anotherview wrote:
A misconception exists among some users of Adobe software, that they own it as their property because they once paid good money to obtain it. These select users fail to make the clear distinction between ownership and license.
Yes, so far as use goes, owning and licensing may in practice seem alike. Yet this seeming alikeness does not confer software ownership rights at all. I believe a bright line exists here between owning and licensing.
I believe, argumentatively, that part of the dislike of the Adobe software subscription model arises from a misunderstanding of this difference between owning and licensing.
As to cost, one can argue until the cows come home. To me, paying rent of $9.99 per month for a license to use both Photoshop and Lightroom seems near trivial, especially when taking into account the included periodic updates and upgrades at no extra cost. I also welcome that these improvements happen nearly seamlessly via the Internet.
From what I gather, the users who object to the Adobe subscription model find themselves among a tiny but vocal minority. The bulk of users have subscribed and then moved on.
A misconception exists among some users of Adobe s... (
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Think you have that last statement backwards ; there are alot more amateur photographers than professional, and alot of older ( like myself ) that are going back to photography or starting because of loss of mobility .
I feel we just want Adobe to give us an opinion, like from my previous post below.
The best summation of this for me is if you are in the photography business for profit Adobe subscription not a problem. Taking photos for enjoyment and not for sell and all the bells & whistles not needed subscription not so much. Personally I would like to purchase the product rather than subscribe. What would be nice for me is to purchase Photoshop and LR get free updates for keeping software safe from hacking & to purchase bell and whistle updates that I may want.
cedymock wrote:
Think you have that last statement backwards ; there are alot more amateur photographers than professional, and alot of older ( like myself ) that are going back to photography or starting because of loss of mobility .
I feel we just want Adobe to give us an opinion, like from my previous post below.
The best summation of this for me is if you are in the photography business for profit Adobe subscription not a problem. Taking photos for enjoyment and not for sell and all the bells & whistles not needed subscription not so much. Personally I would like to purchase the product rather than subscribe. What would be nice for me is to purchase Photoshop and LR get free updates for keeping software safe from hacking & to purchase bell and whistle updates that I may want.
Think you have that last statement backwards ; the... (
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All this thread reminds me of the property taxes we pay on houses. NOBODY actually owns the house they 'bought'.
Don't pay your taxes on it and see just who OWNS it.
TMcL wrote:
Unfair comparison. Nobody is asking Adobe to give away its software for free. Why will they not give you the option to buy? The only logical answer is that they stand to make more money by forcing you to pay for it monthly.
They are selling FAR more software via the subscription model than they ever did with packaged, perpetual licensing. People can afford a low monthly or annual fee more easily than a $700 initial purchase and $300 version upgrades (for single seats of Photoshop).
Adobe’s target customers are professionals in the creative content development fields. While they are happy to have amateurs use their products, they target those who need to use the latest tools to make a living.
Many business accountants would rather see a low monthly fee than an occasional high dollar charge.
The lab where I worked had 24 seats of Photoshop CS2... Even with a professional license agreement, the upgrade to CS3 was over $6000. The original cost was around $15,000. We would have *loved* the subscription model!
burkphoto wrote:
They are selling FAR more software via the subscription model than they ever did with packaged, perpetual licensing. People can afford a low monthly or annual fee more easily than a $700 initial purchase and $300 version upgrades (for single seats of Photoshop).
Adobe’s target customers are professionals in the creative content development fields. While they are happy to have amateurs use their products, they target those who need to use the latest tools to make a living.
Many business accountants would rather see a low monthly fee than an occasional high dollar charge.
The lab where I worked had 24 seats of Photoshop CS2... Even with a professional license agreement, the upgrade to CS3 was over $6000. The original cost was around $15,000. We would have *loved* the subscription model!
They are selling FAR more software via the subscri... (
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I don't think it is professionals they are targeting also the cost of cc at $10 a month x 24 seats is $2,880 so your still left with nearly $6,000 to upgrade every couple of years. If you were upgrading over 3 years then your actually paying more.
If anything are amateurs subsidising business users? I can't find a break down but from UUH it seems more Amateur users than Pro. If you consider the hike in users since switching models the majority of those new subscribers are going to be amateurs, Pro users would have mostly been using the standalone versions prior to that.
