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Nov 20, 2017 15:42:55   #
Taken w/D7500


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Nov 20, 2017 11:42:41   #
indeject wrote:
Hello. I’m new to the forum and this is my first post. I’m shooting presently with a D 7100. I shoot landscape,grand children, portraits (headshots) and production photos for my theatre group, in mostly low light with many action (dance) shots. I have a number of Nikon lenses, including a 17-55 f2.8 G DX, 50mm 1.4 G, a 70-200mm f2.8 G ED VR II. I also have the 18-200mm f3.5-5.6 G. DX. So I have a combination of DX and FX lenses. I want to update and am looking at either the D7500 or the D750. I realize the 7500 is DX and the 750 is FX. I can’t afford the D850. Would appreciate any opinions. Thanks so much.
Hello. I’m new to the forum and this is my first ... (show quote)


I would say the D7500, it's the newest camera in the DX lineup has most of the features of the D500. You have the lenses that will work on it. The camera takes decent photo's in low light situations. You have 1.5 x reach with your lenses do to the crop factor. I have had mine for a about a month and love it. I was torn between the D500 and the D7500 and went the D7500 because I do more travel and landscape photography. The camera is fast enough for sports for the amount of time I may or may not want to shoot sports. It feels good in my hands and has some heft to it but just slightly lighter than the D500 due to the new material they are using for the bodies.

Go to the camera shop and check em out. You are the only one who can decide what is best for you.
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Nov 20, 2017 00:12:04   #
tdekany wrote:
Neither of my cameras allow auto ISO in manual mode. Does yours? That is one issue some users complain about often.

Nikon D7500 allows auto ISO in manual mode.
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Nov 19, 2017 22:55:40   #
Updated to High Sierra the other night and everything runs fine with Adobe Creative Cloud.
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Nov 17, 2017 11:36:24   #
Larz wrote:
Cdayton, I have an IPad. It doesn't have USB ports. Did you find some sort of adapter to fit the smaller ports?

I use an IPad also. You can get a card reader that plugs into the lightening port.
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Nov 16, 2017 22:46:48   #
Have a great trip. One of my favorite places.
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Nov 14, 2017 19:32:04   #
Pegasus wrote:
If you want to recommend a FF, please don't.

I'm coming from a D5200. which has done very well for me over the last 4 years but is now getting in my way more often than not. Let me explain.

I've had an SLR of some kind since the early 70s, Nikon or Minolta. (Strange combo, don't ask.) My two favorite films were Kodachrome and Panatomic-F. I also used a lot of Tri-X when I needed film speed. I did a lot of B&W because I developed my own film and printed my own pictures. I would know the exposure needed for the film I used just by looking around and could set the camera accordingly very quickly and then refine the exposure in the viewfinder. All second nature, easy peasy. In time, and with work, family and changing interests, there came a series of P&S cameras to record the kids and the use of Kodacolor and photo stores for development and printing. The camera was always ready and available for pictures at a moment's notice and my wife could use it easily. Enter digital photography and at first it was a Coolpix then a D60 followed by a D5200. I acquired many lenses during that time.

I am much more into composition when possible. Examples of that is when I go walking somewhere with picture taking in mind. This is when I start fumbling with my D5200 trying to set the exposure to what I would like. The viewfinder is small so reading the shutter speed and aperture is an issue. Trying to change them is even more so. This camera is really oriented towards automatic exposure and providing set scenes is a good thing. Trying to exercise more control over the exposure is more difficult.

However, unlike most people here (or certainly the ones who state a preference,) I do make use of full auto and I like the scenes settings because it is brain dead and it works quite well the majority of the time. It also enables my wife and others to easily take decent pictures with my camera.

I was all ready to select a D500 as my next camera but I'm discovering that it does not seem to have a full auto setting and certainly it does not have the scenes setting, whereas the D7500 has all that as well as much better control over manual settings. Does that mean I could not have other people (who know nothing about photography) use the D500 or not even a have it for quick spur-of-the-moment pictures?

