carlos C wrote:
Hi I’m new at this forum and I would like to post a question for every who was more experience in photography than me since I’m just a beginner. The question that I have is what are the major pros and cons in regards to shooting TTL and shooting TTR, recently I had found several YouTube videos in which in says is better than the other but don’t give a clear tangible explanation of why one is or is not better than the other. Can somebody with years of field experience share his knowledge about this topic will be greatly appreciated. Thanks
Hi I’m new at this forum and I would like to post ... (
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TTL is a metering technology — "Through The Lens."
In all my 50 years of studying photography, I've never encountered an acronym, 'TTR.'
I think you mean ETTL and ETTR — Expose to the Left and Expose to the Right.
ETTR is an attempt to use the full range of tones available from the sensor, which maximizes dynamic range. It is a different procedure for raw capture than it is for JPEGs captured at the camera.
JPEGs have about +1/3 stop before highlight burnout, and –2/3 stop of exposure latitude for best shadow retention. Raw files have about +/– two full f/stops of latitude in some cameras, a bit less in others. You have to make tests to determine what works for you. Cameras vary.
ETTL has never made sense to me. Essentially, it says, "Avoid highlight burnout at all costs." That means you're working in a very high dynamic range scene, so you expose conservatively to be sure there is detail in all subject matter except specular highlights. (Specular highlights are light sources, OR reflections of the sun or other point source light off of water, glass, or metal. They never contain details. They are supposed to "burn out."
Someone is always trying to come up with some scheme to record more detail in highlights and shadows. Photographic paper has a reflectance range of maybe 5.5 f/stops, which is about what a JPEG or other 8-bit file can contain. At base ISO, your sensor has a dynamic range for raw capture of around 12 to 15 stops, depending its size, age, and camera brand. So ETTL and ETTR are strategies to capture tones outside of the printable or displayable range, with the knowledge that you can compress (recover) them in post-production and simulate reality a little better.
EBTR = Expose BEYOND the Right (of a JPEG histogram, not a raw histogram — cameras don't display raw histograms). How far depends on testing, but the intention is to record more highlight detail and less noise. It only works if you post-process the raw data (JPEGs will be blown out).
Experiment, Experiment, Experiment! Using any of these strategies takes some thought and experience. Fortunately, "digital film" is free, once you buy the memory card!