CamB wrote:
A way of looking at 'Fill the Frame' that no one has talked about in four pages of comments is something I teach all the time. Filling the frame for me means making sure I only include what is important and helps tell the story or completes the composition and at the same time making sure nothing extra sneaks in. As to specific cropping, how do you know all the uses you might find for your shot in the future? Example: 11x14 prints sell at the Gallery. People know that's a standard size and they can get a frame for it. So I make those. But for myself, I like 11x17, so that's how I crop the same picture for me. If it's going into a show to be shown on a 72" or other large monitor you are dealing with a 16x9 format-wide but skinny top to bottom. I like to be able to fill that TV frame. I don't like big black edges, so I try to leave enough room for that. I sell note cards, both horizontal and vertical. Those are strictly 5x7. Yet another crop. One photo file, multiple crops and uses.
Some here have said to get it right in the camera, but right can change depending on use. Also, I take about 11,000 pictures of whales doing various things, every summer. Much of what they do happens unexpectedly, fast and often behind you. If I can just get that Breech sharp, reasonably exposed and in any part of my frame, I can crop it later to make the picture I wish I had.
...Cam
A way of looking at 'Fill the Frame' that no one h... (
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Your cropped photo is just really nice. Even though you cropped the original, you retained enough of the space within which the whales live, the sea AND the mountainous coast, to offer something more fulfilling and informative. Bravo!