when you post an image on this forum and/or "stored original" does it include the metadata? if so, how can a viewer access this info?
LMG wrote:
The smoke shot is massive in its original state. Over 31 gigs and Photoshop said it was 15 feet by 15 feet, like that could ever happen. I compressed it but at a larger size you can endlessly zoom in to it on Photoshop.
The water shot was done with a 5x's macro lens. The shot was one image very quickly done.
You have a lot more patience, maybe more fun, than me, but a incredible image like that is worth every 365, beautiful!!!
Some UHHers send thank you to everyone who responds to their postings, some don’t respond to only a few, some not to any.
What do you think 🤔?
these are images of Palm Fronds which blow off trees in high winds
Great images 🤟🤟🤟
CANON]Architectural photography is the photographing of buildings and similar structures that are both aesthetically pleasing and accurate representations of their subjects.
Arches with a circular form, also referred to as rounded arches, were commonly employed by the builders of ancient, heavy masonry arches.
Fort Pickens by Paul Sager, on Flickr
https://live.staticflickr.com/65535/49266589806_7d5ac7a025_h.jpg
During the early-to-mid-20th century, architectural photography became more creative as photographers used diagonal lines and bold shadows in their compositions, and experimented with other techniques. By the early 1950s, architects were hiring more photographers for commissioned work, resulting in architectural photography being viewed as more of an art form.
Fort Morgan
https://live.staticflickr.com/65535/49279871637_8e57343521_h.jpg
By the end of the 1860s, 42 forts covered the major harbors along the US coastline. The main defensive works were large structures, based on the Montalembert concept, with many guns concentrated in tall thick masonry walls, usually built on the sites of earlier forts.
Including both light and shadow in photos gives your subjects form, depth, and texture. Shadows add contrast and drama to otherwise dull photographs.
Fort Pickens
https://live.staticflickr.com/65535/49266592831_7ed0d6b363_h.jpg
The harsh sunlight also works well whenever you’re shooting architecture and other geometrical structures. The sharp shadows the sun creates add dimension to these their framework which makes them look quite dramatic.
Fort Clinch
https://live.staticflickr.com/65535/49256046087_a749516c9e_h.jpg
Black and white imagery is useful in accentuating the relationship between light and shadow.
Fort Gaines
https://live.staticflickr.com/65535/49267438406_c1c7c5773b_b.jpg
Color can sometimes be distracting, especially when it comes to shadow photography. To make it effortless for your viewers to see the shadows, then just shoot in black and white.
Fort Pickens
https://live.staticflickr.com/65535/49266592701_5681730a64_h.jpg
Color images shared in this post come from the EOS 5DIII with lenses EF 16-35mm f/4L IS and EF 50mm f/1.8. The files were process from RAW using Adobe Lightroom v6. The B&W images were captured on film and scanned to JPEG for additional processing in Lightroom.
Fort Pickens
https://live.staticflickr.com/65535/49266130218_b19d4e9117_h.jpg
Always observe how light and darkness interact each other in your frame. If you keep your eyes peeled, you might just capture something magical.
Fort Pickens
https://live.staticflickr.com/65535/49266130513_4dfe0fb1fc_h.jpg
These images are sized to fill your wide-screen display. Try using <F11> to maximize your browser window for the full effect. If the images overshoot your display, such as a laptop, just click on the image or the URL link and they'll resize to your screen from the host Flickr site. You can click a bit further into the image details on the Flickr page, if desired. EXIF data is available from the host Flickr pages as well. On the Flickr site, use your <L>key for Large and the <F11> for the full-screen.[/quote]
A kitchen sponge on the faucet handle
i'd like to have a "save button" so you can make changes and save it W/O printing or exporting
"PFFT" to you photographers
Which is better Color or Monochrome?
Linda From Maine wrote:
The saturated colors work for me. Gorgeous!
Linda, Many thanks, Gorgeous from you is like a star stuck on my forehead. I haven’t posted many of my images since I joined UHH, but I read a thing that recommended that to get better at our craft we should try to get feedback from people we respect on what they think of our work. So I’ve decided to start posting more.
Thanks again for the star.
Trying to use some very old extension tubes for Macro
Orchids useing extention tube Macro
Lilly pads, flowers and gold fish.
jradose wrote:
I have been shooting in raw for quite some time now, but lately, I switched to JPEG, and I don't think I will be going back to raw. My photos seem to be crisper, and much colorful. I cannot duplicate that rich color in shooting raw. Plus, there is much less post processing. Here are several photos I took today, the only post processing was to crop for better perspective.
If you have a camera that has two memory slots you can set it up to copy both a raw and a jpeg image, then when you import your images into Lightroom( I’m not sure about other systems) you can import both raw and jpeg as separate images and take your pick which one, or both, to PP
jchristian wrote:
Have a d7100 for sale. No idea of what to ask. Camera body, 50mm 1.8, 18-200, 70-300 lens. Camera and lenses in good shape but not pristine. Have loved it but want to go Olympus my origi am choice. I won't give it away. Make me an offer I can't refuse. I'll send pictures. ?frame count.
When you get a price for the body only send me an email fkloss1969@aol.com
Thanks