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Editing Challenge - light and shadow
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Apr 13, 2019 20:33:27   #
Linda From Maine Loc: Yakima, Washington
 
Vince68 wrote:
Thanks for your honest assessment of my PP of this image Linda. Personally, I would normally have adjusted the shadows in the lower part of this image to bring out the details. Maybe I got carried away too much viewing the video link you sent and listening to Jamie Windsor saying in the video "less can be more, theres no need to be afraid of the dark". I might have taken his statement too literally with this image. As I said, if I was doing my normal PP on this image, I would have opened the shadows much more than the way I processed it here.
Thanks for your honest assessment of my PP of this... (show quote)
No, not too carried away. I appreciate that you were trying to stay with the spirit of Jamie's message! I suspect the mountain shot was not a good choice for me to burden people with

Along that line, I did think the barn, especially if someone tackled one of the day-to-night videos, would be a big challenge!

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Apr 13, 2019 20:35:09   #
Vince68 Loc: Wappingers Falls, NY
 
Linda,

Here is the third image and my edit of it. Again, I started in Lightroom, and then I took it into Luminar 2018. This one I cropped, and also removed some distracting elements in the image. Also, the shadows inside the barn and on the right side, I did not process as I normally would have, but again went for the darker look.

Hope you like my version of the barn image.


(Download)

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Apr 13, 2019 20:44:31   #
Linda From Maine Loc: Yakima, Washington
 
Vince68 wrote:
Linda,

Here is the third image and my edit of it. Again, I started in Lightroom, and then I took it into Luminar 2018. This one I cropped, and also removed some distracting elements in the image. Also, the shadows inside the barn and on the right side, I did not process as I normally would have, but again went for the darker look.

Hope you like my version of the barn image.
Thank you! I think you were typing this as I wrote my previous reply, so check top of this page.

Keeping the light of the sunny day, I think it was a good idea to go bold with color and detail, as you have. The closer crop invites us to look inside for the dark and light. This one definitely needs to be downloaded!

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Apr 13, 2019 20:53:36   #
E.L.. Shapiro Loc: Ottawa, Ontario Canada
 
CHIAROSCURO. We sometimes think of the chiaroscuro effect in terms of shadow, perhaps more than light. We often envision portraits by DaVinci and Rembrandt and the Baroque Landscapes and still life paintings with the dark shading that adds dimension, shape, drama, and modeling to the subject. If you examine theses works closely you will see the transparency of the shadows is the subtleties that add dimension. The entire concept is to create the illusion of the third dimension on a two-dimensional canvas or a sheet of photographic film or paper.

I fined that LIGHT is just as important as shadow so it is sometimes important to add detail to vacant shadows to help create the illusion of depth and space. A dark open doorway can look mysterious but it can also look flat and give the impression that you can't walk in. Just like a jet black background on a still life or a portrait can be very dramatic but it can begin to look like a cut-and-paste job. Just a touch of light to add color or tonal mass makes the viewer feel they can enter the image and walks around the subject. That helps with dimension.

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Apr 13, 2019 21:29:14   #
Linda From Maine Loc: Yakima, Washington
 
E.L.. Shapiro wrote:
CHIAROSCURO. We sometimes think of the chiaroscuro effect in terms of shadow, perhaps more than light. We often envision portraits by DaVinci and Rembrandt and the Baroque Landscapes and still life paintings with the dark shading that adds dimension, shape, drama, and modeling to the subject. If you examine theses works closely you will see the transparency of the shadows is the subtleties that add dimension. The entire concept is to create the illusion of the third dimension on a two-dimensional canvas or a sheet of photographic film or paper.

I fined that LIGHT is just as important as shadow so it is sometimes important to add detail to vacant shadows to help create the illusion of depth and space. A dark open doorway can look mysterious but it can also look flat and give the impression that you can't walk in. Just like a jet black background on a still life or a portrait can be very dramatic but it can begin to look like a cut-and-paste job. Just a touch of light to add color or tonal mass makes the viewer feel they can enter the image and walks around the subject. That helps with dimension.
CHIAROSCURO. We sometimes think of the chiaroscur... (show quote)
The examples given in Jamie Windsor's video (linked in my opening) represented his observations, "pure shadow, with no discernible information visible." Your comments are much appreciated and a reminder that a 7-minute video is not the definitive line on a complex technique

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Apr 14, 2019 06:48:36   #
srt101fan
 
Linda From Maine wrote:
Prerequisite: watch this 7-minute video:
https://www.youtube.com/watch?v=zCOI7bYDPrM&feature=youtu.be
(Many thanks to BigDaddy for providing the link)

YOUR CHALLENGE:
Use light and shadow - and cropping if you desire - to edit one or more of the below images. How would you enhance or change the mood and story?

