Ysarex wrote:
I've worked on commercial projects with art directors. I've been the art director. I think it's hilarious that the markup image you supplied is grabbed from a Capture One tutorial. C1 of course like LR is strictly a parametric raw processor.
Photoshop has tools that LR doesn't. Photoshop has more tools than LR. If you need the tools in Photoshop then use Photoshop. If you don't need the tools in Photoshop your photo isn't unfinished because you didn't use the software that has tools you didn't need. That's malarkey.
The photo below is processed in LR and only in LR. It is finished. There is nothing that requires further professional quality finishing. Photoshop can't make it any better. The tools in LR got the job done.
The photo contains cloning and spotting work.
Five areas of the photo have been individually selected (placed on layers if you like) and independently adjusted for tone and color. LR is able to do that in many cases as well as it need be done.
And because the processing is completed in LR there are some advantages over using Photoshop. Don't need to save a huge TIFF/PSD file and maintain more files to save my work. In a raw workflow the cloning work done in PS is a destructive element -- PS is not 100% non-destructive but LR is.
I've worked on commercial projects with art direct... (
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Why are you being so defensive and hostile - totally unnecessary.
Your image is a lovely image. I'd love to see what it looked like before you worked on it, and I don't know what it will be used for, so I can't tell if the image is truly finished.
Yes, I found the C1 woman's portrait markup to be a good example of a set of edits required by a creative director given to a retoucher to develop a "look" - but I can tell you that while it "can" be done to a reasonably good result, I find it far easier to work an image like that in Photoshop, and the results slightly better. Particularly in the area of skin texture retention. There is nothing comparable to frequency separation when it comes to many of the adjustments in the notes. I like to work in C1 because it has better tools for local editing than LR does. While it is true that you can do a lot with masks in LR, the range of adjustments is not the same as the ones you apply globally. Duplicating a mask will help to build up an effect, but it gets messy if you do a lot of that, and when you have a lot of local edits on a raw file, LR gets really slow. I find C1 considerably better in that respect as well.
When you state that cloning in Photoshop is destructive leads me to think that maybe you aren't all that familiar with Photoshop and cloning. I do cloning and use the patch tool on a blank layer with a layer mask on top of a layer stack which contains the stuff I want to clone or patch. I can even select what layers I want to sample for the operation and which ones to exclude. It's not hard to do in PS at all. The "cloning" tool in LR is not much more than a patch tool. I prefer to use a brush that is more easily configured with respect to hardness, opacity, flow, blend modes, etc - something that is well beyond the crude patch tool provided in LR.
Don't get me wrong - every image I've taken since 2006 has gone through LR and I rely on it heavily for many things. Some of the early images were first taken through C1 or Raw Shooter or BibblePro, because I had not yet adopted LR. But by LR 3 I felt comfortable enough to standardize on LR, and consequently adopted it as my go to raw converter. It was certain crude by today's standards, but it was fast at getting a set of proofs to a client. I still rely on Photoshop for finishing - because it is easy for me to do so.
I recently purchased an enterprise quality 12 TB hard drive (Hitachi Ultrastar) for under $200. Drive space consideration is not even on my radar. And in my workflow, I keep raw files and those that I choose to edit as psd files - and generate files for delivery on demand - I don't usually save jpegs or other output files.
I am glad that you have figured out how to use LR and C1 to your advantage. For me they both fall short for many obvious reasons. I suggest you put your "attack dog" back in it's cage with a muzzle on it. No need. You disagree, and so do I - so lets be professional and leave it at that.
Why did you quit your job as a creative director?