Jim Tonne wrote:
Turned out rather nice although it seems to be a bit out of focus, kind of fuzzy.
Considering that the sky, land, water, and sand all seem to be some variation of blue grey, I think A.I. is not very smart, a far cry from intelligent, or as they say in the south, "Bless it's heart."
Delderby wrote:
Great Pic - but I don't see it as a landscape.
I'm confused. Just what do you see this image as being, if not a landscape? The only other thing I can imagine would be architecture. Are there some hard fast rules about architectural photography. Just asking.
Jim Tonne wrote:
Sometimes these AI programs just can't get it right. For example . . . I don't remember the sand being blue.
Odd mottling around the edges
black mamba wrote:
Nothing else around it to give me any clues to its history.
Well somebody keeps it mowed, and they put a nice tun roof on it at some point, although many years ago. Maybe it's been used as a fishing or hunting cabin
[quote=DirtFarmer]My favorite limerick comes from the great Renaissance poet, Ogden Nash, who has mastered the English language by force and violence. You cannot get the full value of this limerick by hearing it spoken. You must read it for yourself. It is one of the few limericks I have come across that require visual input to get the full quality across.
There once was a girl from Connecticut
Who flagged down a train with her Pecticut
Which her elders defined
As great presence of mind
But deplorable absence of Ecticut.
This limerick's too clever, I fear
And refers to itself (as you'll hear)
With words twenty nine
I've checked 'em, it's fine
But it means the last word isn't
There once was a man from Nantucket
Who kept all his cash in a bucket.
But his daughter, named Nan,
Ran away with a man
And as for the bucket, Nantucket
But he followed the pair to Pawtucket,
The man and the girl with the bucket;
And he said to the man,
He was welcome to Nan,
But as for the bucket, Pawtucket
Then the pair followed Pa to Manhasset,
Where he still held the cash as an asset,
But Nan and the man
Stole the money and ran,
And as for the bucket, Manhasset
Of this story we hear from Nantucket,
About the mysterious loss of a bucket,
We are sorry for Nan,
As well as the man –
The cash and the bucket, Pawtucket
An amoeba, named Max, and his brother
Were sharing a drink with each other;
In the midst of their quaffing,
They split themselves laughing,
And each of them now is a mother.
A preoccupied vegan named Hugh
picked up the wrong sandwich to chew.
He took a big bite
before spitting, in fright,
"OMG, WTF, BBQ!"
There once was a man from the sticks
Who wanted to write Limericks
But he failed at the sport
'cause he wrote them too short
There once was a man from Lahore
Whose Limericks ran to line four
He'd start up the trend
And then it would end.
There once was a woman from Bree
Whose Limericks ran to line three
And never went further
There once was a kid from York (New)
Whose Limericks went to line two
There once was a man from Verdun
A pretty young maiden from France
Decided she'd "just take a chance".
She let herself go
For an hour or so,
And now all her sisters are aunts.
There was a young lady named Hall,
Wore a newspaper dress to a ball.
The dress caught fire,
And burned her entire
Front page, sports section, and all
A bather whose clothing was strewed
By breezes that left her quite nude,
Saw a man come along
And, unless I am wrong,
You expect this last line to be lewd!
There once was a man
From peru, whose limericks
Were really haiku
[Not quite a limerick, but worthy of inclusion here}
Suzie Smith put on her skates
Upon the ice to frisk.
Her friends thought she was slightly nuts,
Her little *[/quote]
I attended KSU from 9-69 till 5-73. Scribbled on a bath room wall was the following that started:
Here I sit broken hearted
Paid a nickel to sh__ but only farted
Now I sit in stinking vapor
Some a__ hole stole the toilet paper
From here I only remember bits and pieces, but it ended with:
Stains that only bleach can reach
I thought I would never forget it, but after 50 years, oh well. I have looked through limericks, searched Google n wiki with no luck. Does anybody know this one? Send me a PM if you don't want to answer publicly.
Wallen wrote:
All of the above.
