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Jun 17, 2019 12:37:38   #
kenievans wrote:
moderator note: for those new to this weekly editing challenge, click here for more info.

Download the image and edit in any way you wish. Then submit your result to this thread. You may post a maximum of two edits. Entries will be accepted until 7 pm EDT, Thursday (note the earlier cut-off time than in the past). Voting will take place from Thursday evening 'til Sunday evening. The winner will host the following week's challenge. Thank you for your continued support. Have fun!

Raw file is attached below the jpg, but a link to zipped file in my dropbox is:
https://www.dropbox.com/sh/vcmgxpj4z2o7yie/AAB2MwnhgVR2pHNtLNED-XLAa?dl=0

Taos Pueblo, thought to be one of the longest continually inhabited communities in the US was built by the Northern Tiwa tribe between 1000 and 1450 AD. It sits at the foot of the Sangre De Christo mountains. These buildings are all made the traditional way of adobe. About 180 tribe members live there year round while another 1800 more live on the adjacent pueblo lands. Sections of the pueblo are open to the public and native artists sell hand made jewelry, artwork, drums, and native food. We were lucky enough to be in the drum shop when the drum maker played a huge drum made from what must have been a very old tree, covered with treated animal hide and hung from the ceiling. I am 5 ft 10 in and the drum was taller than I am. It resonated down to your bones. Just an incredible experience. If you would like to learn more about Taos Pueblo here is a link to its history.

https://www.legendsofamerica.com/nm-taospueblo/

.
i color=red moderator note: for those new to thi... (show quote)


Dusk or dawn done completely in lightroom


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Jun 17, 2019 11:41:12   #
CO wrote:
I rented the Z6 for two weeks not long ago. I didn't have that issue but something similar when using my studio strobes. I take light meter readings from the strobe and enter those values into the camera in manual mode. That results is a very dark viewfinder - too dark to use. The final photo is properly exposed but the viewfinder is very dark.


the reason this is happening is that this camera is showing you a "live view" for the settings you have on the camera which are set for much more light (from the flash). I have a sony camera which does the same thing. Sony has an effects menu item which allows you to either use the live view or override it and give you a view of a wide open lens similar to the film cameras of yesteryear... look for it on your menus (Nikon may call it something else but on sony it is effects on and off.. hope this helps
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Jun 7, 2019 17:19:20   #
Linda From Maine wrote:
Very nice, Lloyd, thank you! I do see a bit of work still needed with the moon as there's a dark edge to it. I'm thinking in LR that wouldn't be a new layer (your own moon added), but a selective edit. Is that correct?


yeah no layers in lightroom just use local adjustment tools (brush, radial and graduated filter they do have some rudimentary masking based on color and luminosity. an easy fix....


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Jun 7, 2019 12:35:43   #
all editing done strictly in lightroom


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May 14, 2019 17:22:40   #
Gene51 wrote:
Stitch your pano, then HDR merge the result. Otherwise you will get different exposure and tonal balance results for each frame that you HDR first, and stitching them could be problematic. Be prepared to try it both ways.

CC is just a couple of mouse clicks away. And you get to use the products free for 30 days.


under settings tab there is a command "match total exposures" which you can use to match the wb and color toning for your complete set of hdr bracketed shots (not sure if this was available in version 6 or not though
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May 14, 2019 14:26:27   #
The relighting of trout lake


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May 14, 2019 13:21:55   #
willy6419 wrote:
I know how to do HDR with exposure bracketing and panorama, but I'm wondering if I can combine both in the same group of photos and if so, the process sequence.

Thinking to bracket exposures, say 3, for perhaps an 8 shot (4 across, two high) panorama.

I've done some research in vain, so thought I'd ask the brain trust.

Or I may just go and try and watch the computer smoke processing.

and yes, I guess I should upgrade to CC, but I haven't yet, but would like dehazing.


-------- Break it down into components (1st combine each of the bracketed sets from 3 down to 1, then merge the horizontals from the reduced set of bracketed photos and finally merge the two horizontals to create the 2 high vertical. It should work...
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May 11, 2019 14:54:10   #
i'm really happy with my sony rx100 m3 even though it only has a 24 - 70 zoom range the M6 model has a 24-200 zoom but is above your price point.
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May 10, 2019 12:20:47   #
Gabyto wrote:
I am very new in photography ,and I am trying to get the best minolta lenses for my Sony A6000. My question to the community is the following. First which lenses should I buy. Second which adapters. Third I read that the minolta lenses after 1985 should work in the 6000, but anything before will not how to I know the year of the lense?. I don't want to waste my money buying the lense that will no work. Thank you for your advice


you want the Minolta lenses from the maxxum line as they have autofocus the prior ones don't and also have a different mount. The Minolta Lenses are A mount and the a6000 is E mount so you will need an adapter converting A to E I believe the LAE4 is the best alternative (but you should research that further. It is also possible with an adapter to use Canon lenses...
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May 9, 2019 13:05:52   #
jlg1000 wrote:
There has been a long discussion on why to go with the Adobe LR/PS subscription plan or why not to.

I'd like to offer a different view on this matter... on why I really don't like the Adobe subscription and why I do not recommend to anyone to follow this path.

No, it is not for the money... $10/month for the LR/PS subsciption, or $69 por ON1, or $50 for Affinity are always pennies next to the cost of photographic gear or the cost of the time we invest in this hobby or profession.

It is because the real reason because Adobe choose to *force* their customers to go to a subscription plan. The subscription is NOT an option (as for Capture One), but is MUST.

