, I had to use my basement which had only a 7' ceiling. How great a 12' foot would be!
Oct 31, 2019 15:50:19 #
[quote=out4life2016]Hello and thank you in advice for all who give advice on this subject. I am currently in the process of turning a 12 by 16 room into a portrait studio in my home. ]
Question: How high is your ceiling?
Higher ceilings allow you to lift your lights to achieve more directional lighting. Your light seems straight on, or flat. Shadow patterns mold the shape of objects (face). Study the lighting patterns of the "Old Masters" (painters) and outstanding portrait photographers. Also, use proper light balance settings for better skin tones.
Question: How high is your ceiling?
Higher ceilings allow you to lift your lights to achieve more directional lighting. Your light seems straight on, or flat. Shadow patterns mold the shape of objects (face). Study the lighting patterns of the "Old Masters" (painters) and outstanding portrait photographers. Also, use proper light balance settings for better skin tones.
Jul 7, 2019 15:19:38 #
wingclui44 wrote:
It's not right, the shutter curtain of the DSLR is still closed and the sensor is blocked when you set/measure the WB, there got to be another sensor taking the measurement. I understand that is no problem with a mirror-less camera, that the sensor does every thing!
To take the photo for the CWB you need to either use live view, or mirror lock up. Next use one of the other programs mentioned to set the post processing WB before going to PS or LR. Watch (or read) the very good tutorials from LifePixel.
Jun 28, 2019 11:30:23 #
qball wrote:
okay I have spent a few years learning photography, I took a professional photography course. I have taken thousands and thousands of photographs. I have taken them all in raw and edited them.
So the big question is now how do I make money without being a wedding photographer or newspaper. I ask because I am ready to retire and persue this profesionally without a income to fall back on.
So the big question is now how do I make money without being a wedding photographer or newspaper. I ask because I am ready to retire and persue this profesionally without a income to fall back on.
When I was approaching retirement (some years ago) I decided to pursue a second career in Photography. My wife and I drifted to wedding and family portraiture. We were moderately successful in the competitive market of Atlanta Georgia. I credit our success not only to hard work and dedication, but to finding and participating in both the Georgia Professional Photographers Association and the Professional Photographers of America.
My suggestion: become a member of your state PPA and take advantage of the tremendous educational and networking opportunities offered.