Ugly Hedgehog - Photography Forum
Home Active Topics Newest Pictures Search Login Register
Posts for: Kozan
Page: <<prev 1 ... 8 9 10 11 12 13 14 15 16 ... 31 next>>
Jan 15, 2020 15:41:35   #
bsprague wrote:
I'm a traditional photographer that has habits. I shoot with a camera that has lenses and process what comes out of them. It used to be film in a wet darkroom. Now it is Lightroom Classic because SD cards don't fit the tank reels very well. But, the workflow is familiar. My images are stored in computer folders, by date instead of sleeves by date. They are still stored by date. I have a screen with thumbnails instead of contact sheets. Instead of an enlarger, I have an inkjet printer.

A week ago I decided to step outside the box. I shot with a phone and let it store in the cloud. I wanted some arty, black and white prints of routine "parts" from my new retirement resort campus. Think valves, chains, locks, sculptures, benches, etc. They are for the next meeting of the photography club where I am the newest member. The assingment was to shoot the "inner workings" of the place.

The prints are so good that I'm pissed off. I don't want to use a phone. I don't want my images in the cloud. I don't want so much automatic processing. But I think the results are better than if I would have stuck to my old habits.

Am I too old to change? Too old to learn a new workflow? Do I mothball my cherished gear? Do I use the phone and pretend the results are from a camera?

My frustration is intense.
I'm a traditional photographer that has habits. I... (show quote)


Do what Jim Belushi did in Animal House --- just start drinking!
Go to
Jan 15, 2020 15:35:21   #
LITTLEBIT wrote:
I want to become the best Photographer I can be without correcting my photos Post Production wise.


It is admirable to want to get the image as perfect as you can without post-processing. Every photographer would like that. But it's not possible. EVERY image could be improved by PP. Even wedding photographers that shoot in JPEG, will tweak the image before giving to a client.

Why not get the best image by being a good photographer AND learning good post-processing at the same time?
Go to
Jan 11, 2020 09:08:10   #
d2b2 wrote:
I felt the same way about Acadi. I thought it was great, but photographically nowhere near what I hoped for. But then, sometimes the time of year, or perhaps some limited areas I might visit play into it. I would go back, but not with an intense desire to photographic.

Most of the places in which I am disappointed are due to the crowds, not the scenery itself. Italy was a perfect example. This is not a great photo, but getting it was a mammoth undertaking because what you cannot see, are literally several hundred people crowded around it, some with feet in the water which is unquestionably against the law, in Italy. It took almost an hour to get a shot without ten or more people in the picture. In fact, not long after we left, there was legislation that I believe was ultimately ratified that provided for huge penalties for throwing money and other things into the pool around the fountain, or getting into the water, even minimally. There is nothing we can do about crowds; others have every right to be wherever we want to shoot. But it is disappointing, none-the-less.
I felt the same way about Acadi. I thought it was... (show quote)


Actually, there is a very simple solution to crowds. Just set up a tripod, set your camera on TIME shutter setting, slap on a 15-stop ND filter, cover the viewfinder, and shoot for 15 minutes. The result is no crowds. Now, I realize that you can't always set up a tripod, especially in US National Parks, but if you can, it's a good solution. IF you really want the shot.

Kozan
Go to
Jan 8, 2020 11:07:53   #
CHG_CANON wrote:
It depends on your camera model. Research the topic ISO Invariance where the idea is that at 'base ISO', typically ISO-100 for most of the models with this feature, the RAW file can be modified in post processing without a negative impact on the image noise.

The capability of ISO Invariance is very a) model (brand) and b) software and c) situation specific. If you under-exposed by 5-stops to keep and image at ISO-100, compare for yourself whether you can edit an equivalent (or better) version of the image when brightened on your computer to the equivalent of ISO-3200 or higher. Experiments with your own unique camera and software combination may show that you should be fiddling with the ISO in the camera for low light situations to achieve the better final result.