A few of the possible tools to use:
exposure adjustment
levels/curves
vignette
dodge and burn
spotlight/rays
change day to night (Dave Chinn's tutorial Donolea's tutorial)

Unedited jpg's from raw are below. Dropbox for the cr2 files:
mountain https://www.dropbox.com/s/u6o06zdz4c93q8e/IMG_6437.CR2?dl=0
bed https://www.dropbox.com/s/pd341gs8ypo5wh0/IMG_0982.CR2?dl=0
barn https://www.dropbox.com/s/9wdh63wzdwb56oj/IMG_6421.CR2?dl=0
Prerequisite: watch this 7-minute video: br https... (show quote)


Great topic, Linda. The bed image is a standout and you're getting wonderful variations of it.

(The bed image reminds me of some Whyeth paintings....the curtains?)

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Apr 14, 2019 07:20:18   #
Linda From Maine Loc: Yakima, Washington
 
srt101fan wrote:
Great topic, Linda. The bed image is a standout and you're getting wonderful variations of it.

(The bed image reminds me of some Whyeth paintings....the curtains?)
Glad you're enjoying, srt. Fire up your Affinity and jump in

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Apr 14, 2019 07:35:01   #
Fstop12 Loc: Kentucky
 
My version of the Bed. Using the color look up tables, I first used: Candlelight, Then I used, Night from Day using only 63% opacity on that layer, and finally I used the Tension Green I only used a portion of this adjustment layer to bring out more green on the wall.


(Download)

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Apr 14, 2019 07:56:54   #
Linda From Maine Loc: Yakima, Washington
 
Fstop12 wrote:
My version of the Bed. Using the color look up tables, I first used: Candlelight, Then I used, Night from Day using only 63% opacity on that layer, and finally I used the Tension Green I only used a portion of this adjustment layer to bring out more green on the wall.
Thanks very much! As with Crichmond's, the color on the pillow appears to have a slight green - this seems realistic as reflecting the wall.

For more info on Fstop12's color lookup tables, see:
https://www.uglyhedgehog.com/t-587235-1.html
https://www.uglyhedgehog.com/t-586742-1.html

.

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Apr 14, 2019 08:36:50   #
PattyW60 Loc: Northwest Illinois
 
Linda,

I'm very new to any kind of post-processing, but I thought I'd give the barn a try. This might be my new favorite section for learning! I'm one those people who tends to pull my highlights way down; it's one of the first things I do. I consciously didn't do that this time, but I did want to bring up the shadows to see inside the barn....I'm curious, I guess. haha

Thanks for the opportunity to learn.
Patty


(Download)

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Apr 14, 2019 08:49:49   #
Linda From Maine Loc: Yakima, Washington
 
PattyW60 wrote:
Linda,

I'm very new to any kind of post-processing, but I thought I'd give the barn a try. This might be my new favorite section for learning! I'm one those people who tends to pull my highlights way down; it's one of the first things I do. I consciously didn't do that this time, but I did want to bring up the shadows to see inside the barn....I'm curious, I guess. haha

Thanks for the opportunity to learn.
Patty
Very nicely done, Patty, thank you! So glad you're enjoying PP Forum. If you haven't had a chance, be sure to view the video linked in the opening in order to be exposed - so to speak - to an alternate way of seeing the light.

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Apr 14, 2019 09:00:28   #
srt101fan
 
Linda From Maine wrote:
Glad you're enjoying, srt. Fire up your Affinity and jump in


Ha, I have a long way to go to get beyond basic PP adjustments.... but your postings continue to inspire!

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Apr 14, 2019 10:07:40   #
minniev Loc: MIssissippi
 
A quick play on one of them to alter light a bit with dodge/burn, curves, conversion in Tonality and of course a little texture.


(Download)

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Apr 14, 2019 10:48:04   #
Linda From Maine Loc: Yakima, Washington
 
minniev wrote:
A quick play on one of them to alter light a bit with dodge/burn, curves, conversion in Tonality and of course a little texture.
Dramatic, with a touch of menace. Many thanks for your interpretation, Minnie!

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Apr 14, 2019 10:55:20   #
Anvil Loc: Loveland, CO
 
Old barns seem to lend themselves to a black and white treatment. They also lend themselves to dark, mysterious shadows.


(Download)

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