You could say pro's have a vested interest in promoting Adobes products to amateurs.
It will work out sooner or later, Adobes model has increased sales for other companies, Affinity Photo is currently no 4 in top grossing no 12 in best sellers.
transponder wrote:
Just got a new computer because of hard drive failure. Should have removed more pictures and double backed them up on jump drives and other means. Have PS CS2 on CD however won't work on new computer. Now decided to rebuild to rebuild old computer. I guess another conputer wont hurt anything. Six computers for three people is not a glut.
CS2? Were you running Windows XP?
So far, I've read personal opinions here. Let me introduce some facts:
"Adobe Creative Cloud Adoption Grows to 12 Million Paid Members"
Quote from the report: "Adobe’s Creative Cloud has been available for several years now and continues to gain strong adoption in the marketplace."
[found at:
http://prodesigntools.com/creative-cloud-one-million-paid-members.html]
cedymock wrote:
Think you have that last statement backwards ; there are alot more amateur photographers than professional, and alot of older ( like myself ) that are going back to photography or starting because of loss of mobility .
I feel we just want Adobe to give us an opinion, like from my previous post below.
The best summation of this for me is if you are in the photography business for profit Adobe subscription not a problem. Taking photos for enjoyment and not for sell and all the bells & whistles not needed subscription not so much. Personally I would like to purchase the product rather than subscribe. What would be nice for me is to purchase Photoshop and LR get free updates for keeping software safe from hacking & to purchase bell and whistle updates that I may want.
Think you have that last statement backwards ; the... (
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Low payments are a marketing tool that works. You can save stray dogs and cats for 63 cents a day. Help disabled veterans for 79 cents a day. Feed every starving baby in Africa for 99 cents a day. It works for Adobe and others will follow.
What cracks me up is that we hear all the time that it's not the camera it's the person behind the camera. But the same people who say that think you need what they perceive as the best software. Maybe they should get better cameras so they can get by with less post processing.
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Photo-editing software brings out the potential of a photograph. In addition, an image captured in the RAW file format always requires further editing. The camera records the image, while the software develops it for the best result.
Bill_de wrote:
Low payments are a marketing tool that works. You can save stray dogs and cats for 63 cents a day. Help disabled veterans for 79 cents a day. Feed every starving baby in Africa for 99 cents a day. It works for Adobe and others will follow.
What cracks me up is that we hear all the time that it's not the camera it's the person behind the camera. But the same people who say that think you need what they perceive as the best software. Maybe they should get better cameras so they can get by with less post processing.
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Low payments are a marketing tool that works. You ... (
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Bugfan wrote:
First of all I grew up saving to buy and subsequently own whatever it was that I fancied. I don't see software any differently, it's a tool and if the tool does the job then buy it.
That's not to say I have never rented. When I travel I sometimes rent a car for a week or two. When I am renovating my house I sometimes rent a machine to simplify the project. In this case I only wanted something temporarily and I was quite prepared to give it back at the end.
I have fifteen and twenty year old software that meets my needs perfectly. I bought it as a tool and I use it as I would any tool. I also bought it to keep it since I'd be using it likely forever.
So I don't rent Photoshop or MS Office. I use the ones I originally bought. And one thing that's nice about this is that this software always works too. The rented software only works as long as you're paying your dues all the time. Thankfully with Photoshop there's JPG so if the software stops working you can still access your images with other software. But that's not always the case with all software, sometimes you're doomed to have to now rent the software or lose your files.
I have no problem seeing Adobe make a lot of money, that's good since it might get us better software in the longer term, however I am not going to contribute to those profits by constantly paying to use what I already have on my computer.
Personally I think software should go the way of the car. I have a choice there. I can buy my car and use it for a decade or two until it falls apart. Or I can lease the car for a certain number of years usually four or so, and then give it back after that time and buy a new one to replace it. The lease is usually cheaper than the purchase so you get a break when you lease.
Alas Microsoft and Adobe don't give you that option, they force you to rent and they don't allow you to own. That is why a lot of people like me are upset about their rental offerings.
