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Aug 29, 2017 20:30:25   #
PatM wrote:
So I am new to this habit. Would it be advisable to pick a genre of photography and focus on it or take a general approach and shoot anything and everything?
Pat


A good exercise to develop your skills is to pick a small place or 'spot' that you find reasonably interesting and that you can get too easily and frequently. Define the perimeter of the space. Then shoot it in all different weather conditions, seasons, times of the day etc, settings etc. Do people, street, still life, landscape or whatever you can think of but stay in the same perimeter. Explore shadows, reflections, bokeh, silhouettes etc etc. Do this over a year or two. It concentrates the mind and forces you to be creative. Work on different ways of interpreting your 'spot' and keeping it fresh. Tell the story of your spot. Also work on improving and eventually perfecting your results.

For my spot, I confine myself to a perimeter within a five minute walk (exactly) of my office. I'll go out before work or after work or at lunchtime. Eventually you build up a mental knowledge base of what is going to work for under different conditions. One of my instructors has been shooting the same urban park for thirty years and always comes back with something new.
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Aug 29, 2017 20:07:32   #
AnthonyM wrote:
This may be stimulating. I am submitting photos for compositional and development advice.

I am making a series of 3 gates, each approximately 12 x 24 to go on my wife's kitchen wall. If I don't screw this up I might be able to buy more camera stuff, so there's a lot riding on this!
Here's the problem: it's really difficult to show a small part of architecture, especially when one can see through most of it, not unlike photographing a window. Fortunately it's a gate, so unlike dogs or grandchildren, it will probably be standing still when I go back to reshoot. But how? What conditions will make the gate stand out from it's very busy surroundings? Would you use a huge aperture to try to blur the background? Would you try to mask and then alter in PS (a lot of work, I've tried)? This seems like an easy thing and the more I try the harder it is to isolate the gate and show its character.

So, For Your Consideration: How would you attack this composition?

I even tried to recruit a neighborhood cat to sit behind this darned gate and add some interest but I found him uncooperative.
This may be stimulating. I am submitting photos f... (show quote)


Would the background be less busy if you shot it from the other side of the gate looking out? Just a thought.
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Aug 29, 2017 20:01:42   #
jerryc41 wrote:
We've seen lots of posts about people being given a hard time while taking pictures of people in a public place. Some subjects have even gone so far as to call the police over to get the SD card. I wonder if it would work the other way. Could you call the police over to get people out of your shot? I don't know how many times I have had to wait for people to leave the area so I can get a good shot. Maybe I could call the police and have them order the people to move. It should work both ways, right? Some people don't want to be in a shot, and the photographer doesn't want other people to be in his shot.
We've seen lots of posts about people being given ... (show quote)


You just gave me a great idea. I'm going to make tee-shirts that say 'If you don't want me to take your picture - GET OUT OF MY SHOT!!'
I'll sell them here on UHH. Maybe I'll get on Sharktank !!
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Aug 29, 2017 19:56:20   #
jerryc41 wrote:
I'm making a cigar box ukulele, and it's been slow going. The next time, I'll buy the neck and fretboard ready-made. I started with a 3" X 3" block of mahogany. Then Tru-Oil and spray polyurethane. I finished the fretboard last night.
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Interesting Jerry. You are a man of merry talents. Keep us posted with progress shots.
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Aug 29, 2017 19:44:29   #
MMC wrote:
Last Saturday we celebrated 50 years our marriage. Our daughters as a present have bought tickets for The Jazz Age Lawn Party ( https://www.timeout.com/newyork/music/jazz-age-lawn-party) where we (my wife, my 2 daughters and me) had very good time. I took a lot of pictures and posting some of them. Thanks for looking.


Lovely family! Cool clobber!. Pretty ladies! Lucky man!

Oh! - and nice pics!

Congratulations and looking forward to your 60th anniversary pics.
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Aug 28, 2017 19:25:29   #
beartoothhiker wrote:
Okay, I'm new to this forum, very interested in photography and want to improve my skills. I have used a cannon g12 for several years (will upgrade to a dslr soon). What, if any photography magazines would you recommend for learning and improving? Thanks....


There are many photography magazines around any more. These two books are great for getting you started and up through to advanced levels.

Understanding Exposure by Bryan Peterson
The Photographers Eye: A Graphic Guide by Michael Freeman
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Aug 28, 2017 17:57:15   #
Mike59 wrote:
Posted last night and I don't see it in My Topics. So, here goes again: l am looking for a little wisdom about investing in a camera that is more camera than I need right now, with an eye towards the future where I expect to need more than an entry level DSLR. Any thoughts? Money is a factor of course, but a few hundred more makes better sense now, instead of needing to by a whole new system later.


