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Oct 18, 2017 12:11:47   #
selmslie wrote:
You might want to look into some of the newer affordable f/1.8 prime lenses. The f/2.8 versions cost about half as much and are almost as good.

Since you have a Nikon camera body, rather than buying a "newer affordable f/1.8 prime lens" you might ALSO consider an older, manual-everything Nikkor AI lens of the focal length(s) you want to use ...

In other words, "Why pay for autofocus/etc. if you are going to manually focus the camera?"

THAT WAY, you can ensure that what you want to be in focus will be what you choose.

BTW. While there are certainly many good non-Nikkor/non-Nikon lenses, my recommendation is that ACCEPT NO SUBSTITUTES on the lens brand!



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Oct 9, 2017 11:27:09   #
BTW. Image with a simple rotation & crop using IRFANVIEW ...


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Oct 9, 2017 11:06:09   #
steve DeMott wrote:
... Can this be fixed fairly easily with a preset and a little tweaking that will give acceptable results or am I SOL?

Color balance can be tricky ...

Whether-or-not the attached are better-or-acceptable, they were achieved with the SINGLE PRESET using IRFANVIEW (a freeware program) ...

Of course, they can be tweaked further as one sees fit.






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Oct 2, 2017 11:48:36   #
canyondweller wrote:
I bought my first SLR back in 1978. It was a Pentax K1000. Fully manual film camera. I still have it. I am finally ready to move into the digital world. There is so much information out there that it is overwhelming. I am trying to decide which is the better choice of camera for me. I am a hobby photographer. I take all kinds of pictures. I would like to know if one is easier to use than the other. I also want to look at cost of ownership. Are lenses more expensive for one brand than the other. Is there regular maintenance required.
Any feedback would be greatly appreciated.
I bought my first SLR back in 1978. It was a Penta... (show quote)

What type of lenses do you currently use? Wide angle, telephoto, zoom?

Are you generally happy with the results you get with those lenses?

Do you mind manually focusing the lens OR do you want lenses which can autofocus?

As noted, you can use your current lens(es) on some camera bodies ...

As an aside, I will say that if your current choice is limited to Canon & Nikon, then I think that you (and, others are on the decision cusp between ONLY those two brands) would be better off in the long run if you chose Nikon BECAUSE (and, this may not seem like a good enough reason to some) almost every Nikon lens made for their SLRs (their 19mm lens which does not have the retrofocus elements may be the only exception because the elements which protrude into the camera body will be in conflict for the space which the electronic contacts (and, mirror!) occupy) in the past 50 years can be used in MANUAL MODE on their DSLRs.

As many already know, Canon has chosen to modify their lens mount with the consequence being that their original SLR (FL/FD, for example) lenses are not readily usable on their DSLR camera bodies due to the longer flange-to-focal-plane distance on their DSLR camera bodies..

For the same reason that I might opt for a Nikon digital camera body over a Canon digital camera body, if I had Pentax lenses then I would probably be inclined toward getting a Pentax digital camera body.


So, you need to ask yourself if you are switching because you want auto-this & auto-that functions or because of some of the possibilities which the digital images you produce might have + the conveniences (e.g., 100s of shots vs. 36 shots per roll).

FWIW. MY current preference is for mirrorless camera bodies. I have one, quite primitive-and-humongous 4/3 SLR which preceded the m4/3 mirrorless bodies. The SLR viewing is great up to a point. I find that I'm in the camp that appreciates what a reasonably good EVF (electronic view finder) can do ... and so, what the person taking the picture can theoretically do when composing the picture.

Not all EVF finders are created equal. The older ones are probably best thought of as being more for framing the scene when compared with more recent iterations.

While I can use my vintage (mostly Nikkor) SLR lenses on the 4/3 camera body with a thin adapter, I can use almost ANY lens which has its own focusing barrel on an m4/3 camera via an adapter (so the Contax/Nikon rangefinder lenses are among the exceptions).