Adobe was facing a very severe competition, not only from other players, but specially from themselves. Photoshop has become such an amazing and extremely powerful piece of software that there is no real need to purchase an upgrade each year, at least for the majority of it's users.

If someone invested $700 in Photoshop, he or she would think twice (or trice) before throwing $300 for an upgrade. And this was the key problem: when a piece of software gets so enormous like Photoshop (or MS Word, or Autocad), it is increasingly difficult and expensive to add more features and improvements *that can be sold for a high price*. The problem is: how do you improve something that is already perceived as almost perfect?

Would you really pay $300 for some bugfixes and some new features you do not readily use?

The other problem is that Photoshop started in 1987... yes it is that old. Many of it concepts are hardcoded in the oldest lines of code, and the original programmers have left Adobe long since. I've already faced this problem in my line of work: you have a some huge program, and you reach a point where you have to start from scratch, because it is so complex that touching somethings makes fall the rest apart like a house of cards. And if the original developers are gone, you are dead in the water. You only option is to fix, fix, add, fix, add, wrap, fix, add ... it gets harder and harder. There is a theoretical curve for that... just google it.The cost goes up, the improvements go down.

Adobe has already a more modern product which is not nearly as powerful as Photoshop: Lightroom. Other players have chosen the newer path of adding non destructive photo retouch features to the RAW developing workflow (Capture One, ON1, DXO labs, etc.), but if Adobe went that path, it would necessary stop selling Photoshop. Why pay $700 for PS if LR already had 90% of the features an average photografer would need. THEY HAD TO THROTTLE the addition of new additions to LR, like masks, layers, and so on.

So they decided to go the subscription plan... now all the risk is on the customer!! The customer purchases the subscription and forgets about it (... its just 10 bucks a month ...) and Adobe is free to push the updates THEY want. They no longer need to convince the public to buy an expensive upgrade. And if you choose to cancel the subscription, you lose the ability to re-edit all your past photos, it's almost blackmail.

If you look at Adobe's changelog, most of the upgrades are rather minor (new camera compatibility, bugfixes, some menu regrouping some minor new features). Honestly, would you pay $300 a year for them?

The real reason behind the seemingly low price of the subscription is not they they are nice and cute people... it is simply because in a free market, *the price is set by the market itself *and it happens that LR+PS is not more worth than those $10 per month. This is the ugly truth. Capture One charges $20 per month for the OPTIONAL subscription... just because they can. Adobe cannot.

The other software vendors are forced to make great leaps between versions, or else their customers will not pay the upgrade fee. And it shows: look at the differences between ON1 2018 and 2019, or Capture One 11 and 12.

The same happened to MS Office: I have the subscription plan (it makes sense to my business... $99/year for 5 PCs), since 2017... and I really don't find any significant improvements (besides new fancy icons) between the 2017 and the 2019 software. It's just incremental.

This is the reason because I don't like subscription plans: because it is the last resource of a company to reduce their development costs at the expense of innovation. That is exactly was Adobe did.

I just don't want to play their game.
There has been a long discussion on why to go with... (show quote)


In my opinion Abode is not out of the woods yet. There are a number of competitive products available. I for one am an avid Lightroom user and fan, but it suffers from performance problems and it and PS are up against freshly developed, using latest technology and artificial intelligence in their products. Although I haven't bitten the bullet yet Topaz has a few AI based modules that can sharpen (improve focus), enlarge (add pixels upsize), remove noise. It is a purchase once and get free updates as they come out revenue model..which may ultimately become its undoing. My point Adobe will have to invest to keep up and compete with these other products in order to remain viable.
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May 2, 2019 11:43:07   #
i'm not Nikon but I use a 150 600 g2 Tamron on my Sony a99ii I have a number of other Tamron lenses and very pleased with all of them...
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Apr 30, 2019 12:33:47   #
kymarto wrote:
You can always go down to 8 bits if you need the filter, but once in 8 bits you can't go back to 16. Well, you can go back but you've lost all the extra data permanent at that point.


yes, that is what I do....thanks
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Apr 30, 2019 12:19:48   #
one of the detriments of using 16 bit in PS is that some of the filters will be grayed out as they only work in 8 bit mode.
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Apr 30, 2019 12:00:51   #
Jonathan wrote:
I have Canon's DPP, GIMP 2 and a few other programs but want to learn and use Photoshop. (So I am told, anyway!). There are numerous online courses and a few at the community collage. Which version of Photoshop should I purchase and what do you recommend for learning in addition to trial and error? Thank you all in advance.


I've, after a couple of years have learned enough about PS to use it effectively which I do along with Lightroom. Most of my editing is using Lightroom and then Photoshop for what lightroom doesn't do well, like healing tools, selections using layers. I've tried most of the learning sources Youtube, Kelbyone, Lynda.com, Phlearn, Creativelive. The best immersion class and the one that made it click for me was Ben Willmore's photoshop bootcamp available on creative live (wait for a sale) it's called adobe photoshop cc the complete guide.. it's on sale now for $49 you can download all the videos, paper transcripts, image files etc to your computer, so you can go over them as many times as you need. The only issue it is a few years old so you'll have to go to other sources for some of the handful of newer things in PS. Ben also has a master's academy where he provides a video and transcript every Monday on something PS and LR and you would have access to all the previous videos while you are a member. Photoshop has a steep learning curve so be prepared to spend some time and effort. I have a background in computer tech and have learned how to use all the office 365 programs and other PC stuff on my own- PS gave me pause and it took me a good couple of years to learn it really well. That said Ben is very thorough, goes slow and explains everything he is doing and why...
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Apr 25, 2019 14:17:08   #
abc1234 wrote:
And how about straightening the post?


that would be an option if you so choose...
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