Thanks for all the nice comments :D
Next time we're going to try and get a couple of kestrels in the studio. Might need a longer lens for them :D
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stableflame wrote:
Chas Hi,
Took the time to look at all the work on your site, some impressive stuff. May look to contact you in the near future.
Dave
(Billingham)
We'd love for you to come along.
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R.G. wrote:
Thanks, DoctorChas. Your comments reinforce what has been said previously. You're right - they are quite rare in the far north. I think I'll have to practice with rainbows in the meantime.
Here's a handy chart for working out the best times and places:
http://www.atoptics.co.uk/halo/chafreq.htm
Worth having a gander at the rest of the sitelots of interesting info on atmospheric optics.
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Bkh42 wrote:
t
Your web-site and the aims for your club are very impressive.
Brenda
Thanks, Brenda. We're a fairly small group but we're nothing if not enthusiastic and we have great fun sharing and discussing our work.
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It's actually dead easy to do. First you MUST shoot on a tripod. Then choose a scene where you have both moving and static elements. Take three shots and then in post, remove two of the three colour channels on each successive shot: red and green leaving blue on the first, red and blue leaving green on the second and finally green and blue leaving red on the third.
Layer all three shots together and then set the blending mode on the top two to screen. Voilà!
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My weapon of choice for denonising would be Dfine and unless I had no option, always on the original RAW file. Denoising a JPG is a bit like trying to knit fog!
I think #1 is better.
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Very nice. It's worth trying a circular polariser with shots like this. I never leave home without mine.
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I've done a few experimental shots using the Harris Effect. I think with the right subject, this could be rather fun.
Enjoy and comment as you see fit.
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Brings back memories when my son was that age. Lovely shots!
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I'd hate to have to polish all that chrome. Great shot, though.
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Excellent, particularly the first one. It really looks like one could just reach out and touch him.
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What you have there, RG, is a circumhorizontal arc, not a sundog. With the few I've managed to bag, I've found that underexposing about a stop helpsthat way you're less likely to de-saturate the colours. Shooting RAW (who doesn't?) also give you more controla little judicious tweaking of curves can help to bring out the colours.
For the curious, these arcs are caused by light refracting through hexagonal plate ice crystals in cirrus clouds when the sun is at least 58 degrees above the horizon.They get rarer the further north (or south) you go.
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lovemypups wrote:
DoctorChas, welcome back and what a fantastic site to visit! I haven't seen all of the photos yet, but I LOVE all of the ones I've seen so far. Very professional looking and I truly enjoyed what I have viewed so far. Thank you for sharing with us.
Debbie
Thanks you. :D It was a lot of fun to put together.
I'll pass on your comments to the membersthey'll appreciate them.
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Nightski wrote:
That is mind boggling.
I've done bigger :D
http://www.uglyhedgehog.com/t-47435-1.html
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Nightski wrote:
Great Photo Doctor...how did you get everything in? Amazing.
Easy. Shoot 84 photos in 28 groups of three and hope someone doesn't drive a boat across the shot and mess everything up.
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