While my heart may want a camera with a "full frame" sensor, my brain-and-wallet tell me that a camera body with a "crop frame" is more than adequate for what I am doing.

THAT MAY BE A LONG WAY OF SAYING that if you decide what lenses you have used in the past are what you want to use (OR their digital equivalents if you feel a need-or-desire for autofocus/etc.) OR if there are other lenses you think you want to use than the ones you own then you will probably go a long way toward making a decision which you won't regret ...



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Sep 30, 2017 12:08:49   #
toxdoc42 wrote:
In reading the discussion regarding vibration controls I was confused by the discussion. I bought a Nikon D3400 kit which included 2 zoom lenses. After the discussion here, I happened to look at the 2 lenses and found that the shorter one, 18-55 mm included VR but the longer one 70-300mm did not. I was curious about this and contacted Nikon to see if that was the way they offered the kit. Nikon then responded to me by explaining that the VR version of that lens was $50 more than the non-VR and the package was intended to be as inexpensive as possible, and that my local store could have sold me the VR lens for $50 more. The store never mentioned that to me. Further, in searching the internet, I find no one offering the VR version of that lens for $50 more. Anyone know if Nikon was just trying to place the blame on the local store?

So far, only once did I have difficulty with the blurring on the longer zoom, it was dusk and I grabbed the camera to shoot a photo of a hawk and didn't have my monopod or tripod with me. I could have used auto ISO to shoot faster, but I prefer shooting at low ISO for better resolution, I am a hold over from film in which I preferred lower ASA for better quality, and find that although grain at higher ASA on film didn't ever bother me, noise at high ISOs does. I now carry a monopod with me to use with the longer lens.
In reading the discussion regarding vibration cont... (show quote)

Geez ...

While I understand your frustration at ONE level, I don't at another ...

If you only had a blurred image "once" due to circumstances which you had control over whose results would probably have been replicated when you were using a film camea, then I'm not sure what your complaint actually is ...

While Vibration Reduction OR Image Stabilization OR whatever the manufacturer wants to call it is generally a good thing, while it may seem difficult to believe, I am sure that there are some people who would prefer a lens which doesn't have VR ...

Vibration Reduction isn't a miracle function which will ensure a perfect image ...

For that matter, Auto-Focus isn't necessarily a miracle function, either ...

AND, when there are more-moving-parts there are more things which can eventually fail ...

I am not alone in possessing lenses which are more than 60 years old which are still fully functional ... my guess is that the VR/IS in most of the current Nikon/Canon/etc. lenses will need servicing before 60 years have elapsed OR the lens may (in the worst case scenario) become a paperweight ...

Regardless, your isolated-for-you experience which you cite suggests that if you were to have given the matter EVEN MORE serious consideration than what you currently perceive to be a caveat emptor situation then you might have opted for the lens without VR because the $50 premium might have ultimately been deemed to have been unnecessary (for you) ...

Maybe, you would have opted for a 300mm (or, some other single focal length) PRIME lens instead of the 70mm-300mm ZOOM lens!!!

Maybe, if you had thought about it, you would have excluded the 18mm-55mm Zoom lens from your purchase, too!

Regardless, I have to believe that it's inevitable that at some (¿distant?) point in time in the future that we/you will see THAT series of Nikon digital camera bodies with VR incorporated in the body BECAUSE (IMO) the market will demand it because in-body image stabilization is already available in competing camera lines ...

And, at that point in time you will probably be ready for a new camera body & then you can stop fretting about the lack of VR in your 70mm-300mm lens!



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Sep 29, 2017 12:24:28   #
Hank Radt wrote:
Hi all,

Have a new lens on order. The salesman has recommended a UV filter to protect the lens (at a not insignificant price...). I returned home and did some research, and have found that opinions vary. On the one hand, yes, filters protect the lenses. On the other, the filters themselves can become scratched or dirty and degrade image quality. (I could add more, but the opinions seem to fall largely into these two camps.

