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Mar 26, 2021 15:09:13   #
danger911 wrote:
Thinking about getting a used Nikon F5 or maybe an F100 for my older Nikon lenses. Any advice? Thanks. Frank Shaun

I have an F5 bought new and, if it is anywhere near as durable as my two F4s, I don’t think you can go wrong with an F5. My F4s had been used for about 15 years by a photojournalist friend, mostly in Africa and the Middle East. They have been my most used 35mm cameras for the last 20 years and still function flawlessly. I bought the F5 for when the F4s died, but I may go first. I’ve only run five films through the F5.
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Mar 24, 2021 09:42:18   #
Mike Holmes wrote:
But a learning process. If nothing else it helps to evaluate equipment.

You’re delusional if you think the EXIF data automatically says anything about a camera or lens. Photoshoppers can manipulate the pixels to represent most anything they imagine - the best they can show is an imitation image. You would be better advised to think for yourself - you can easily debunk a lot of the myths you read here.
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Mar 19, 2021 10:53:00   #
wide2tele wrote:
The camera itself, it's features, it's functioning was not different.

That’s been my understanding. All could also have been ordered factory-modified to accept non-Ai lenses, but by then I think most users had upgraded their lenses, so those modified cameras may not be too common.
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Mar 19, 2021 09:54:25   #
wide2tele wrote:
Yes, they were different. Here is a quick history:

The Nikon F5 was in incredibly high demand pre-release. The F4 was severely outdated and Canon were taking the pro market away from Nikon with their new EOS line. Nikon tried to combat this market loss by releasing the gap filling F90x/n to hold on to the pro market till the F5 was ready for release.

Due to the high F5 pre-release demand, unlike other cameras, the F5 wasn't immediately available to all photographers amateur and professional. It was first released to professional photographers only. Professional photographers around the world had to put in orders for the F5. Nikon first filled these orders before releasing the F5 to the general public.

These early F5's that went out to pros had the 300XXXX serials. These cameras were the first Nikon F5's. Due to the need for a proper professional Nikon camera at the time, these F5's were all almost certainly put to immediate professional use. They were not purchased to sit around and be lightly used. The very first F5's would've been used, abused, worn out or resold at a later time. To find one of the very first/original F5's today in good condition, I imagine they simply do not exist.

Nikon also released the Nikon F5 as a special collectors 50th anniversary model. The 50th fetches high prices. However, there are likely still many of these sitting completely new and untouched in their boxes by collectors. The F5 that is today likely to be around in the smallest numbers, the most unique, and the rarest of them all is the F5 with 300XXXX serial.

These were the cameras that created the Nikon F5 legend.

Worth checking your serials.
Yes, they were different. Here is a quick history:... (show quote)

In what way were the earlier cameras themselves different?
Edit: I’m a Nikon user, not a collector.
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Mar 19, 2021 09:08:08   #
wide2tele wrote:
If you do, how would you describe it's condition?
Just curious if there are any left in anything close to very good condition or better.
I think it's very unlikely that there are.

I’m curious why you ask. My F5 is #3185088. Were the earlier ones different?
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Mar 17, 2021 21:47:30   #
rondmallett wrote:
I'm an 83 yr old retiree making a bit over $30k a year, Can't afford a new telephoto
lens, afraid to buy a used one remotely. Any secrets for finding a good reliable lens via mail or internet? I have a nice Sony 6300 mirrorless, bought by my granddaughter who worked for them. Got a nice company discount,
but doesn't work there anymore.

I would have no fear buying from KEH. Good honest folks to deal with.
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Mar 17, 2021 21:23:43   #
Cambridge5555 wrote:
I want to get my negs converted to digital. Any suggested sources would be appreciated.

Thanks
Chuck

A quick Google search brought this up:
https://www.google.com/search?rlz=1C1SQJL_enUS873US873&ei=76pSYPv-NpTB7gKkypOYCw&q=negative+scanning+service&oq=negative+scanning+service&gs_lcp=Cgdnd3Mtd2l6EAwyBwgAELADEEMyBwgAELADEEMyBwgAELADEEMyBwgAEEcQsAMyBwgAEEcQsAMyBwgAEEcQsAMyBwgAEEcQsAMyBwgAEEcQsAMyBwgAEEcQsAMyBwgAEEcQsANQAFgAYOq-CGgCcAJ4AIABTIgBTJIBATGYAQCqAQdnd3Mtd2l6yAEKwAEB&sclient=gws-wiz&ved=0ahUKEwi7sqzG1rjvAhWUoFsKHSTlBLMQ4dUDCA4
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Mar 16, 2021 14:24:10   #
[quote=CHG_CANON]Great, although it's CANON, the five most important characters in photography.
Leitz wrote:
Did you see this, RWR? The leopard has not changed its spots.

