jerryc41 wrote:
About 6:15 yesterday evening, I was driving to the library to get Understanding Exposure, by Bryan Peterson. I was on a curvy, two-lane road, and as I came around a bend, I saw a strange sight. There was a man, a tripod, and a camera right in the middle of the road. I slowed down, and he picked up the tripod and moved back a bit. He was trying to get a photo of some stone steps going up a hill.
This was the time of day when people are coming home from work, so he had to keep moving away and going back. After I got my book and was headed home, he was still there, moving back and forth.
If the weather brightens up today, I'll go back there, park on the shoulder, and take some shots.
OK, this might have been an interesting shot, but it was getting dark, and he was in the middle of the road. There was a large square filter holder on the front of his camera, which might have been a Hasselblad, so I'm thinking he was a serious photographer. His car was parked on the shoulder, so he could have sat in the driver's seat, taken some shots, and been on his way.
About 6:15 yesterday evening, I was driving to the... (
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Being a traffic engineer, I often find myself standing in the middle of roads and intersections snapping pictures of, oddly enough, roads and intersections :) Might sound boring to most, but hey, I'm getting paid to do it! Reflective vest is a must (just in case anyone from the company I work for is reading this), as is pre-planning what shot I want before stepping off curb ... I pre-think focal length and any other settings, visualize in my head what ange I want, and then go for it. We're not talking about "art" in my case so perfection is not absolutely necessary.
I do try to avoid peak traffic periods if I can, but sometimes peak conditins are exactly what we need a photo of. On busy roads having a second person there as a lookout is a good idea!