Your low-light situation may also require a faster shutterspeed that can't be accomplished by just a wide aperture at the camera's base ISO. ISO Invariance may be a feature of your camera model, but still is not a solution for all your needs.
It depends on your camera model. Research the topi... (show quote)


Paul, you mean you are actually asking someone to take the time and effort themselves to experiment instead of asking the UHH community for help? How dare you! Sir, you do a disservice to all the lazy people who wants someone else to do their job!
Go to
Jan 1, 2020 12:44:05   #
MW wrote:
I think for most people they will get better results by taking the photo in color and converting later. However, starting with the camera set to b&w, although tougher to get good results, may teach you to “see in b&w” better.


Go to
Dec 30, 2019 12:12:24   #
FAA Member wrote:
I inadvertently removed the lens while the camera was still on. I really try Not to ever do that. As soon as it happened I realized my screw-up and switched to camera Off. So, is the sensor damage in someway?


I've done this several times without any ill-effect. But that doesn't mean it won't damage the electronics some day.
Go to
Dec 30, 2019 10:03:16   #
Bill 45 wrote:
My Topic " What is to be Done." has been move to the Attic. So much for freedom of speech.


We only have as much freedom as the government lets us have.

Did you know that the ATF can seize your house, car and other property even if they suspect you are a drug dealer? No court, no trial, no nothing.
Go to
Dec 30, 2019 00:25:55   #
mas24 wrote:
Well Christmas is over. My credit card is finished with Xmas gifts this year. I set a Xmas limit of $2700, and was able to treat myself out of that limit, to a new Nikon AF-P DX 10-20mm wide angle zoom lens. Price $277. I needed a wider zoom lens than my kit lens, an 18-55mm. I gave bottles of red and white wines to some of my friends, along with giving a half dozen SanDisk 64gb Ultra SD cards to them. Non photography gifts to close relatives were the bigger part of my budget. There are/were some good camera deals this year. The best one I saw, was the Canon 5D Mark 4 camera, selling Brand New for $2000, and the Nikon SB-700 flash unit selling for $296. Nikon and Canon had their customary entry-level, 2 lens kits. Nikon had D3500/D5600 two lens bundle kits. Sold mostly everywhere. What photography equipment did you treat yourself to this Xmas? I call it. From Me To Me Xmas Gifts.
Well Christmas is over. My credit card is finished... (show quote)


Got a 60mm Nikon MICRO lens for my Nikon D850 to do film to digital and I found a Nikon F5 at KEH in excellent condition for $389. I couldn't be happier. KEH is great!
Go to
Dec 25, 2019 12:44:03   #
ggab wrote:
So the power of the speedlights is what is adjusted and not how the umbrella is configured?
I try to avoid YouTube when possible. A lot of it is garbage.


You can "kinda" configure the umbrella by moving the umbrella closer or farther away from the subject. Let's say your umbrella is at 8 feet away from subject and you want to increase the power by 1 f stop. You can simply move umbrella to 5.6 feet away and you have increased the exposure by one f stop. If you want to decrease the exposure on the subject by 1 f stop, move the umbrella to 11 feet away.

It all follows the INVERSE SQUARE LAW of light. If you notice each stop on a lens is 1.4 times the adjacent stop. 1, 1.4, 2, 2.8, 5.6, 8, 11, 16, 22 are all a factor of 1.4. Actually, 1.414, but they are rounded off to 1.4.
Go to
Dec 21, 2019 14:57:46   #
Wyoshooter wrote:
I really wanted to like this when I saw it at Best Buy. I am interested in adding a mirrorless for birds and wildlife with my Tamron 159-600. In my opinion this body is too small to adequately support a big tele in normal operation capturing Eagals and wild life. Unless the kit is mounted on a tripod. I do think that Nikon has a great camera to use with the kit lenses.


My Tamron 70-200 f/2.8 G2 lens does not work on my Z50. The Tamron has 10 electrical contacts, whereas the Nikon lenses only have 8. That really is not a big deal. Both the 70-200 and the Nikon 200-500 are too heavy for the camera -- to hand hold anyway. On a tripod using the tripod mount on the lens, at least the 200-500 would be fine.

My Tokina 24mm - 70mm f/2.8 works great also. It's nice having an f/2.8 lens on it.