So, my question to the UHH community is, do you recommend using a filter or not? If so, what (apparently modern digital cameras have UV sensors in front of the screen, so a UV filter is largely redundant on these...)? If I'm going to buy one, I wouldn't want to put an inferior filter in front of good glass.

Thanks for your opinions.
Hi all, br br Have a new lens on order. The sales... (show quote)

FWIW ...

Some people think that to offer a contrary observation to their POV is to merely offer an opinion ...

That is because they apparently cannot-or-have-not-been-able-to process the scope of the situation ...

As FULL DISCLOSURE, I will state that I will typically put a filter on the front of my lenses ... the exception is when I don't have one to attach!

Now, one reason is that I used to keep a filter on my lenses is because most of what I shot was what many refer to as photojournalism ... so, the inconvenience of a lens cap exceeded its utility ... regardless, IMO, a shallow hood will not be much protection to the front element of a wide angle lens.

Of course, I presume that I am not the only individual who used to use a rangefinder camera who found it to be mildly annoying to find out that the lens cap was STILL ON THE LENS after presumably taking a picture.

Now, I will add that I have seen many other individual lenses (beginning with a used Sumarit) which I briefly had which probably never had a lens filter attached to it ... much to MY delight, the images of that un-coated lens (and, an un-coated Summar) were not impeded by the light "cleaning" scratches which they had acquired in the prior decades ...

I have also seen numerous lenses which OTHER people had which never had a filter on it whose coating was very badly degraded from cleaning ...

Those lenses surely were able to take reasonably good pics ...

BUT, the argument that the added layer of glass in front of the lens impedes IMAGE QUALITY is, IMO, specious because I'll bet dollars-to-donuts that the vast majority of the individuals who say they don't use a protective filter because the additional layer of glass is potentially degrading are blissfully using ZOOM lenses (a HUGE compromise even if there are better formulations with floating groups, IMO) which certainly have additional layers of "glass" instead of using a PRIME lens ...

Regardless of whether-or-not there is an advantage to having a sacrificial lens filter attached to a lens, the added (hopefully "clean") air-glass-air (with-or-without-dirt-or-light-scratches) surface in front of the lens will necessarily have LESS effect on the bending of the light than the additional "surfaces" which a Zoom lens will have within the lens barrel ...

If it matters, is it that much more difficult to unscrew a lens filter than to remove a lens cap?

Of course, when I do use a Zoom lens, I know it is a huge compromise over using a quality Prime lens.

Do those who use Zoom lenses but decry the use of a lens filter know that they are compromising their Image Quality?

So, while it may be a cosmetic issue to have a lens with an unmarred front element, that's what I would prefer ...

And so, THAT's my "opinion."

BTW. The filter tests performed by Roger Cicala (Olaf and Lensrentals) was very interesting ... he did not say whether they put a filter on their lenses, or if he recommends that the renter use one, or what the fee is if a lens is returned with a scratched front element.

I think his test would also have been EVEN MORE enlightening if he had included a few generic filters to show how good-or-bad they were when compared with the "major UV filters on the market."

It would also (?) have been interesting (at least to me) if Cicala had analyzed the Tiffen filters to see why they performed so poorly.

It is hard to believe that for the type of test (i.e., "pinhole") which was being performed that a Step-Down ring couldn't have been used so that the Leica filter could be included in the data related to lens flare.


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Sep 21, 2017 09:26:10   #
Way2slk wrote:
I have a bunch of lenses that I used on my old Canon AE-1. Is there a way I can use them on a digital camera. I know I will not get the auto focus, but that is ok. I can always use a light meter and manually focus the subject. Adapters etc. What camera would be adaptable?

FWIW. I am another who person uses a variety of vintage lenses (Nikon, Leica thread mount, Exakta, etc.) on an m4/3 body by attaching the lens with a "dumb" (hollow tube) adapter.

A Sony camera body is apparently another popular option ...

And, others have cited Fuji's camera bodies as being viable, too.

Determining the sensor size which you want to have-and-use will probably help you with YOUR choice by elimination of some of the options.



