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How far can content and story carry a technically flawed photograph?
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Aug 24, 2019 16:37:58   #
rook2c4 Loc: Philadelphia, PA USA
 
If the "flaws" are deliberate, are they really flaws? To suggest there is only one correct way to shoot a scene and anything that deviates from this presumed ideal (be it exposure, focus, composition, or tonal rendition) should be considered an error, also removes photography as a form of unrestrained and truly free artistic expression.

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Aug 24, 2019 16:44:45   #
dustie Loc: Nose to the grindstone
 
For a constructive comment: thank you for opening this topic.

From there on, I don't know if I can pose a good answer, because I have too many questions.

For several reasons, I do not have much confidence in being around many people, especially not for making photographs, because I have so little experience in photography. How can I possibly make a photo which tells a human interest story which could possibly outweigh the technical flaws of the photo, if I have not the confidence to be in the necessary evironment to do that?

Seeing the technical excellence of photos made by others, makes me want to match what they produce, but I can't on two fronts:
-- I lack the knowledge, skill and experience, but I keep reading and practicing to hopefully change that.
-- I do not have equipment capable of matching the technical quality that the equipment of others can produce, nor do I have the means to acquire better equipment any time in the forseeable future. Should I be concerned at this point that not that much of what I do will grab attention, if the technical perfection which I cannot produce is the key to worthy photos?

If it is true that a picture is worth a thousand words, how can improvement be made in finding a means to make the photos I do make tell a story someone may stop to read?

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Aug 24, 2019 17:01:45   #
via the lens Loc: Northern California, near Yosemite NP
 
srt101fan wrote:
OP again:
Attached is an image that might help with the discussion of this topic. Curious to see how you all react to this photo. Despite its obvious technical flaws that cannot be corrected, I believe the image is worth a look because of its content and story. Agree? Disagree?

This photo is not a finished product for me (the image I see in Affinity looks much better than my post-preview image - gotta figure out why!). I have been using it and continue to use it to learn editing with Affinity Photo. To get some help, I am also posting it in the Post-Processing Digital Images section, along with the unedited, uncropped original, to get help and suggestions for editing options. If anyone is interested and wants to help me get the most out of this image please visit:

https://www.uglyhedgehog.com/t-607418-1.html
OP again: br Attached is an image that might help ... (show quote)


I think you just "hijacked" this post....

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Aug 24, 2019 17:05:36   #
G Brown Loc: Sunny Bognor Regis West Sussex UK
 
srt101fan wrote:
Somewhere I saw photographic “content” defined as the “subject, topic or information captured in a photograph”, the “subject” being “the main object or person(s)” in the image.

We see a lot of discussion of the importance of sharpness, exposure and composition of an image but I’ve seen relatively little talk of content. How important is content relative to the technical merit of a photograph? What does it take for the content of a photograph to cause viewers to overlook technical deficiencies?

I believe content is the most important attribute of a photograph. In my view, sharpness, perfect exposure, composition, etc, as important as they are, are of no value if a photograph doesn’t have a content that grabs the viewer. On the other hand, there is a limit to how many technical flaws a viewer can tolerate before even great content becomes irrelevant. I’m interested in your views on this. Feel free to post any images you think might help illustrate this topic. I will do so in my next post.

I appreciate any constructive comments you might have.
Somewhere I saw photographic “content” defined as ... (show quote)


Who suggests it is a flaw - the self styled critic or the general public. Is 'Perfection' the ultimate aim ? Or is the photograph 'Iconic.'
Look at old images taken in film that are classed as 'important ' and ask yourself 'do you like it?'. Given today's software, exactly how much difference would you expect to make and would it 'improve ' it's standing in the eyes of those who made it important.

Photography is a mix of science and emotion. The why - of what can become an iconic image is going to be a debate.

have fun

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Aug 24, 2019 17:23:28   #
Bobspez Loc: Southern NJ, USA
 
RichardTaylor wrote:
I disagree. You can create content. Think of the movies, advertising photography and a lot of "art".
All you need is the resources and an idea, to get started. Having the skills to complete your vision also helps a lot.


Of course anyone can create content, paint a picture, sing a song, take a picture, cook a meal. But that is not the same as what the OP asked about when he talked about content that really grabbed the viewer, or what I was talking about when I said a picture that was amazing.

How many movies have you seen in your lifetime, how many ads? How many were truly amazing? How many forgotten? How many bands created content like the Beatles? You can have the resources and ideas and complete your vision and get 3 likes on Facebook from your friends. Or you can post something amazing, but very rarely.

