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Sep 26, 2017 08:40:29   #
cthahn wrote:
The photographer takes the picture, not the camera.


If you believe this then I challenge you to take a photo without a camera.

Best,
Todd Ferguson
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Sep 24, 2017 23:31:00   #
rehess wrote:
Do we really know this? How are some Nikon cameras, including the D850, able to create "raw" files of various sizes? There are also rumors that various cameras perform some noise reduction before creating the so-called "raw" file.


It is data from the sensor so of course there is some software manipulation going on just to even get to what we commonly refer to as the RAW file. My Canon can create three different RAW file sizes. This has to be manipulated with software as the sensor is still seeing the same exposure of light through the lens...at least in my Canon. Nikon may do things differently with their use of FX and DX modes on some of their cameras. There are also menu settings that likely impact the processing of the RAW files such as the High ISO Noise Reduction one on my Canon. The Canon and other manufacturer's engineers and software developers have the best knowledge of what the capabilities are and how to develop software to take advantage of the hardware. This is why the software, DPP, provided by Canon for example can manipulate their RAW files in ways other vendor's software cannot.

Best,
Todd Ferguson
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Sep 24, 2017 19:40:36   #
Cookie223 wrote:
Thanks Todd.
I already cleared the settings I put in the custom selections. I noticed an option on clearing the factory settings but not to reset them. I'll figure it out and keep you posted.



Here is a sample from the DOF calculator app that I have. I used settings that can work for your lenses. Generally with all things being equal the closer you are to the subject and the longer the focal length the lens is the shallower the DOF. A 300mm lens at 10 feet at F4 has a DOF of about .05 feet IIRC...


(Download)
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Sep 24, 2017 18:46:53   #
Perhaps think about just resetting the camera to factory defaults and trying some test shots with a magazine page and your lenses without any TC in the loop. Let me know if you have any other questions. I don't have a 7DII but my Canon camera has a similar focus system.

Best,
Todd
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Sep 24, 2017 17:43:41   #
Cookie223 wrote:
The TC is Canon's 1.4 III. This was the first time I used it, but I've had this problem before. The lens is the 1:2.8 L IS USM. I do have the Canon software which I use to crop some pictures and make minor adjustments. The firmware on the camera is the latest, and sometimes it does take nice pictures. I'm including a picture I took at the zoo a couple of weeks ago which I think was pretty good especially when it was through glass.
Based on what you and TriX are telling me, my settings are all over the board. I'm not too far from a Canon facility in Jamesburg NJ and may just drop it there for a tune up. At least I'll know for sure that it's me and not my equipment. I wish you said Harrisburg Pa. I'd be there real quick, pay you for your time, and add a dinner in too!
The TC is Canon's 1.4 III. This was the first time... (show quote)


Not downloaded yet, these zoo ones look pretty good to me...
I am not sure how well the 1.4x TC III works with the VersionI of the 70-200. It was designed to work with later lenses I believe. I have the 70-200 2.8 IS II. I would try taking some photos with the TC out of the equation and just using the 70-200. Is the IS turned off? If you have IS on and are using higher shutter speeds I believe this could cause problems perhaps. I don't use IS for sports shooting...that would be my last resort to slow down my shutter speed very slow...

We have a place near Sharon, Pa but that is a long drive from NJ too...on the PA Ohio line... I would help you out if you were closer...bummer... Well, we can work on it this way as long as you want and think we are getting closer to an answer.

Best,
Todd
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Sep 24, 2017 17:29:05   #
Cookie,

To me when zoomed in in Lightroom the 1st shot of the second group is still soft in focus, but it could be related to the TC being in play. I have the 2.0x TC III that I use with my 70-200 2.8 II. The Gen III TCs are the best Canon makes. I think the second shot in the second group is pretty sharp with the 24-105 and no TC. I attached a version I did a couple weeks to in Lightroom for you to compare. Which version of the 70-200 do you have? Do you use back button focus or focus with the shutter button? Back button focus would be the best in my opinion. Do you have your shooting parameters displayed not the rear LCD screen? It is a menu setting to do that... I find that handy vs looking in the viewfinder or at the top LCD screen... especially if shooting with a tripod or monopod...

