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Posts for: skingfong
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Jan 17, 2018 22:05:20   #
A faster lens of at least f2.8 or better is should be used. Exposure time should be 30 seconds or less. I like using less to compensate for oblong stars caused by the Earth's rotation. High ISO between 3200-6400 should be no problem with your 5DMkIV. Pre-focus while there's still light on a far away object. Then flip your auto focus switch to the off position on the lens. This will prevent your from accidentally changing the focus once you have it established.

Try different exposure times and ISO's to find the sweet spot. I've found my sweet spot using f2.8, 20 second exposure, and ISO 6400 using a 20mm lens on a 6D. This is the setting I use all of the time for shooting stars and the Milky Way.

I found using the lens correction in LR or PS will also make quite a difference in star sharpness.

My PP version is on my other computer. This is a sample straight out of the camera before PP and lens correction. The line you see is a meteor passing by the Milky Way.



Photolady2014 wrote:
Help! I tried my first attempt at night photography... I live in the mountains where we do not have much light noise from town.
I used a Canon 5D MIV with the first photo lens of 24-105 STM lens. Second photo Canon 17-40. Yes, I screwed up and in the lack of light did not manage to have the lens set at 24 or 17mm...
1st photo 35mm f4 30 seconds ISO 1600. I also tried to help it out in LR 6 and have attached what I did there.
2nd photo again, did not notice I was off from the 17mm... 25mm F4 30 second ISO 1600
To the naked eye there were certainly not that many stars in the sky. What is all that in the sky? I put the focus on infinity with the 17-40. The 24-105 does not have the window for focus so I just focused as far out as I could on manual. I locked the mirror up, and used a remote control. How do you focus? What did I do right & what was wrong? I don't like these photos, but don't know what to do to get it right.
I added one last photo where I tried to do some light painting and the tree looks bad out of focus etc.


A faster lens of at least f2.8 or better is should be used. Exposure time should be 30 seconds or less. I like using less to compensate for oblong stars caused by the Earth's rotation. High ISO between 3200-6400 should be no problem with you 5DMkIV. Pre-focus while there's still light on a far away object. Then flip your auto focus switch to the off position on the lens. This will prevent your from accidentally changing the focus once you have it established.

Try different exposure times and ISO's to find the sweet spot. I've found my sweet spot using f2.8, 20 second exposure, and ISO 6400 using a 20mm lens on a 6D. This is the setting I use all of the time for shooting stars and the Milky Way.

I found using the lens correction in LR or PS will also make quite a difference in star sharpness.

My PP version is on my other computer. This is a sample straight out of the camera before PP and lens correction. The line you see is a meteor passing by the Milky Way.


Any tips would be appreciated!
Help! I tried my first attempt at night photograp... (show quote)


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Jan 12, 2018 23:54:39   #
chrissybabe wrote:
One of my previous clients was a TV production studio. Believe me the graphics design guys DID NOT use laptops. They used top spec components for everything and it was still too slow. The video editors use high end HP workstations. Some of my wifes Proshow Gold productions take 45 minutes to produce and I estimate they would take about 3.5-4 hours on either of our laptops. So I can only assume that the average laptop user doesn't attempt high end jobs or they have the patience of Jove. Being a non US citizen I have noticed that the queues at Disneyland with mostly US citizens are very patient so maybe it is a cultural thing. Me, I am interested in the starting minute and the finishing minute and the closer they are together the better.
When I was doing laptop repairs I couldn't believe how accepting the users were of pathetic performance (and these laptops weren't the cheapest models either). An upgrade to a SSD drive resulted in an acknowledgment of how bad they had been putting up with the previous performance.
However I guess whatever works for you is what you do even if sometimes I cannot understand it. It is what it is.
One of my previous clients was a TV production stu... (show quote)


I use to work in TV station where they had computers with Zeon processors and huge servers. Video editing takes a ton of processing power, even more so now with High Def. If TV were broadcast in 4K, video editing would be impractical for quick turnaround times for daily news.

Could you imagine trying to edit on a laptop. Serious compression would be necessary.
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Jan 12, 2018 20:42:44   #
Fotoartist wrote:
If you make large format prints you will eventually get frustrated with results you didn't anticipate or didn't see on your small screen laptop till after you've made the print. $$


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Jan 12, 2018 20:40:57   #
Hunter Lou 1947 wrote:
Excuse me, but what is a Mackie Mixer?