If you have been away from photography for awhile like I was, make sure you at least familiarize yourself with the latest generation of 'mirrorless' cameras vs traditional DSLRs before you decide. If you watch the posts here on UHH you will see that a lot of photographers are abandoning their DSLR's in favor of mirrorless cameras.
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Aug 28, 2017 08:35:47   #
AZ Bill wrote:
Recommended adapters? Comparisons between sharpness of Minolta MD 50 mm f1.4 and comparable modern Canon or Nikon lenses? Thanks for your thoughts and suggestions.


Any of the adapters should be fine. No point in spending a lot of money for a manual adapter. Mine is a Fotasey and it works fine.
The MD 50 was one of the first lenses I bought for my A6000. I got it for its bokeh for family portraits etc. However, I found it a bit long for indoor shots in modest sized rooms and the lack of autofocus or OSS made it tough to catch kids, babies etc. The Sony 35mm 1.8 was much better for that with it being able to take advantage of the A6000's eye focus. The Minolta gathered dust after I got my 35mm.
If you really want the 50mm length, the Sony E 50, 1.8 is excellent and very good value. I also have a legacy Micro Nikkor 55mm 3.5 (?) which is very sharp.
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Aug 28, 2017 08:23:18   #
Its a great camera. Get a guide book like David Bushe's to get the best out of it. If you can only afford one lens to start with, I would highly recommend the Sony 18-105 f4.0 OSS G over the 16-50mm kit lens.
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Aug 27, 2017 12:29:17   #
Interesting product. Haven't figured out how it works but seems interesting. The new version says it can stream HD videos.
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Aug 27, 2017 09:05:28   #
Thanks folks for the kind comments. Glad you enjoyed !
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Aug 26, 2017 18:04:10   #
dmeyer wrote:
What a hurtful way to describe senior photographers. Seems that you want all the nerdy, dowdy old folks to stay home and not spoil the landscape for the young people out there doing selfies. I think you went out of bounds on some of your comments, repleo.


I meant no insult. It was intended as a 'tongue in cheek' jab. I am in my upper 60's and close to retirement myself. However, I do take exception to my generation running down the younger generation. I have the great fortune that most of my colleagues are in their thirties. Without exception they are hard working, committed individuals. They put more value on experiences and friends than 'things' and possessions like our generation. They should not be faulted for spending $75 on a meal with friends instead of a UV filter for a camera.
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Aug 26, 2017 10:58:01   #
[quote=Rich1939]
repleo wrote:
Note reason #5 for the decline - "Cameras are for old people"

So shed that multi pocket vest and wriggle into one of those compression fit Underarmour activity shorts and swap that floppy hat for a sleek helmet.


And I would still be seen as an old fart but one who thinks he can look younger wearing compression stuff that reveals all the warts.
i Note reason #5 for the decline - "Cameras ... (show quote)


Not at all. Those shorts are designed to shove the flab up into your biceps and pecs. You will look like Superman. You will certainly put on muscles pulling them on.
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Aug 26, 2017 10:48:03   #
Tom Daniels wrote:
http://www.diyphotography.net/camera-sales-report-2016-lowest-sales-ever-dslrs-mirrorless/

See this link and the trending comments.

2016 had the lowest sales in cameras ever. It is smart phone photography and social networking
that have taken over the market. The long growth of interchangeable lens camera's and the pro and enthusiast
will be a small segment of imaging. One issue is the investment some of us have in gear and work will
be diminished. Some might say this is panic but I do remember my film cameras and slide projectors.
I now have a lot of Sony cameras and lens and wonder if support will fall off for this gear.
The pro cameraman and still shooters I know definitely don't have near the work they used to have.
The acceptance of images as a commodity and not an art form is a social change that has come.
http://www.diyphotography.net/camera-sales-report-... (show quote)


Note reason #5 for the decline - "Cameras are for old people"

There is plenty of evidence of that here on UHH. It seems every string attracts a number of 'in my film days' posts. There must be a higher percentage of retired people here on UHH than any other group outside of the AARP. Photography, as in the taking of pictures is not dead, but it is transforming. Camera phones are not the only change. Look at the explosion in the use of action cameras like GoPro, and now drones. Young people still want to take photos (and video), but they want them to be part of their active lifestyles and social lives. They are not interested in creating images that are destined to go no further than a slide box or a hard drive.
The image of a nerdy old photographer going out on their own in their floppy hats to shoot birds or the tourist with a couple of cameras around their neck following a tassel waving tour guide does not hold any attraction for a generation of mountain bikers, rock climbers or club goers. If we want to attract young people into the traditional ILC end of the market we need to jazz up the image of the photographer. So shed that multi pocket vest and wriggle into one of those compression fit Underarmour activity shorts and swap that floppy hat for a sleek helmet.
I drive by a Leica store every evening on the way home. All I can see inside from the street is racks of cool Leica tee shirts and caps. Maybe they are on to something.
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Aug 25, 2017 13:43:20   #
For all of you aging Led Zepplin fans.

Marconi Beach, Cape Cod.
Planned in advance with Photopills app.


(Download)
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