Best,
Todd

Cookie223 wrote:
All I did was switch from C1 to C2. Yes, it's the Canon 1.4 III.


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Sep 24, 2017 16:57:24   #
Cookie223 wrote:
TriX,
On the 70-200 lens I used for the first time the Canon 1.4 TC. I don't use one for the 24-105. See Todd's comments and my response. Either the settings I used don't stay locked because I don't know what I'm doing, or maybe my gear needs a tune-up. Then again it could be both!


Which version of the 1.4x TC do you have?
Which version of the 70-200? You may have said but there are 4 or 5 versions.
The 24-105 doesn't accept a Canon TC as far as I know.
Have you loaded the Canon DPP software into your computer? I believe you can display the actual focus points used or should I say that locked focus for the shot in the DPP software. You may be able to do that in Lightroom or other programs but I am not recalling how to do it in Lightroom at the moment. If you look at your EXIF (Photo) data it will tell you the ISO, Aperture, Length of the Lens was zoomed to and Shutter speed for each shot. The Lightroom Library module will also display this information at the top right side of the toolbar menu. Sorry i don't recall if you said you are using Lightroom or any other program. You can also view some EXIF data in Apple Preview if you have a Mac. I will look at the other photos you added...

If you want to come to Harrisburg, NC for a couple days we will get you squared away...

Best,
Todd
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Sep 24, 2017 15:19:17   #
Cookie,

I pulled the first image into Lightroom and I didn't see anything at all that was in focus.
That to me says you are shaking when you are taking the shot. The fence in the background is pretty evenly out of focus across the width of the shot.
I see 1/500 at F5, ISO 200 and focal length of 280mm. I would say that is fully zoomed with a 1.4TC and the 70-200. You may want to try backing off completely zoomed a little bit. But I would like to see you go with at least 2x the focal length as your minimum shutter speed... Try 1/600 minimum. F5 is OK but you may want to look at a depth of field calculator or experiment with DOF as I am not thinking you would necessarily want that fence behind in sharp focus...isolate the players would be my approach.

Set your focus to be single point, center point and continuous focus too. Put that focus point on the center body mass/chest of the player you are shooting.

You could even shoot at say F3.5 or F4 and 1/1000 to 1/2000. Set your ISO higher to get a good exposure, perhaps 400-800 ISO. Once you solve the motion issues then you can work at fine tuning the exposure components. You may want to get a DOF calculator app for your phone or tablet. I use one called Big Dawg.

Do you have a Speedlite? Some fill flash could help on some of the more static shots. But that is a subject for the future.

Best,
Todd Ferguson
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Sep 24, 2017 10:24:33   #
How about if I said, "SO, I wrote a book called Graphic File Formats!"

Best,
Todd Ferguson


Bill_de wrote:
If you had said ...

"Must be why I wrote a book called Graphic File Formats..."

... I might have been skeptical.

---
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Sep 24, 2017 10:06:47   #
Let me correct you...

Format | Definition of Format by Merriam-Webster
https://www.merriam-webster.com/dictionary/format
Definition of format. 1 :the shape, size, and general makeup (as of something printed) 2 :general plan of organization, arrangement, or choice of material (as for a television show) 3 :a method of organizing data (as for storage) various file formats.

Must be why I have a book called Graphic File Formats...

