Stephan G wrote:
Let me pull out my squeezebox....
If there is a problem, I would say it was the starting point, the path, and the finish. When I view an artwork, I usually end up asking these questions. You knew the path you were setting. And the other two elements. However, your viewers will always have differing views. You have to have paths set up in some linear fashion. Sometimes it has to be obvious. (I am thinking Peter Blume's "The Rock".)
I will have to admit my feelings were deep because the Cathedral of Strasbourg, also Notre Dame, is ingrained in my childhood memories. I felt the deep loss when the fire occurred in Paris. Add to this having family living close in Paris. I did notice the historic references in your photo, but I could not determine the path.
The clock face did not speak of time passing. To me, it was of time stopping, breaking down. The fire was overnight.
As to collage vs composite, the images are identifiable as individual photographs in the collage. In the composite, it is not usually so clear. Both can have paths.
I do like the attempt. I appreciate what goes into it. Your explanation has me going back later this week to take another look.
Just remember what the great bard advised. "Ignore the groundlings. But make them pay their Pence!"
Let me pull out my squeezebox.... br br If there ... (
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Thank you for the rich response--and the advice from our friend, Shakespeare.