There are times I plan well ahead, like this one which I waited for months to accomplish:
https://www.uglyhedgehog.com/t-757095-1.htmlThere are spur of the moments things when I get bored
There times that I just go take a hike and shoot what I come across with
There are times I see things that is not really there & I need to edit the image to fit my vision:
And also times that I squeeze out what I can from a bland scene
It's a hobby. I do it for fun. I get inspirations in everything and everywhere. No style or nothing holds me back.
All of the above. br br There are times I plan we... (
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Chuckle, chuckle! From one Star Wars fan to another. Nice composite! Members of my camera club are learning to do composites in Light Room / Photo Shop. It's been kind of painful to watch, but I see a lot of experience and work in this. Keep up the good work.
Cany143 wrote:
Ok. Full confession: Elevation was maybe 6' above sea level. I say 'maybe' because I don't know whether the tide was high, whether it was low, or whether it was somewhere inbetween. And yes, the shell (it's a standard Periwinkle shell as would commonly be found in countless places along the edges of most oceans) is indeed a SEAshell. I chanced upon it some 35 (or whatever) years ago in a seldom-visited section (specifically, at what's called 'Green Point') on an island (Monhegan Is.) some eleven miles off the coast of Maine. How the shell got there, however, is anybody's guess: a seagull dined on it's occupant and left the inedible part? a wave tossed the shell (sans occupant?) up onto the rocks? a rogue photographer who was in his Edward Weston B&W-ian phase of large format ptfoggerfity placed it on a weird looking hunk of rock ever so artfully? or, most likely, aliens who'd travelled 46.5 lightyears from their home planet to come to planet "Earth" to create havoc found the shell, ate it's occupant, left the shell as a warning, and called their conquest complete. Don't know when any or all of the above might've happened exactly (other than the havoc was done more than 35 [or so] years ago) but whenever havoc was done, that havoc would not have happened more than a century ago. Which --I'd presume-- would make any reference to millenia effectively moot.
All reasonable questions though, I'm.
Seen any Periwinkle-eating aliens in your neighborhood lately? If no, then good on you. If you have, I'd suggest you RUN AWAY! Better yet, you RUN AWAY VERY, VERY FAST!
Ok. Full confession: Elevation was maybe 6' abov... (
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Good response, and very entertaining. I should have thought about your years in the northeast. I'll just claim a senior moment. I do live within a half mile of the north end of the mighty Ohio River, but do not spend any time there. Compared to Daytona Beach, who would want to? I'll keep an eye out for Periwinkle eating aliens, but I doubt that they would want to eat anything out of the Ohio River.
Linda From Maine wrote:
Included in my first comment on page 1 is:
"I think of him (the op) as a facilitator of sorts. The good kind in which people are encouraged to chat and maybe share useful information and inspiration."I am absolutely
for these kinds of topics! They represent the best of what For Your Consideration section attempted to do back in 2015 - 2017, and has rarely occurred since, in any UHH area.
(Paul has three distinct UHH personas. Sometimes they overlap
)
Included in my first comment on page 1 is: i &quo... (
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I was really surprised when you personally asked me to check out the "For Your Consideration" section. And I did. I think that either I just did not quite understand what the intent was, or I felt a little overwhelmed. I don't remember. Maybe a majority of the members were not sure of its intent either. But there are a lot of thought-provoking commentaries that abound throughout many sections. They usually come from just a handful of members. Those are the threads that I usually read. There are others that I do not even open.
And let me add, that when you announced that you were stepping away a few years ago, I was quite disappointed. And I was quite happy that you returned.
Bill
Linda From Maine wrote:
Thanks Jimmy! I'm holding off upgrading to newest Mac OS because I fear Studio 2 will no longer work
Since you mentioned available light: I took a photo of that children's slide one or two days prior to this one. The morning was flat light, overcast, no shadows. Failure! Thankfully, I went back when was bright, sunny and early (my favorite time of day).
To add to my page 2 comments that address the topic question directly, my #1 inspiration is light, the more dramatic the better!
Bus Stop by
Linda Shorey, on Flickr
The Fire is Within by
Linda Shorey, on Flickr
You can't eat this green stuff! by
Linda Shorey, on Flickr
Wild Morning Glory by
Linda Shorey, on Flickr
.