Yes, I saw it. I had just had a fine beef rib supper and didn’t want to puke it up, so I just ignored the post.
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Mar 13, 2021 20:59:59   #
TriX wrote:
If

Have you actually looked at any of Paul’s series posted on UHH shot on film? BTW, at the risking of speaking for Paul, do you realize that most of Paul’s posted series were shot on either a Canon EOS-1v (film) or a 5D3 (DSLR)? You, like another poster, are missing the fact that the posts you are referring to are meant in jest. And they are not just “pretty pictures”, they are excellent images taken by an accomplished photographer. Waiting for you to post some of your images...

I give everyone the benefit of the doubt - if they have a camera, they can take a picture. The brand and type of camera is immaterial. Anyone who puts a brand name in their user name is an obvious fanboy - not to be taken seriously. Images posted online are meaningless - who knows how much they may have been fussed up in post?
That said, I will follow the film section, and if it doesn’t get too silly I may contribute and hope everyone believes me when I say that any image I may post will be straight out of the camera, except for some cropping, which is nearly always necessary. If I cannot expose, develop and scan it properly, it gets trashed.
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Mar 13, 2021 18:17:35   #
burkphoto wrote:
Paul is very accomplished with film and digital devices, and is quite capable of writing about and using either. He has over 22,500 posts on UHH. Many of them seem to be humorous tongue-in-cheek quips, but many contain valuable insights or great images.

A communications medium is not more important than the message it carries, so long as the message reaches its destination in an understandable form.

I used film capture from 1965 to 2005, and have used digital capture ever since. I have no preference for the look of either. In both cases, I know what to do to get the look I want. I DO prefer the digital *process*.
Paul is very accomplished with film and digital de... (show quote)

I am painfully aware that it’s generally accepted here that posting pretty pictures somehow magically validates idiotic comments. Personally, I do not believe in voodoo.
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Mar 13, 2021 16:20:37   #
As a dedicated film shooter, and opposed to imitation imaging, I find it ironic that a member most noted for inane mirrorless fanboy and anti-film comments would pretend to be qualified to moderate a film section. I shall withhold judgement until I see proof that the leopard has actually changed its spots. Hope springs eternal!
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Mar 9, 2021 08:40:17   #
pjknetge6491 wrote:
Can anyone advise me (for a friend) on how to synchronize a Lightdow 420-800mm f/8.3 manual zoom telephoto lens + T-mount with a Nikon D3500? This is for a birding friend. I appreciate any info. I can get. Thanks so much. Pam (this is my 1st time on this forum)

I cannot imagine a worse combination of camera and lens for bird photography.
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Mar 8, 2021 12:24:58   #
warzone wrote:
While I appreciate the input from anyone, I haven’t seen, and perhaps it was my fault, my real question. I was concerned about leaving the contact points which are normally covered when the lens is properly attached. Reversing the lens leaves this points open to dust, debris, etc. Any comments on that point?

A short extension tube on the reversed lens will protect the mount and rear element, while serving as a lens hood.
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Mar 7, 2021 17:36:46   #
Brayyd wrote:
Since I shoot with Nikons, I downloaded the new Nikon Studio program. The layout is a bit of a challenge, but not all that hard. I discovered you can set it up to use Photoshop (or Lightroom Classic) as an external editor. I had played around with a few photos, but after setting up Photoshop in NS, it gave me a chance to see something I'd missed. Nikon Studio seems to display my photos better, and more like I saw the image when I took the photo than either Photoshop or Lightroom Classic. The pics were brighter, and not as "dark" (don't know how to describe that any other way. Maybe it's because NS picks up the Active D-Lighting settings? I noticed this by starting in NS then moved the photo to Photoshop to do some additional tweaking. When the photo opened in Photoshop, it was noticeably darker or "muddy". Now, it's not bad, and the change is really only slight, but it's a different display of the photo. Anybody else notice this? I'm using Photoshop CC.
Since I shoot with Nikons, I downloaded the new Ni... (show quote)

I experimented with deliberately under and over exposing, mixed lighting, &c. The Studio NS results confirmed what I’ve known for many years - the fewer mistakes I make before releasing the shutter, the fewer corrections I have to make afterwards.
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Mar 6, 2021 10:40:05   #
rmcgarry331 wrote:
Your entry level Canon does not have focus confirmation with non EOS compatible lenses.

I’ve found no electronic rangefinder to be reliable when depth of field is especially shallow. I prefer a plain ground glass screen for critical focus.
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