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Sep 20, 2017 10:36:08   #
shuck wrote:
... How well will my old Nikkor 80=200 (with focusing ring) work on the sony, with an adapter

The performance of any vintage lens will be equal to what it was capable of in the past ...

I use (probably in this order) AI Nikkor, Olympus Zuiko, Leitz thread mount, Canon Serenar, Zeiss (aus Jena), plus some others (e.g., Russian lenses Sonnar & Elmar copies + some misc. Japanese lenses) on my m4/3 camera bodies with simple (DUMB, hollow tube) adapters.

Rangefinder lenses (e.g., Leica thread-or-bayonet mount, Canon Serenar, etc.) may be better due to the focus shift which apparently occurs which a rangefinder's coupling cam does not compensate for.

BTW. If you are considering a NON-Full-Frame camera body, then you may also want to consider an m4/3 (Micro Four-Thirds) camera body made by Panasonic or Olympus.

FWIW. A few months ago, I finally wanted to see whether-or-not the plebeian 14-42 "kit" lens would still auto-focus when CLOSE UP lenses were attached (I had great success with a test I did several decades ago using a close up lens on a fixed lens TLR) ...

Here are a couple of the pics (hand held, cropped by ~50% & re-sampled to 800x600) from the fore mentioned test ...

The "purple aster" (someone else may 'correctly' identify them with another name!) blossoms are about the size of a thumb nail, there was a slight breeze, and I was certainly moving as I tried to frame the image ... I reckon that the lens would have performed a little bit better if I had mounted the camera on a tripod.



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Sep 19, 2017 17:29:02   #
tobiwan wrote:
I lived in the Rapid City area for 17 years. My favorite places to visit were the Badlands (I went to an area called Sheep Mountain Table), Spearfish Canyon (especially Roughlock Falls), Keystone, Hill City, and Rockerville. I would also recommend Pactola Reservoir, a beautiful drive and lots of wildlife. The Needles highway is beautiful as well... The shot of George Washington is from the Needles Highway.

Some select photos from my time in the area.

FWIW. I think your "ghost cloud" pic from the Badlands is great!


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Sep 19, 2017 17:26:20   #
mikenolan wrote:
We stopped at Wall Drug, but weren't impressed.

Miamisburg Jim wrote:
Not for everyone, but I found quite a few pictures waiting to be taken at Wall Drugs.

WALL DRUG is nothing like it was 50+ years ago ...

My recollection is that it, alone, was Wall, SD ...

Basically, it was the Drug Store with a bustling cafeteria + the Buffalo (which is now stuffed) & some misc. tourist diversions surrounded by a gravel parking lot ... the "attractions" are now in the "Back Yard" section.

I sure don't recall the town, feed mill, and "mini-mall"/emporium which exists there now ...

Someone else may have a different memory of Wall Drug from the early 60s.



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Sep 19, 2017 16:12:40   #
wilderness wrote:
As some of you may know from seeing my gallery posts I take pictures of remote wilderness. Backpacks upwards to 33 days often with the use of climbing ropes means heavy loads. That coupled with the need to travel distances and keep up with my partners means I rarely carry a tripod ( the slot canyon Buckskin Gulch being one of the few exceptions). When I switched to digital ( had been shooting with a mamiya 7 with 80mm lens) I got a Nikon D 750 with the 24-120Vibration controlled lens so that I would only carry one lens for both weight reasons and not wanting to open my camera in dusty/sandy conditions- I often hike in Utah. I however do take fairly close up shots of mud often ( you can see my work at harveyhalpern.com). While not really macro I think I'd benefit from a macro lens. Which one? The Nikon 105 seems too massive. The Tamron 90 vibration controlled lens is only slightly lighter. Tempted by the Tamron non vibration controlled lens as it's quite a bit lighter and many websites seem to say that vibration control doesn't really work at macro ( which I rarely would be shooting that close). Any experience/suggestions from my fellow UHHers.
Thank you in advance.
As some of you may know from seeing my gallery pos... (show quote)

Of course, it's easy to spend OTHER PEOPLE'S MONEY ...