Thanks Jimmy! I'm holding off upgrading to newest ... (
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See, you made me think.
Even though my big interest is cars, I do shoot other things. And I look at a lot of posted photos here on the hog. but more and more, I find myself looking at the light coming into my eyes and thinking about how it will affect my photos. Light and shadows has a lot to do with making or breaking an image. And as I think back, the photos i have hanging on the wall, all of them have a strong influence of light.
So, see, one of those things subconsciously floating aroung my brain, the OP and you have brought to the forefront of my understanding and thought process.
Again, thank you both,
Bill
Linda From Maine wrote:
The OP is an interesting anomaly in our vast sea of yellow pages
My comments were based on the OP's short history, which includes these topics:
- "Photo editing: do you prefer to keep it subtle or prefer bold transformations?"
- "Black and White Photography: do you use one of the primary colors to convert or all colors"
- "Photographing people: natural or posed"
- "Prime or zoom lenses - does it even matter these days"
- "Lighting - natural or artificial"
If you read his replies (there aren't many), you'll find more evidence to support my theory that he's here to encourage others to participate in meaningful discourse rather than find personal solutions for himself.
Still waiting to hear from Paul as to where
he finds inspiration
The OP is an interesting anomaly in our vast sea o... (
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I didn't go back to check out his posts. Thank you for listing them. I am not sure if you are for or against the OP. Whether you are or are not does not matter to me. The titles and the text of this last post do seem to provoke thought in other members. some more than others. I do find that topics like these are interesting, and tend to make me think, and consider, and sometimes connect random things floating around my brain. So, whether the OP is just a member seeking knowledge and insight, or someone in administration trying to stimulate conversation doesn't really matter. Either way it works. There are probably some out there that have tagged him as a troll. For that matter, I'm pretty sure that there are some who have tagged me as a troll for some of the things I have asked. This is not alway the easiest place to learn, but sometimes it can be the most insighful.
As to Paul......
Sometimes he is very informative and helpful. Sometimes he is very funny. Sometimes,,,, I'm just not sure which way he is leaning. And I can only assume many others are not either. Just one example of why it is sometimes hard for the newbee to learn here on the hog.
Bill
Longshadow wrote:
(If I find myself in Utah,
I'm lost.)
You'll definitely be a long way from home!
JZA B1 wrote:
I constantly struggle to come up with what to shoot. Does it come randomly to you? Or do you plan and brainstorm and imagine the final picture first and then arrange to make it happen?
Do you shoot what you happened to see? Or do you create your shots?
I am a very mechanical guy. I like fast cars, big trucks, antique tractors, construction equipment, big steam, fast planes. I also like landscapes, candid shots of people I know, and vacation memories. When you photograph things you are interested in, you tend to study the scene and the light more closely than you would something you're not interested in.
Example: I go to car shows and photograph cars, paying attention to where the sun is and what the background is. When I find a car that really catches my eye, then I go the extra mile, take many more photos, catch reflections, compose, frame, whatever. Sometimes I come back later in the day to get less harsh and better light. Would I do this for birds? No. Not interested. An SR-71? Oh yes!
So, foremost, take photos of what interests you.
CHG_CANON wrote:
I took "I constantly struggle to come up with what to shoot." at face value ... I did review the member's posting history and failed to find any images shared. The struggle must be real?
I'm tending to agree with you.
Technicality I can handle the adjustments to get a good exposure. Where I am lacking is that "ability" to "see" that beautiful composition framed before me. I know other photographers that not only "see" a composition but study a scene, then wait days or weeks for the correct light.
I understand the OP's question, and your continuation of his thoughts.
Thank you both.
Linda From Maine wrote:
Paul, surely you remember this newish member by now, and his types of topics?
I think of him as a facilitator of sorts. The
good kind in which people are encouraged to chat and maybe share useful information and inspiration. Perhaps he's even
paid to generate traffic?
His posts are obviously very popular, so who knows? How about playing along instead of trying to slam the door?
Interesting viewpoint, Linda. Actually, I took Paul's comments as a continuation of the OP's own thoughts. And just opening the door for more avenues for us all to consider.