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Aug 24, 2019 17:41:47   #
srt101fan
 
Saxman47 wrote:
To me, the subject ("content") of a photograph is all-important. Something compelled the photographer to stop and share what he/she saw. At least that is true of most of my photographs. I'm not talking about obligatory "family" snapshots that we all shoot.
I can overlook quite a bit of technical deficiencies if the content "grabs" me, makes me wish that I had been there to press the shutter. I know I have seen a lot of photos who had all of the preferred technical aspects of proper exposure, composition, sharpness, etc. that just left me cold, because the subject just had no "soul" (for lack of a better word). But, that's just my humble opinion; others might disagree.
To me, the subject ("content") of a phot... (show quote)


I agree with you, but, as you said, others might not. I think "soul" is pretty descriptive!

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Aug 24, 2019 17:43:37   #
srt101fan
 
via the lens wrote:
I think you just "hijacked" this post....


What do you mean? I'm confused...

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Aug 24, 2019 17:48:16   #
User ID
 
srt101fan wrote:
OP again:
Attached is an image that might help with the discussion of this topic. Curious to see how you all react to this photo. Despite its obvious technical flaws that cannot be corrected, I believe the image is worth a look because of its content and story. Agree? Disagree?

This photo is not a finished product for me (the image I see in Affinity looks much better than my post-preview image - gotta figure out why!). I have been using it and continue to use it to learn editing with Affinity Photo. To get some help, I am also posting it in the Post-Processing Digital Images section, along with the unedited, uncropped original, to get help and suggestions for editing options. If anyone is interested and wants to help me get the most out of this image please visit:

https://www.uglyhedgehog.com/t-607418-1.html
OP again: br Attached is an image that might help ... (show quote)


The nuns in the frame are doing nothing of note.
However the photo has great graphic quality, so
no visible flaws are tolerable cuz the photo is all
about the imagery and not really about content.

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Aug 24, 2019 18:17:55   #
User ID
 
AndyH wrote:
......

Look at the works of the most famous
street photographers for examples of
the former. There are cut off limbs,
badly exposed backgrounds, ...........


Those are not flaws.

Limbs are not cut off.
They are just cropped.
The edge of the frame
is NOT a bone saw :-O
The frame highlights a
segment of a very much
wider world. It is NOT a
world in and of itself.

Backgrounds are not
"badly" exposed just
simply for being very
light or very dark.

Unless, acoarst, your
main client happens
to be Hall Mark Cards.

Rules are not "made to
be broken"
. They are
made to be learned and
then forever ignored.


(Download)


(Download)


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(Download)


(Download)

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Aug 24, 2019 18:46:22   #
Photographer Jim Loc: Rio Vista, CA
 
Linda From Maine wrote:
I ventured (momentarily) out of retirement to post to this thread

I was particularly delighted to see Saxman47's use of the term "soul." Check out the title of my topic from more than six years ago: https://www.uglyhedgehog.com/t-89310-1.html

Also note on page 2 what our pro Photographer Jim said about the subject.

In this current thread by srt101fan, I agree with dennis2146's suggestion that the viewer's pov is key. Many (most?) non-photographers will not notice technical flaws in the way that photographers do. And with the "photographer" group, there will be those of us who place more value on one element over another. I greatly appreciate unique perspectives of iconic (much photographed) scenes (similar to what Photographer Jim said) and I greatly appreciate dramatic light or weather. I hate sloping horizons

I would like also to point out that there are topics and discussions about composition, subject and impact in other sections of UHH. Most often you'll find those in Landscape, For Your Consideration, Photo Critique, Street - but there are many other individual topics in the 30 sections of UHH that offer opportunities for conversation and learning.

One last note: if you glanced at my 2013 topic, you'll see that my second subject was about the rudeness found on UHH even back then. Only about 10 percent of the people who commented in that topic are still active on UHH; they have been replaced by some who are equally thoughtful and some who are equally rude.

Follow your bliss!
I ventured (momentarily) out of retirement to post... (show quote)


My God, it’s true! Once you post something to the “internets”, it never goes away! 😁

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Aug 24, 2019 19:09:44   #
artBob Loc: Near Chicago
 
srt101fan wrote:
Somewhere I saw photographic “content” defined as the “subject, topic or information captured in a photograph”, the “subject” being “the main object or person(s)” in the image.

We see a lot of discussion of the importance of sharpness, exposure and composition of an image but I’ve seen relatively little talk of content. How important is content relative to the technical merit of a photograph? What does it take for the content of a photograph to cause viewers to overlook technical deficiencies?

