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Mar 9, 2020 13:45:30   #
I think the very high shutter speed is required to "freeze the moment". If you look at the second to last shot on the first page of Mike Curry's web site it is of the mast of a boat. If it were at a slower shutter speed I fancy that the reflected mast would not have a sharp edge.

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Mar 9, 2020 10:04:09   #
Heather Iles wrote:
I am sorry, but I can't see the Royal Shakespeare Theatre in the reflection. For these to work you really have to actually see the photo clearly in the water and with practice, you will get there.

My Partner takes a lot of these reflections and is always pointing them out to me and trees overhanging water is particularly good ones.

Buildings with a lot of colour also work too, as you can actually see the colours in the water. Just keep trying and good luck.

I am not sure if 6.00 a.m. in the UK is the best time for taking such photos.

P.S. Mike Curry's reflections are just out of this world, but of course, he knows what works and he has had a lot of practice. Don't give up is my motto.
I am sorry, but I can't see the Royal Shakespeare ... (show quote)


Heather,

Thanks very much for the feedback but you seem to have missed the point of the shot. It was taken as an abstract shot. You are not supposed to be able to make out the RSC. It was an experiment using a new (to me) technique.

I have lots of conventional reflection shoots on my HDDs see below for an example


(Download)
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Mar 9, 2020 07:28:00   #
ebrunner wrote:
I think you are on to something here. Also, there were some very good tips offered. This is not going to be a one time outing where you get exactly the shot you are looking for. You will be trying this quite often ; and each time you go out you will learn. Might be a good idea to take along a notebook and write down information about conditions and settings. That way you have a good reference when you get home and are looking at the photos. I know the settings and camera and lens information is in the file; but I'm suggesting comments about wind and light and those kind of considerations.
Erich
I think you are on to something here. Also, there ... (show quote)


Certainly not a one time outing. I was out for four hours this morning and took some 300 reflections shots none of which are worth doing anything with. Happily I did get a reasonable shot of two swans flying together so it was not a complete waste of time.

I always take a notebook with me and have done so since I first took up photography a long time back in the film era. I still have all my notebooks and sometimes I pull one out to e.g. remind me what I was doing in 1972. It's good fun.
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Mar 9, 2020 07:19:07   #
USERID

Nice set of shots. The hammered steel looks really good.
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Mar 9, 2020 07:16:35   #
User ID wrote:
Consider that a polarizer can be deployed
for the OPPOSITE of the usual intention in
water surface shots. Instead of minimizing
the "interference" of the surface reflection,
the desire to better see what's below that
surface, just go 90 degrees away from the
"see below" position, and in most instances
you will make the reflections stronger than
they would have appeared if unfiltered.


Interesting idea. I will give it a go next time the weather conditions are appropriate.
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Mar 8, 2020 16:57:40   #
I fully agree. That is why I will be going out early tomorrow when the wind speed should be lower.
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Mar 8, 2020 16:04:48   #
I would try it with a sisal rope, it would add a bit more texture to the shot.
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Mar 8, 2020 14:33:17   #
At my photo club we had a talk from a guy named Mike Curry (a renowned UK photographer) about his "Reflection" photographs - https://www.mikecurryphotography.com/portfolio/reflection/ . He basically takes shots of buildings reflected in rivers or canals. Shooting at 1/8000 sec and F8 and whatever ISO is required. In a few weeks time the club members are invited to show their own efforts to replicate his technique.

Today was fairly sunny so I went into town to take some shots. The attached shot shows the Royal Shakespeare Theatre reflected in the River Avon. Unfortunately it was not really sunny enough so I had to shoot at ISO 6400 so the picture is very noisy. It was also rather windy which disturbed the water too much. Early tomorrow morning it should be sunny with a lot less wind so I will be out at about 6 am to try again.

Anybody have similar photos to share?


(Download)
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Mar 5, 2020 12:04:16   #
BebuLamar wrote:
Try Photoshop CC and Photoshop Elements. If you like either of them pay for it.


I would suggest that neither of these programs are simple or basic.

Have a play with Picasa which can be downloaded free here:-

http://picasa.findmysoft.com/
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Mar 3, 2020 13:42:37   #
I enjoyed doing it. Good fun.
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Mar 3, 2020 13:34:08   #
Curmudgeon wrote:
Cool composite, I'll have to give it a try.


I did state that it was inspired by you

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Mar 2, 2020 10:54:43   #
I used the first photo (after cropping) of some glass spheres by Dale Chihuly in the Japanese section of Kew Gardens (London). Placed it on a larger green background and copied/pasted the cropped picture four times and rotated each one adjusting the opacity each time. The square edges of each layer were then erased.

This week at the Photo Club I belong to we are having a talk about abstract photography by an outside speaker and the following week we have a Photo challenge to show some abstract photos. This will probably be one of my entries but I might change the background to a lighter shade of green.


(Download)


(Download)
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Mar 1, 2020 14:14:18   #
Curmudgeon wrote:
I agree Linda and I tried a lot of combinations before the blend mode for my background layer was causing the problem. I changed it back to 'Normal' and got this.

Maybe too light now?


I think that looks a lot better.
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Mar 1, 2020 03:54:36   #
Nice concept and well executed. Congratulations.
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Mar 1, 2020 03:50:23   #
Interesting concept. I think I will try it with a source other than flowers.

I think that if I used flowers I would use pastel colours as I think that would look better.
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