First of all I grew up saving to buy and subsequen... (
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I'm still using Office 2003 on two of my Windows 10 machines. Since "Word" and "Excel" are what I use most, There's no need for me to change. Prior to that I used Excel 5.0 and Word 6.0 (Both were Windows 3.1x programs!) into the Windows XP era! Math and English don't change THAT much! I know that many people have to share documents with others and THEY might need to upgrade to whatever their co-workers use for collaborations, I just "print" as PDF to share a doc with someone that has an Office suite that differs from mine.
For photo editing, the unless there is a new feature you want otherwise, there's no reason to upgrade UNLESS it doesn't support the RAW format of a new body.(of course many people only PP in JPEG,for them no probs!) This is the only reason I can think of for needing the latest. If your software runs on your current OS and handles your current hardware then keep it. I use UFRaw and Gimp on a Linux machine for my PEF files, So I have nothing to offer on Adobe's offerings.
Subscription or purchase should be options, I prefer to own my stuff.
I, wont pay it iam done with adobe. Oni raw2018 is on sale ata very good price79.95.
anotherview wrote:
Photo-editing software brings out the potential of a photograph. In addition, an image captured in the RAW file format always requires further editing. The camera records the image, while the software develops it for the best result.
So the photographer isn't even needed.
But just how much post processing can you do and still call it a photograph and not a construction?
So far only one amateur responded to my question about actually using new features in their work flow.
Having the latest and greatest if you don't use it is just a talking point.
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Bill_de wrote:
Low payments are a marketing tool that works. You can save stray dogs and cats for 63 cents a day. Help disabled veterans for 79 cents a day. Feed every starving baby in Africa for 99 cents a day. It works for Adobe and others will follow.
What cracks me up is that we hear all the time that it's not the camera it's the person behind the camera. But the same people who say that think you need what they perceive as the best software. Maybe they should get better cameras so they can get by with less post processing.
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Low payments are a marketing tool that works. You ... (
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Yes rent them that way they will always have the most up to date version
blackest wrote:
I don't think it is professionals they are targeting also the cost of cc at $10 a month x 24 seats is $2,880 so your still left with nearly $6,000 to upgrade every couple of years. If you were upgrading over 3 years then your actually paying more.
If anything are amateurs subsidising business users? I can't find a break down but from UUH it seems more Amateur users than Pro. If you consider the hike in users since switching models the majority of those new subscribers are going to be amateurs, Pro users would have mostly been using the standalone versions prior to that.
You could say pro's have a vested interest in promoting Adobes products to amateurs.
It will work out sooner or later, Adobes model has increased sales for other companies, Affinity Photo is currently no 4 in top grossing no 12 in best sellers.
I don't think it is professionals they are targeti... (
show quote)
Adobe's Creative Cloud license for business is $69 per month per seat for all of their apps. Their individual price is $50 or an individual.. now the Business includes more abilities for the business user. But you have to remember that the price is for all of their apps and not just Lightroom and Photoshop.
The photographer remains the operator in chief who determines composition and subject matter. For now he also determines exposure, although the future may bring successful automation to that part of doing photography; meanwhile, knowing and applying the exposure triangle still remains in the hands of the photographer.
That said, post processing does lend itself to extremes given the wide control that software offers to the photographer. So yes, at some point, a work that began as a photograph may morph into a concoction or a contrivance, far from a likeness of the original photograph.
As to new features in Photoshop CC, I use (1) the Color Range Mask and Luminance Range Mask controls to adjust the sky isolated from the foreground; (2) the Camera Shake Reduction filter to increase sharpness by removing blur from minute camera motion; (3) the Camera Raw filter to return to it while in Photoshop to make further adjustment; and (4) the Dehaze Effect, in Camera Raw, to subdue highlights like a circular polarizer filter.
These four improvements do not exist in CS6. All appeared in PCC. The CSR filter alone makes PCC worth its subscription price. This filter brings out the native sharpness of the lens optics -- a satisfying thing to see.
I use all these new features in my daily workflow.
Bill_de wrote:
So the photographer isn't even needed.
But just how much post processing can you do and still call it a photograph and not a construction?
So far only one amateur responded to my question about actually using new features in their work flow.
Having the latest and greatest if you don't use it is just a talking point.
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