I believe content is the most important attribute of a photograph. In my view, sharpness, perfect exposure, composition, etc, as important as they are, are of no value if a photograph doesn’t have a content that grabs the viewer. On the other hand, there is a limit to how many technical flaws a viewer can tolerate before even great content becomes irrelevant. I’m interested in your views on this. Feel free to post any images you think might help illustrate this topic. I will do so in my next post.

I appreciate any constructive comments you might have.
Somewhere I saw photographic “content” defined as ... (show quote)

Unanswerable. The reason it's unanswerable is that the variables are probably in the thousands. Here are the variables as I see them:
"Content." It has been true for centuries that all art--from religious, to fine, to commercial, to popular--has to have it. Yet, even within each grouping, and the many others, what is good content varies. For a while, Michelangelo was considered a minor artist, if an Artist at all. Gerhard Richter's photo-paintings (https://www.pinterest.com/pin/607634174701253656/)are totally out of focus and bland, yet considered so full of content that they are in the San Francisco Museum of Modern Art. The tradition understanding of content is much more than "subject." It is the idea/emotion created by the subject PLUS the elements (technique, color,shapes,teztures, values, edge.....), and composition--at a particular time.

"Viewer."Your local bartender is not likely to "see" the same thing that a curator an art museum or the editor of a photo magazine would "see."

Without noting what specific viewing audience is being talked about, you don't stand a chance of balancing content/technique. Even within each audience, the gray area is likely to be quite large.

The edit I made has some out of focus. The intended audience is fine art photography. The content is the irony that the girl is locked in ordered geometry, while the nuns, considered to represent order, are blurred and indefinite. The composition, edges, and values all contribute to this content. Art is meant to share a unique view, idea, or emotion. Lack of technical things like shadow detail, range of tones, sharpness not only do not harm the photo, they MAKE the photo.


(Download)

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Aug 24, 2019 19:32:55   #
srt101fan
 
dennis2146 wrote:
I wish you had been more specific as to what type of flaws and how the photo is to be used. If we are talking a news photo of some politician being assassinated then just about any good photo is great provided it shows the act. If we are talking of macro photographs of a stamp or the eye of a fly then we expect that photograph to be sharp. Perhaps the composition isn't that great but sharpness is important. If we are talking about photos of grandchildren then to many grandparents none of the things you mentioned make much difference. Each of us looks at photos differently depending on what we are expecting to see.

Many times I see photographs of models here on UHH and think they are perfect and exquisite photos. I love them and think the photographer did a wonderful job taking them. But when another professional photographer or model photographer evaluates the photo and points out the bad things I feel differently. Those people are critiquing the photo from a different perspective than I am. I look for the beauty of the model brought out in the photograph. People who do model photography look at the mechanics first and then the beauty of the photo. I hope that makes sense.

I love your question but would have to ask if the viewpoint of the viewer doesn't play a large part in what is good or bad?

Dennis
I wish you had been more specific as to what type ... (show quote)


You're absolutely right Dennis, the viewpoint of the viewer is a major consideration. I was not more specific because I wasn't really sure where I was going with this topic. I guess I was hoping for a good discussion to help me think through it....and I am getting that. An interesting topic, I think, but not an easy one to address. Thanks for jumping in.

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Aug 24, 2019 19:38:28   #
srt101fan
 
CHG_CANON wrote:
This is interesting enough and can be helped by more processing, including cropping above the window at the top and the left and right sides. But, it's just an old photo and not the Beatles crossing Abby Road. It's also probably better than the technically weak images we could all conjure in our minds from just the text of your post.


Thanks for participating CHG. Your comments are always valuable (well, most of the time... ). Now you got me thinking about nuns crossing Abbey Road....

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Aug 24, 2019 19:42:34   #
srt101fan
 
AndyH wrote:
I think that there are examples of great art where poor exposure, haphazard composition, and careless cropping do not destroy the value of an image. Poor focus, however is always a killer in my opinion.

Look at the works of the most famous street photographers for examples of the former. There are cut off limbs, badly exposed backgrounds, etc. in the portfolios of most.

Garry Winogrand might be the best example of all. I think that in his later years, he just got to the point of not caring about many elements, and it detracted from many of his later images.

But that’s just one person’s opinion.

Andy
I think that there are examples of great art where... (show quote)


Your opinions are always valued Andy. I saw a PBS special on Winogrand not too long ago. Still not sure about him....

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Aug 24, 2019 20:45:59   #
AndyH Loc: Massachusetts and New Hampshire
 
srt101fan wrote:
Your opinions are always valued Andy. I saw a PBS special on Winogrand not too long ago. Still not sure about him....


If I didn’t mention it earlier, I do want to emphasize that I really, really like the “nun” shot. In whatever version or edit, it’s an outstanding shot.

Andy

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