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Feb 22, 2019 19:02:26   #
Railroad Museum of Virginia (Roanoke)?
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Feb 22, 2019 18:58:10   #
A lot of fresh ballast in the original image- sign of the restoration after accident.
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Jan 26, 2019 12:10:36   #
How much of the content is specific to Nikon? I have both Nikon and non-Nikon cameras. Thank you for your efforts- your advice has been very helpful.

Steve Perry wrote:
Yes, the book is an e-book, not available in print. As mborn says, it keeps the costs down. I have some info on my website about it I'll paste below:

The reason for sticking to digital is three-fold.

First, it keeps the costs down. The books are large and full of colorful photos and illustrations – making them very expensive to print. Last time I checked, it would raise the cost on your end to over $60 or more – plus shipping.

Second, digital makes for easy updates. While some books don’t see updates very often since the information in them isn’t subject to change due to technology (like Secrets To Stunning Wildlife Photography), some books get updated far more frequently.

For example, the Nikon AF book was updated twice for new cameras within the first six months of publication. The new book will see an update soon as well for a some typos and clarification corrections. Plus I have some more info I'd like to add to the Exposure and Metering book as time goes on.

With digital, these updates are free and easy; with paper, not so much. Plus, if I did issue a new update, everyone who purchased the book in hard copy form in the last month or two would want to return it for the updated version. Digital makes the update much easier.

Third and finally, it’s easier for me.

OK, I know that’s selfish, but the truth is, I don’t want to deal with shipping, damages in transit, and any printing issues. I’m a one-man operation and have more projects in front of me than I can ever finish.

So, digital saves me a ton of time and allows me to continue to write books, articles, and produce videos.

All that said, if you do want a hard copy, we’ve had people take the book to a printing place (like Kinko’s) and have it printed and bound. You are welcome to do so for a single copy for your own personal use.
Yes, the book is an e-book, not available in print... (show quote)
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Jan 22, 2019 17:24:17   #
Thank you- very helpful.
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Jan 21, 2019 20:24:35   #
Hello everyone! I’ve been a member for some time and have read the UHH daily listing for a good while. That has led to a lot of related research (more reading/thinking). I’ve learned a lot. I haven’t really been active in photography for many years. Bought a D700 (and all the recommended trimmings) over 10 years ago, but never really justified the purchase. Still a great camera. In the meantime, bought a couple of Lumix bridge cameras shooting in Auto.

OK, now ready to get serious- ready to shoot raw. My initial questions are pretty simple. Recently picked up a Sony RX10M4 and will use this initially to get back involved. Already reading/studying White/Friedman. Understand Capture One generally does a better job with raw conversion. My first question is if Capture One Express is enough to get started for raw conversion? Do I need Pro at this time?Already a member of Adobe monthly subscription service. Best bargain currently going! Have moved ~ 20,000 images into LR on external GTech RAID 1, along with one catalog on Raid 1, backed up to Backblaze and Mozy/Carbonite. I know I don’t need both Backblaze and Mozy/Carbonite and that will be rectified shortly.

More importantly, I would appreciate any advice from those familiar with Capture One along with LR/PP as to your suggested workflow from camera, eventually to LR. Where does Capture One fit in to the workflow? I know my questions exhibit my lack of knowledge.

Thanking you in advance!
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