A Mackie mixer is an audio mixer I use for recording and audio monitoring when I'm working with audio. It doesn't have anything to do with photography. I just have it hooked up to my desktop computer.
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Jan 12, 2018 20:35:52   #
Kuzano wrote:
I have been building desktops, selling them, and selling laptops since they started making them.

My bottom line is that the Penalty Pricewise for portability (laptops) is 35 to 40% for similarly configured machines. Or turn it around. For the same price invested in a desktop, you get approximately 40% more performance with with the desktop. These figures have held up for me for many of the 25 years I have been in the biz.

Add another penalty to the laptop. No upgrade path in the laptop, whereas on a well thought out desktop, there are significantly more performance components available.

No matter how you cut it, except for RAM, once a laptop is built and purchased, it is a "dead end" computer. It will require full replacement to make it perform better..... again, except for RAM.

Portability punishes the buyer significantly. And the most portable devices, tablets and large smart phones have NO features that are significant to performance, compared to a desktop.

Smart people plan, configure and buy desktops. People on the travel circuit suffer or PAY for their devices.... a lot!
I have been building desktops, selling them, and s... (show quote)


I agree with you 100%. Only time I really use a laptop is when I'm out or as a backup. I'm usually on my desktop which gets upgraded or rebuilt as needed.
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Jan 11, 2018 21:32:07   #
Peterff wrote:
Yep. I have a desk side system, which I have upgraded several times since I first built it in 2010, and I guess I'll wait for a new generation or few of Intel processors before I give it a major upgrade given the latest meltdown / spectre issues. Somehow I can't imaging a laptop with 24TB of disk directly attached to it.

My wife uses a laptop, but set up as though it was a desktop or had a docking station. My laptop only gets used for travel.


Seems like I have to rebuild about every 4 or 5 years to keep up with my demands.
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Jan 11, 2018 21:23:10   #
TriX wrote:
The huge advantage of a desktop (unless it’s a Mac) is the ability to upgrade various components as the technology and your needs change. Laptops have very limited upgradability (as do Macs).


That's another good reason why I like desktops.
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Jan 11, 2018 21:21:23   #
jackpi wrote:
I have both an 2015 iMac 27" desktop and a 2017 17" iMac Pro laptop. I prefer the larger screen, but I end up doing most of my work on my laptop because I can use it any place in the house or on the road. I have never compared performance. If there is a difference, I don't notice it.


I use to feel that way using a laptop anywhere in the house but I realized the desktop was a better working environment with all the peripherals and hardware in one spot I seem to be more get more done when I'm at my desktop.
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Jan 11, 2018 17:59:57   #
Since there was a discussion with Mac vs PC, I like to have a discussion with Desktop vs. Laptop. I'm definitely from the desktop camp. The only advantage a laptop has for me is it's portability. I'm more comfortable with a desktop where everything is permanently hooked up. My workstation consists of a 24" monitor, a Mackie mixer, Mackie studio monitors, printer and desk. Everything I need is right there. I also rather use a mouse than a laptop tracking pad. Actually, I prefer keyboard commands over the mouse when possible. You also get more bang for your buck with a desktop. I can't see myself using laptops only. I work with audio, stills and a some video. I prefer bigger picture and way better audio.

That's not to say I don't use a laptop. I use one when I'm on the road or for backup in case the desktop goes down. Desktop is certainly my preference.
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Nov 12, 2017 15:41:43   #
Okay, I finally read all 26 pages of this thread. What constitutes a "pro quality photo" can be described in so many ways, but there's no absolute definition. Sometimes it can't be described with words but with a reaction or emotion. For me, it's something that grabs me, tells me a story or captures the essence or feeling of the event or scene. That's just part of it. The technical aspects of focus, composition, color, contrast, lighting, PP, etc. count too. But mainly it's the "wow factor" that grabs me and entices me to look at the photo for awhile to enjoy.
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Nov 4, 2017 03:28:26   #
SharpShooter wrote:
What is the proper way to use saturation...., locally, globally?
The biggest offenders are Sunset/Sunrise but every genre is represented. In many of the images posted it's pretty obvious that the photographer felt that oversaturation must be a good thing.
Some things are of unknown color so one can get away with a lot, but other things are KNOWN, like the color of peoples skin, most animals, and yes, even sunset/sunrise. We've all seen them, we know what they're supposed to look like.
How do you apply saturation and how much? Is saturation abused?
Feel free to post a before and after pic to show your point!!!
SS
What is the proper way to use saturation...., loca... (show quote)


