Chuck_893 wrote:
Thanks, ABC. I was playing with the "sunset" mode in the camera, which (so far as I know) is an intentional "whoopee" mode to zip up the color. It's not intended to be a perfectly accurate rendition (but in 20/20 hindsight I probably should'a made one normally to see the difference). I'm in love with Photoshop, too, but generally not to the extent that I'll totally change a picture. I spent too many years in film to do that much manipulation. I was trained to try to get it in camera. I find myself agreeing with many sometimes-intense critics of the Photoshop-the-bejeebers-out-of-it crowd. It begins to stop being photography. :)
I know I blew the composition because I didn't even see the kayaker at first. I was literally focused on the sunset, waiting for the "perfect" moment, and I was hand-holding so I was studying the shot on the screen when I caught movement out of the corner of my eye. I just had to squeeze it off before he was in an even worse position. I only yesterday figured out how to get the branches off the boat, but I rather like the jaggy shoreline look. I wouldn't remove the rest of the trees, nor would I crop the right-hand tree because I had already carefully considered the framing I wanted, with trees on left and right. What I hadn't considered was a serendipitous kayaker gliding into frame. :D :D :D
Thanks, ABC. I was playing with the "sunset&q... (
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Hi Chuck. We are pretty much on the same page. My point with the white balance is get it "right" so you see what it was and then, if you wish, change it. I started working in the darkroom in 1959, first with black and white and then color. As a chemist, I miss the darkroom. As a photographer, I do not. Digital allows you to work a photo like you never could. Do not feel guilty about that or not capturing the "perfect" picture in the camera.
I did not look at your metadata but this shot is made for raw. It gives you so much more editing latitude.
Do not knock serendipity. How many photos owe their beauty or greatness to it?