Best,
Todd Ferguson


camerapapi wrote:
Let me correct you, format has nothing to do with the different types of files. Format refers to the size of the image as originally extracted from the sensor. Using Nikon we have DX and FX formats, just to give you an example. The first term refers to cropped sensors and the second one to full frame. Olympus uses 4:3 as its proprietary format (full frame) and offers in the menu how to obtain other formats.
As has been already explained here RAW is the original data as recorded by the camera. JPEG is an original RAW but the file has been modified by the firmware of the camera as per operator's settings.
As you will soon learn RAW needs special software to edit while JPEG is a universal file readily accessible by any editing software. If you set your camera to RAW-JPEG the camera will give you a file from each.
Let me correct you, format has nothing to do with ... (show quote)
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Sep 24, 2017 08:06:29   #
cthahn wrote:
Why shoot both? Normally not necessary unless you have a specific reason or been misinformed by someone. It takes up too much space. A RAW can be converted to a JJPEG with one key stroke if needed. I have never taken a JPEG in my camera since RAW was available.


I think the reason for many would be that they have not learned post processing and are just trying to use the in camera settings to get a photo or image that they enjoy. Storage and memory are very inexpensive, I have a lot of shots from 15 years ago that I wish I had in RAW format and could further edit today. To me that is the advantage of shooting both if you want jpegs right away. I only shoot RAW but I understand the reasons I do that today.

Best,
Todd Ferguson
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Sep 24, 2017 06:26:14   #
rgrenaderphoto wrote:
The JPG is what your camera thinks is perfect exposure; it is also the image you see on your camera's LCD screen when you Chimp. RAW is just that, a digital negative with endless opportunities. Unless you need to send out images now, now, now, what is the point of saving in both formats?


The jpg will reflect the exposure you shot the image with as will the RAW file...not a Perfect Exposure. If you underexpose or overexpose the jpg and RAW file will show that. The jpg will have information locked in based on the shooting profile you have selected in your camera, natural, portrait, faithful, landscape, custom, etc. The RAW file can be manipulated in Post Processing much more than any jpg.

Shoot RAW and jpg and use the jpg if you want for now. One day you may be glad you have the RAW files to go back to and post process as your knowledge and skills increase. Storage is cheap and getting cheaper every day.

Best,
Todd Ferguson
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Sep 23, 2017 16:52:16   #
mrova wrote:
Anymore NASCAR issues different levels of credentials. There are pit passes that are available for purchase separate from your ticket, but that will not let you where you see the people in the photo. The purchases pit passes allow fans onto the track and into the pit for a certain time frame (hours) prior to the start of major track activity, then they are sent back into the stands. As far as the pit goes - at least for RIR - and probably similar to other NASCAR events, they issue HOT or COLD pit/garage passes. The cold pass will allow you into the garage area until the start of the race and then you're outside of that are. You can also use the cold pass to wonder around the pits, again, until the start of the race, then you have to clear out. The hot pass allows access to either before, during, and after the race. They have so many dang credential levels now it is insane.
Anymore NASCAR issues different levels of credenti... (show quote)


Thanks for sharing.... Yes things keep changing since 911...

Best,
Todd Ferguson
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Sep 23, 2017 14:30:02   #
I don't think filters are generally needed on digital cameras, maybe ND filters to change exposure capabilities in a really bright setting.
One of our local camera stores has literally got bins of used or unsold filters in the back hall of their showroom. I think this is very telling as to the use of filters in the largely digital world we operate in today.

Best,
Todd Ferguson
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Sep 23, 2017 14:25:10   #
Grace,

You might look at eBay as if you are willing to do a little research on the Hog and other manufacturer websites you can probably get a better tripod for your dollar.

Best,
Todd Ferguson

Grace98 wrote:
Hi - I need your advise again please. I would like to purchase a tripod (not too heavy as am only 5' 3") and easy to put in a suitcase for travel. A reputable camera store in UK have the Manfrotto 190G aluminium tripod (can't afford carbon fibre) at £ 149 (roughly $ 201) and are giving a free Manfrotto 391RC2 Head. Checked other shops, same price but without the head. I've read some positive reviews but as I value your opinions, can you please advise your thoughts, both on the tripod and head. Thanks a lot. Grace
Hi - I need your advise again please. I would lik... (show quote)
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