J. Cricket wrote:
I have an older Fuji HS30 exr that has manual zoom, a feature I really like. Are there no bridge cameras out there that don't have electric push button zooms?
The Sony RX10 (M3, M4) does have power zoom but also has manual zoom. I almost always use the manual zoom because it can be user-configured to work exactly as I prefer it.
PhotoMono123 wrote:
Another alternative — made just for the Mac — is Photometer, which integrates with Mac Photos to give you a complete photo filing/editing package. There is a trial period, so it costs nothing to test.
Gotta watch that spell check.
https://www.pixelmator.com/photomator/
This is the one I included in my post a few back.
I tried it yesterday and yes, it does seem to want to use the Photos app on the Mac. It uses that as its catalog, I think. It's an award winner, btw. For a Mac user, the integration may be an advantage.
Longshadow wrote:
Back to the question of how different would a same size print look from a TIFF vs. JPEG?
1% noticeable? 20% noticeable? 50% noticeable?
Won't the printer driver simply reduce more data from the TIFF file to the same amount of dots in the printer as it would for a JPEG? Would that reduction difference be noticeable?
I have never printed a TIFF file so I have no idea.
Different printing companies have different requirements or limits. The best way to answer a question like this is to ask the printer directly. When I was interested in printing I found that many would only do JPG but some would do other (better?) formats. As far as I know, however, none will take raw files directly because
(insert here all the reasons!).
maxlieberman wrote:
Nonresponsive. He asked for something on a CD. That is the question you should be answering.
That is why I said to forget CD. It is quite hard to find SW on CD these days and CD makes a free trial impractical at best. I know he asked for CD but he also admits to low skill level on computer. Any Mac with a built-in CD reader is very old, btw. For that you need a separate device. I have one and use it maybe every two years at most.
Sometimes it is a kindness to suggest that the OP's request needs a bit more info.
Ioannis wrote:
I would like to find a very simple photo editing software program, on cd-rom for Mac computer. Really it has to be very simple program because I have mental block when it comes to computers. I don’t like email formats. I take photos of my family and friends and some landscapes, I just want to improve the quality of my photos and erase unwanted images. Any suggestions would be appreciated.
Forget CD. Download. Free trial. Pixelmator Pro is the upgrade from this.
Jimmy T wrote:
Or I could save a lot of effort by posting and giving credit to CHG_CANON for digging up and posting the following:
https://www.lensrentals.com/blog/2017/06/the-comprehensive-ranking-of-the-major-uv-filters-on-the-market/
https://www.provideocoalition.com/your-weather-sealed-lens-may-need-a-filter/
https://www.uglyhedgehog.com/t-664117-1.html - At the Bottom of page one
Or: https://www.uglyhedgehog.com/t-740126-1.html - Credit the late rmalarz
Best Wishes,
JimmyT Sends
Second Nickel: http://kurtmunger.com/dirty_lens_articleid35.html
Or I could save a lot of effort by posting and giv... (
show quote)
The LensRental article is really worth reading. Thanks to both posters for that.
This may be old news to most users of this camera and its siblings but I was curious. All these observations were done with "Quality" set to raw only. This is, of course, a mirrorless camera. I don't have access to any other brand so perhaps others will say if theirs behave differently.
● When shooting M with "auto ISO" the EC changes the ISO.
● When shooting M with fixed ISO the EC not only doesn't do anything, the camera tells me it won't do it.
● When shooting Shutter priority and fixed ISO, EC changes the aperture.
● When shooting Shutter priority and auto ISO, EC tries to apply the change to aperture but if pressed will also change ISO. In my simple tests using my monitor as a target, it wanted to use ISO 200 until it couldn't.
● When shooting Aperture priority and fixed ISO EC changes the shutter speed.
● When shooting Aperture priority and auto ISO EC tries to apply the change to shutter but if pressed will also change ISO. In my simple tests using my monitor as a target, it wanted to use ISO 200 until it couldn't.
● When shooting "P" and fixed ISO EC changes both the aperture and shutter speed but I'm not sure how it decides what to change and how much (unless, of course, it hits the limit of the aperture).
● When shooting "Intelligent Auto" the camera won't accept exposure compensation and tells me that.
When the camera accepts the exposure compensation it also shows a brightness change in the rear screen and also in the VF. In other words, the camera will either accept the EC and show the result visually or it will indicate that it refuses.
All of this seems logical and expected but with some settings it's not - at least for me - crystal clear what will happen when it can change two variables. When it can only change one then it's very predictable.
Since I have no information or preference, I will just ask why B+W is considered best or better. Has anyone seen any actual testing or other form of evaluation/comparison?
billnikon wrote:
Do you have a mirrorless camera? If you do, you can see exactly what you are getting through the viewfinder as you change the EC.
I don't know if this is only for mirrorless but my display in the viewfinder shows exposure on a scale with what it thinks is perfect at zero in the center of the scale. Easy, then, to adjust.
Also, with most digitals in my experience, if you have it set to lock exposure and focus with a half-press then you can pick a spot (spot meter of course) that will give the desired exposure as you are seeing it.
Longshadow wrote:
True in general.
I just spot meter on the subject and adjust from there if necessary.
This is a good approach, BUT the meter will try to make the subject equal to something like 12 to 18% depending on the way the factory set it AND depending on if shooting raw or JPG or other non-raw.
So a lighter than middle gray subject or a darker one will require adjustment.
OK, now for the easy way: if the dynamic range is well within the sensor's ability then shoot raw, fix it in post.
I just completed a one week rent of the Tamron 50-400. I wanted to use one for birds, mostly. My camera is the Sony α6500. I use a Minolta 500/8 AF and was trying to get equal or better image quality plus the flexibility of a zoom. I was very disappointed with the comparison on image quality. Maybe it’s just a bad copy but I won’t be buying one.
I really wanted it to be the solution!
Perhaps for travel having a zoom is a must-have. But I suggest that if the OP has enough time that renting a candidate first is worthwhile. The Sony 100-400 is about twice the price and lacks the wide end benefit but in my experience it’s better for IQ.
Depending on subject matter a zoom with max length of 300 or 350 may be better and easier to carry. My best lens for general purposes other than distant birds is my Sony 70-200 f 4.0. Light, fast, internal zoom and great IQ. On my crop frame it’s like a 300. Reasonably priced, too.
SENSORLOUPE wrote:
Pretty girl
I repeat myself. He’s not a female. Pretty, yes. But just like his namesake he is male. See above.