This is very subjective. There's really no correct answer. If I were a journalist, I would want to portray reality as accurately as possible. I would try to get a shot as close to what I saw with my eyes.

On the other hand, sometimes reality can be bland. A non journalist maybe even an "artist" may want to spice up reality. Therefore an image can be enhanced by color saturation, sharpness, contrast, etc. depending on the scene or subject. All is done by preference and taste. Just like cooking, it can be overdone with spices, just right or not enough. It's a matter of taste. Not everyone has the same tastes.

As for my taste, I like more saturation and contrast up to a point just to give the image some "pop" for landscapes. For people, I prefer accurate skin tones but maybe everything else with a little more saturation.

In the cooked version, bringing down the highlights was what really brought in the color. It made the sky look more saturated. I only increased the saturation +10 in PS.

Uncooked from Raw

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Cooked

(Download)
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Nov 3, 2017 00:19:52   #
ps5039 wrote:
Is the Canon 100-400 L II worth the extra $600-700? I'm thinking of buying the II. I'm not a pro but take extreme pride in my wildlife photos. Can the above average photographer see the difference.


Since you're spending big on an L lens anyway, you might as well spend the extra money and go all the way. You'd probably get over the extra $600-$700 once you start using the lens and see the results.
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Oct 11, 2017 15:11:56   #
burkphoto wrote:
I agree with you... and with SharpShooter. Knowledge is far more important than gear, until you need better (or more appropriate) gear. Without knowledge, experience, practice, and understanding, better gear is just an expense.

There are many who CAN benefit from better equipment. There are many more who think it will make them a better photographer. Most of the latter group are, sadly, mistaken or misled.

A great photographer eventually will find the limits of any equipment he/she owns. There's a decision point: Do you want to go beyond that limit? Or can you work within it? RENT to try, before you buy, is my best advice for those who think the results will be better with a Shiny New Toy. Renting also makes sense if you have a one-off need or assignment, and don't want to tie up thousands of dollars for a marginal improvement under rare circumstances.
I agree with you... and with SharpShooter. Knowled... (show quote)


I totally agree. When a user has more knowledge and skill, the more demanding that user becomes with his gear. Users with lesser skills and knowledge may not be able to take advantage of higher end gear. Shooting action and low light situations only requires better gear if the user knows how to use it. If the user doesn't have the skills and knowledge to get the shots they want, better equipment is a moot point.

Put a beginner on a Stradivarius and a virtuoso on a entry level instrument. The virtuoso will sound better, but I bet you the virtuoso is going to wish he or she had a Stradivarius.
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Oct 9, 2017 18:13:13   #
rjaywallace wrote:
I have used it and liked it as a photo editor. I did not encounter the slow response reported by other members, but I was editing 8 or 10 images, not 370+. I had more time available to consider what steps/techniques I wanted to employ. On1 and some other Lightroom contenders do not have a true import function similar to Lightroom, and it has no cataloging facility which I would indeed miss having used Lightroom. With On1 you choose a file from wherever, edit it and export (store) it wherever. On1 does not get involved. How much those things mean to you depends on you and what you plan to do with your images.
I have used it and liked it as a photo editor. I ... (show quote)


Can you do any batch editing? That's one thing LR does that I find really convenient.
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Oct 4, 2017 13:19:38   #
CHG_CANON wrote:
The IS on the EF 16-35 f/4L IS is magical. Unless shooting in pure dark, you can hand-hold without a tripod. I have an image in the gallery posted earlier this week that was captured indoors (ISO-5000), with camera held above my head at 1/13 at 35mm that never could have been captured hand-held without IS in that lens.


That was the lens I was thinking about that raised my question. 1/13 is impressive handheld above your head.
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