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Posts for: amehta
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Nov 3, 2014 00:18:45   #
AuntPhil wrote:
To further fan the flames, just because a photographer can produce a technically accomplished image, the image they want to produce, doesn't mean their photographs are any good.

There's plenty of accomplished photographers producing landscapes, macros of flowers, piers jutting into ghostly water, photographs of the moon, well lit portraits of their children, etc. that simply don't stand out from the tens of thousands of other photographers doing the exact same thing.

I think this then goes back a little to the professional determination for a lot of photographers. The photographers producing technically accomplished photographs of children could stand to make a career out of photographing other people's children for money. The intended audience of those pictures will only be that family's relatives and friends. Surely this sets these photographers and their technically accomplished images apart from the photographers who will have a photobook published by a top photographic agency?

The reality is that photography is so diverse it becomes very hard to set out a general judgement on what is and isn't the "skill level of a photographer" or even answering "what is photography?" To judge a photographer and their photography you have to have some idea of the purpose of their photography. The photography world is host to such an array of purposes that comparing a commission based portrait photographer, to a fine art sales based photographer, to an arts body funded documentary photographer is often a losing battle.
To further fan the flames, just because a photogra... (show quote)

I agree, I should have said that the expert can produce the compelling image they want to produce.
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Nov 2, 2014 22:51:26   #
Nightski wrote:
You're always so organized. :-) Thank you, Amehta!

Thanks. To make it even simpler:

professional/amateur: money
expert/advanced/intermediate/beginner: attention to detail
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Nov 2, 2014 22:46:08   #
paulharens wrote:
I currently have a fixed lens Fugi finepix S4830 (? don't have it in front of me). All I have is the camera and shoulder bag. I've been using it for two years. I have been doing some part time jobs and saving for an upgrade. So, what should I buy? I have about $700 and looking at camera bundles (usually body, two lenses, tripod, cleaning equipment, bag, etc...). I need some recommendations for the next step. I'm sending a few of my favorite shots from the past year. I live along a river and love dawn and sunsets.
I currently have a fixed lens Fugi finepix S4830 (... (show quote)

Welcome!

It looks like you have a good eye, and a more advanced camera could help you produce even better images. The two easiest choices would be a Nikon D3200 bundle or Canon T5 bundle. Overall, I think the image quality of the D3200 is better, so I would go with that (snapsort T5/D3200 comparison).
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Nov 2, 2014 22:26:11   #
rustfarmer wrote:
I wonder why cameras are built so that you must balance the body against your nose and struggle to get your eye close enough to the viewfinder to see the whole screen, especially when wearing glasses. Turning the unit inside down allows you to steady the camera against your nice flat forehead, and the viewfinder hangs down to allow easy eye alignment. Current models put all the controls in the wrong place, at least for a right hand operator.

Holding the camera at forehead level requires more effort in the arms, and therefore less stability in holding. The ergonomics gets even worse with a medium length or longer lens, where the left hand would be completely away from the body to support the lens. The current design allows the elbows to stay close to the body, reducing fatigue and increasing stability.
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Nov 2, 2014 22:17:28   #
Nightski wrote:
How do you describe...
Beginner photographer
Intermediate photographer
Advanced photographer

I would be very surprised if there is a concrete answer for this question, but I am interested in hearing everyone's opinions on this topic.

These levels, beginner/intermediate/advanced (I like to include expert as a 4th) are about skill level. A completely different question is amateur/professional, which is about income/sales.

-----

Professional: earns a significant portion of their income from photography (the IRS requires 50%, I believe).

Amateur: does not do photography "for a living".

-----

Expert: knows how to use the subject, background, light, and camera to produce exactly the image they want to produce.

Advanced: generally knows how to use all four aspects, but not at the same level of detail.

Intermediate: has a good sense of the subject and camera, but less understanding of how to use light, and often forgets about the background.