Make sure you get some documentation before you purchase. The Tamron may not work.

Good luck.

Kozan
Go to
Dec 21, 2019 11:30:44   #
d3200prime wrote:
I am considering Nikon's first mirrorless AP-C camera and am wondering if anyone owns one and what they think of it. Any input appreciated.


I've had one for a couple of weeks now, and I love it. I haven't tried all the functions my D850 will do. But so far I know it does High Speed Sync,HDR and D-lighting, so I'm good with it.

I was surprised the Tamron 70-200 F/2.8 did not work with the FTZ adapter. My Nikon 200-500 works great on it. I have noticed that it will auto focus even in very dim light.

I'm still learning about the camera, but so far, I love it.

Kozan
Go to
Dec 16, 2019 10:34:09   #
A. T. wrote:
I thought so but wanted to get confirmation. I'm a rookie (18 months) DSLR photographer but have done quite a bit of reading, watching videos, studying and loads of practice so I'm very familiar with the exposure triangle and different lighting situations; however, taking photos of groups is still a challenge for me at times. I think my problem is a lack of confidence so I tend to bump up the aperture in group settings to ensure sharpness but end up introducing noise from too hight of an ISO setting. I'll put in some much needed practice with this scenario to help boost my confidence.

Thanks a bunch.
I thought so but wanted to get confirmation. I'm ... (show quote)


If you are taking groups, you probably want to be at F/7.1 to F/11. Those F stops will give a wider depth-of-field, and chance of someone being out of focus is smaller. Of course, that depends on how much light is available and how high you want to go with ISO. I tend to always use a flash, both indoors and out. The flash will give catchlights in the eyes. And you won't have to use such a high ISO.
Go to
Dec 13, 2019 11:45:03   #
CHG_CANON wrote:
The most likely scenario is a returned lens is verified with all packing material and put in a fresh box. There would be zero economic reason to add value to a product that is sold at less than the original sales price. Nikon will be the same as Canon. Here is Canon's explanation from their website. From Nikon I couldn't find a similar definition:

From digital cameras and lenses, to camcorders, printers, and more, our refurbished products showcase our dedication to product excellence. Shipped back to us as gently used or unboxed returns, our trained Canon technicians perform comprehensive quality assurance inspections, replacing any needed parts with genuine Canon equipment. Plus, all refurbished products are backed by our standard 1-Year limited warranty.

https://shop.usa.canon.com/shop/en/catalog/refurbished-products-information?&campaign=hd19&gclid=EAIaIQobChMIgKXx9ZOw5gIVT_DACh2kJwJ3EAAYASAAEgJFGvD_BwE&gclsrc=aw.ds
The most likely scenario is a returned lens is ver... (show quote)


The problem with buying refurbished equipment is that if the original had a faulty part, the manufacturer is going to replace that same type of faulty part. You always take a chance that there was a fault to begin with. In time, it will fail again.

Having said that, I have bought two fairly expensive pieces of gear. One was a Tokina 100mm MACRO lens
and another was the Nikon P900 camera. Both are working great. But I always wonder if someday they will fail.

Kozan
Go to
Dec 13, 2019 11:27:57   #
TonyL wrote:
One man's meat...... As they say!


I thought the saying was "One man's trash...".
Go to
Dec 12, 2019 11:35:46   #
Hunter Lou 1947 wrote:
I have PS14 and find it a bit awkward to use. I have numerous photo's on my desktop. Is Infinity easier to use than PS? also, if I'd download Infinity will I have problems going from PS to Infinity with my pictures. I shot them all on a 7D Mark II and mostly with a Sigma 600mm lens Sport. I find the PS not very user friendly. Is Infinity better to use with Raw photo's? I'm not very computer savy.


I find Affinity Photo much easier than Photoshop. The workbook gets you up to speed pretty quickly. Each teaching point has images you can download and work on yourself.
Go to
Page: <<prev 1 ... 8 9 10 11 12 13 14 15 16 ... 31 next>>
UglyHedgehog.com - Forum
Copyright 2011-2024 Ugly Hedgehog, Inc.