I am reading the huge owner's manual, but it's pretty dry when you don't have the camera in hand.
If you want to recommend a FF, please don't. br b... (show quote)


I went through this debate with myself and went with the D7500. It does everything I wanted and is lighter weight than the D500. The camera was a huge step up from the D3300 that I have. You get a lot of the features of the D500 but at a lower price tag.
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Nov 11, 2017 00:28:09   #
Funny
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Oct 30, 2017 19:53:49   #
G Rissler wrote:
D500 of jump over it to he D750, both are full frame.

D500 is a crop sensor.
I jumped from a D3300 to the D7500. I was torn between the D500 and D7500 and opted for the D7500. You have the lenses and all so the jump up to the 7000 series or the D500 would be a big step. I picked the D7500 because it fits my style of shooting, vacation, landscape and architecture. The photos are great.
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Oct 27, 2017 14:50:16   #
I don’t think it’s the lens. Focus mode is part of the issue, not enough contrast. Try a few shots in manual focus and the other modes mentioned.

Blur is from camera shake and slow shutter speed. To see how much blur from just a slight hand tremble hold your camera and look in live view with your 55 - 200 set at 55. Now zoom out to 200 and notice you can see your hand shake. Now imagine how much more pronounced it is with the longer focal length.

Now even with the camera being on a tripod your getting the blurring so that says that when you release the shutter you get some movement. It could also be the tripod vibrates when the shutter is released. You didn’t say what tripod your using. Are you pressing the shutter or using a cable release or remote? Also as mentioned try shooting with the mirror up.
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Oct 22, 2017 10:22:09   #
jonjacobik wrote:
And what happens to your pics, when the subscriptions stops?


If your using Clasic CC nothing happens your images are on your computer. The module for developing will be grayed out. If you are using CC and saved everything to the cloud and didn’t save copies locally then your locked out. If you use the combo of both then a copy is on your main computer. Works the same as if you were using LR and LR Mobile together.
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Oct 22, 2017 08:14:08   #
Article says in the cargo bay. You can bring your camera and batteries in the cabin. For a while the Samsung phone that went on fire was banned from aircraft until they had been fixed. Certain batteries can’t be air shipped due to fire hazard.

I can see some people checking there gear in hard cases going on a shoot and carrying a lot of gear. In that case they would need to carry the batteries in there carry on.

I always take my camera gear as carry on along with my iPad etc. I have had things go missing after they checked my checked luggage.
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Oct 22, 2017 07:45:32   #
I can tell the group from experience that moving to the subscription makes sense for both the end user and the developer. I have been using the Creative Cloud Suite of products since it’s inception. Being a subscription user you have tech support, new features as they come out, Features get added all the time that you would normally have to wait for or hunt down. The company gets a constant cash flow so they are able to keep talent on board and create new things. When a feature comes out or a bug fix the console tells you, then you can decide to download it or not. Your software will always be up to date. The price has been the same since the day I started the subscription seven years ago.
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Oct 20, 2017 10:30:55   #
I use the whole CC Creative Suite and the price hasn't changed in at least 5 yrs.
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Oct 20, 2017 09:35:55   #
I am going to look at your question from this perspective. If the said person shoots good photo's and wants to make the jump to full frame from the D7200 to D850 so be it. The logic being if you have the funds to make the leap go all out pay once cry once. Cover all the bases. Over the course of learning both professionally and non professionally how many bodies does a person buy? You read on the boards how a person has this body for this and this body for that and this is my travel camera etc. A person who does photography professionally (aka being paid) has a multiple cameras in there kit.

It comes down to the person buying the camera making the decision as to what they need or want. The worst thing you can do is discourage someone, you can try to steer them if they ask for an opinion. But they may just surprise you because of the feature set on the camera and they aren't intimidated by it.
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