Beginner: sees what they like, sometimes frames it well, can aim the camera, perhaps focus and set some exposure settings. Getting a "good" shot is more a combination of the camera and luck than their skill.
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Nov 2, 2014 20:48:50   #
NormanHarley wrote:
I am new to the digital world, trying to figure it all out still. I am shooting with a D3200 Nikon in manual mode, I am not using a flash, and my lens is a 105 Lester A. Dines macro. I have tons of experience with a film camera, but that was 30 years ago. My old instincts tell me to go with a very low ISO, and I have my camera solidly mounted, I use the timer to reduce vibration with a slow shutter speed, my lens is closed down to F11, give or take, I have plenty of light. Where is a good starting point to experiment with the ISO to get the highest quality results based on your experiences? My range goes from 1EV to Hi1 (ISO 100 to 6400)
Thank you
Norman
I am new to the digital world, trying to figure it... (show quote)

This is the same for film or digital. Think of the film you would want to use, and the consequences of your film ISO choice, and basically the same applies for setting the DSLR ISO.
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Nov 2, 2014 20:36:36   #
Ace-In-The-hole wrote:
I just purchaed a Nikon D750. When I downloaded my pictures (shot in RAW format), my Lightroom shoftware said, "preview unavailable for this file"... Any suggestions as to how I can take care of this problem?

You need Adobe Camera Raw/DNG Converter 8.7 to process D750 images. An updated LR5 can do it, but I'm not sure if you can update LR4.
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Nov 2, 2014 20:29:27   #
Nikon_DonB wrote:
How about it? I'd like the lightest and most economical too. This new lens is turning into severe G.A.S.

I think either an aluminum or carbon fiber Induro monopod would work well.
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Nov 2, 2014 20:26:13   #
bull drink water wrote:
it would be nice if those pushing two cameras would identify themselves as pros. in the 60's and 70's I heard little about dust when changing lenses. after all you do have the mirror and shutter between dust and the film or sensor.

With film, dust when changing lenses was something that people worried about with film cameras, keeping it out of the mirror box and off the back lens element. If there was a little dust on the "sensor", it only affected one frame and the rest were fine. But if there was a lot of dust in the camera, it would affect multiple frames. And if it got stuck in the edge of the film area, it could scratch a whole roll.
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Oct 31, 2014 16:23:12   #
Franku wrote:
Great looking models and pictures.
You must have had a very good mentor.

It's not the camera, or the photographer, it's the photographer's teacher that matters! A whole new meme!!! :lol: :thumbup:
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Oct 31, 2014 12:30:24   #
DubyaVeeU wrote:
I liked it just ok on my D600. I did a compare to the kit lens (24-85) and I saw no difference, even in lower (not low) light. Perhaps my expectations were too high having just bought the excellent 85 1.8g around the same time.

Yes, the 85mm f/1.8G does set the bar very high.
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Oct 30, 2014 22:25:21   #
TucsonCoyote wrote:
You think we need to go to two and a quarter square or maybe 6X9 sensors ? :roll:

Yes, a 6x7 sensor would be great! And a little expensive. :lol:
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Oct 30, 2014 21:38:50   #
SharpShooter wrote:
Ron, welcome to the Hog.
If you don't have to have new, you can always get more bang for your buck if you can consider something used.
At the Canon website you can also get a refurbished kit. Those units have full warranties but have been returned in like new condition. It's how I buy most of my gear.
For used, look at the classified here. Some are new members and just selling, others are long time members that are somewhat well known and trustworthy, just ask.
Personally I prefer Canons, but all cameras are good.
Also look at the kits at places like Costco.
Good luck
Ron, welcome to the Hog. br If you don't have to h... (show quote)

:thumbup: :thumbup: :thumbup:
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Oct 30, 2014 21:09:17   #
Ron Christ wrote:
Hello, I have shot 35mm film many years ago & now want to buy my 1st DSLR. I have read alot of reviews and posts on UHH and I am leaning towards Nikon D3200, D3300 or Canon T3i, T5i.
I have limited funds and need to stay under $600.

Any advice is appreciated.

Thanks

I

I think a very complete package would be the Nikon D3200 DSLR Camera with 18-55mm and 55-200mm Lenses for $550.

The advantage of the Nikon D3300 DSLR Camera with 18-55mm Lens, also $550, is that the lens has VR.

The Canon T3i and T5i would be better compared to the D5100 and D5300.
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Oct 30, 2014 20:58:16   #
lukan wrote:
I think 64mp on a full frame with the same sized photo site and same density would be a very noisy sensor, but quite resolute. To make it perform better in low light, I would increase the individual pixel size (photo site) to twice its size, reducing the pixel count to 32mp and having "borderless" edges on each pixel. I'm just speculating here, but I suspect that the images would be beautiful! 😍 :thumbup:

A 64mp full frame would be basically as noisy as your beloved E-M1.
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