I recommend setting your camera up for 'Back-Button Focus'. I set up my 40d like this a few years ago, and wonder why they don't come this way :)
You can focus, release back button(Which locks it in), recompose and shoot.
Also great for 'manual' focus, no need of reaching around and turning off auto focus on lens, just manually focus and shoot.
Metering; will depend on how you set it up and use it; In 'Manual' mode-metering never changes (From the exposure triangle you have set).
For the 'Auto' modes, here are a couple choices in your camera;
Your C.FnShutter/AE lock button, choices;
(Taken from...
http://www.learn.usa.canon.com/resources/articles/2011/backbutton_af_article.shtml)
A: Metering start / Meter + AF start
Back-button AF activation. Shutter button no longer activates AF, but of course fires the shutter. Metering is continuously updated if you shoot a sequence of pictures, the camera takes a fresh meter reading for each one. Theres no locking of exposure, unless you separately press the AE Lock button (this last item is not possible on some EOS models).
B: AE Lock / Metering + AF start
Back-button AF activation. Difference between this setting and option 2 directly above is that when you press the shutter button half-way, your exposure is locked and wont change until you pull your finger off the button entirely. Thus, if you shoot a sequence of pictures in any auto exposure mode, the exposure setting used for the first shot is used for each subsequent shot. Can be useful if you were using back-button AF to easily lock focus and shoot a series of portraits, where you wouldnt expect lighting to change.
Just another option you might not have considered, Good luck !
kitcar wrote:
rpavich wrote:
Not sure you are making yourself clear.
There are two things; focus and exposure.
They are different things.
When you hold the shutter half way down, your focus and metering settings are set then...not matter what they are set to.
I presume that is my question answered, i/e correct light exposure of near subject (darker subject) then moving camera, thus recomposing frame without being influenced by say a bright sky, when fully taking shot.