I cannot tell how close you actually want to get to your subject OR the subsequent, relative magnification ...

I think that for many people (or, perhaps just myself!?!) the ability to focus a little closer than the normal range is all that is wanted ...

FWIW. One thing I determined when I was doing some testing several decades ago using CLOSE UP lenses on a fixed lens TLR is that you can get remarkably good results (I wanted to see if the slightly larger film format was worth the effort before I ponied up for something like a Mamiya TLR-or-SLR or a Hasselblad (!)) ...

Finally, a few months ago, armed with THAT knowledge that you can achieve excellent results (the underlying lens is the limitation) and trying to figure out what to do with the rather plebeian 14-42 "kit" lens designed for a Panasonic m4/3 camera I finally decided to pony up the meager amount (<$15 via an eBay vendor) for a set of CLOSE UP lenses ...

The main thing which I wanted to test was whether or not the auto-focus would still function ...

Allowing for the limited depth of field which a close up pic will generally have, it does based on the quickie test pics I made ..

Here are a couple of hand held, cropped by ~50% & re-sampled to 800x600, test pics of a "purple aster" taken with the +10 Diopter lens on the 14mm-42mm lens set at 42mm ... I think that the particular lens can actually perform a little better, but I haven't tried since I simply wanted to see if the lens could auto-focus, or not, with a close up lens attached ...

Obviously, a lens with some aperture control (I have never bothered to figure out if the particular lens has any user control beyond zooming) can have a greater depth of field ...

Obviously, a tripod would probably help, too!



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Sep 18, 2017 15:54:51   #
Basil wrote:
I have posted some pictures in Gallery: http://www.uglyhedgehog.com/t-486021-1.html#8172765







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Sep 18, 2017 08:17:31   #
Silverman wrote:
My Grandson wants a Sony Mirrorless Camera, but I told him he should start his Photography adventure on a simpler Camera and learn the basics, Aperture, Shutter, ISO, then as he learns and gains experience, he can, "Move on Up" to more advanced equipment. Maybe a Bridge Camera would be an idea! Please provide advice I might share with my Grandson.

Not to be flip ...

I'm not going to read through all the pages of suggestions ... so, this may have already been suggested ...

FWIW. I recommend that you suggest to him that he can start to mow lawns, shovel snow, and do other chores in the neighborhood until he has the money to buy what he thinks he wants ...

OR, let his parents buy the camera for him!



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Sep 14, 2017 10:44:29   #
Basil wrote:
Anyone from New Mexico or Albuquerque with experience shooting at Tingley Coliseum? We are going to a rodeo this weekend and of course I want to take some pictures. The lighting seems so-so, so I expect getting fast shutter speeds would be an issue, meaning I will want to get widest aperture possible (to keep ISO as low as possible). Our seats are box seats and fairly close to the arena near the chuts. I'm trying to decide what camera / lens(es) to take.

I'm ruling out the Sigma 150-600 because of limited aperture size. The three lenses I have that I "think" would be best suited would be either:

Canon 300mm f4 L (IS), Canon 70-200 f4 L (non-IS), or Canon 135 f2 L.

I have a 6D and a 7DII but will likely use the 7DII just for the better AF and faster FPS.

Does anyone who has ever shot pictures in that venue have any thoughts/suggestions?
Anyone from New Mexico or Albuquerque with experie... (show quote)

It has been well over decade since I was in the Tingley Coliseum ...

And, if things haven't changed then I think that you are being generous when you say that the lighting was "so-so" ...

If things haven't changed, then I would say that the dim-and-relatively-uneven lighting do not lend themselves to most non-flash (obviously, a Flash would NOT be beneficial in that space) photographic situations ...

I would expect you to require ISO 1600-or-more ...

Manual pre-focusing will probably yield better results than using the camera's auto-focus ...

But, try BOTH.

BTW. I think that you'll probably get more interesting pics if you take the time to walk through the paddock/stable area ... my 'recollection' is that access for participants is through the northern most gate on San Pedro ... so, I guess THAT area would be north of the "Carnival" Fairway.

Post your rodeo & State Fair pics ...

Good luck!



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Sep 2, 2017 21:19:54   #
Szalajj wrote:
Your comment about the nephew and his instructor having G.A.S. is nothing more than uneducated and selfish.

If the nephew feels that he's ready to move on from a baseline model that's 12 years old, then by all means it's time to upgrade.

But up until your post, no one has asked the most important question. What kinds of photographs does the nephew like to shoot? The answer to that question would then help with model suggestions for a body upgrade. But remember this, all of the Rebel T series cameras are entry level cameras, no matter which one you're looking at.

If the nephew is truly ready to take the next step, then moving up to a prosumer model should be discussed, even if the budget constrains the purchase to a used body purchased from a reputable dealer.

So the discussion needs to cover which style body is needed; Crop Sensor, Full Frame, or Mirrorless? Low light or fast frames per second? Portraits, landscapes, macro photography, panoramas, fast action sports?

Then there is the decision about what kind of glass to invest in, because glass that's well taken care of is truly an investment in a photographers future lens collection.

Personally I would stay away from obtaining any more "Kit" lenses that are in the EF-S series line if possible. You'll end up with better quality glass by moving up to at least the EF series, or better yet to the L series lines, but cost has an effect on choices. Then there are also STM and USM styles in the better lenses. You will have to do your research to see which one better suits his or your "NEEDS" because they each handle different situations and meet different needs.

But, the nephew should be able to grow into a new camera. He should not find himself growing out of a new camera within a very short amount of time, which will happen if another Rebel T series body is chosen.

If the nephew truly has talent and a good eye for composition, then he should be encouraged, nurtured, and the correct equipment for his NEEDS should be purchased. Even if the purchase is delayed a short time to save up for the correct equipment purchase, instead of throwing away money on the wrong equipment.

An educated consumer is always happier with their purchases over those snap decisions that end up with buyers remorse.
Your comment about the nephew and his instructor h... (show quote)

HMmmm ...

Too bad your reading comprehension isn 't better ...

To quote myself:

Just what can your nephew NOT do with his current camera & lenses that he thinks that he wants to do which a different camera & lenses will allow him to do?

AFTER he figures that out, then he can add the appropriate accessory/-ies ...


If you weren't apparently so hellbent on EITHER using my post as a springboard for your blathering echo OR if you weren't simply trolling then you would realize that my post was asking the question "What kinds of photographs does the nephew like to shoot? The answer to that question would then help with model suggestions for a body upgrade."

In other words, due to your apparently poor reading comprehension, you apparently did-or-do not realize that you simply re-stated what I had written!

While there is absolutely NOTHING WRONG with acquiring different-and/or-better equipment, the odds are that the OP's nephew will benefit by waiting a year-or-two AFTER he thinks he wants a new camera body before actually dipping into his own savings OR having someone else pony up for whatever he may eventually acquire ...

Again, if the OP's nephew understands the limitations (if there are any) of his current camera equipment for the TYPE of pictures he wants to capture-or-create and NOT what you-or-I-or-anyone-else may want a camera body or lens(es) to be capable of doing-or-not-doing, then he will know if there are actually any components (body, lens, etc.) which will allow him to produce the images which he wants more economically than by purchasing a new camera body and/or lenses.

BTW. I am clueless as to how my suggesting that the OP's nephew and/or his instructor not acquire new equipment is being "selfish" OTHER THAN for a potential retailer for whom the potential sale would be delayed ...

UNLESS temporary deprivation of new equipment for the OP's nephew is somehow a selfish act akin to MY EATING THE-LAST-PIECE-OF-PIZZA WHEN HE HADN'T HAD ANY, YET!?!

IF the OP's nephew waits, THEN he may be able to better appreciate the benefits of acquiring a Nikon (e.g., the OP might offer to lend him a lens for a shoot-or-two!) ...



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