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Posts for: Finch585
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Feb 3, 2013 12:19:28   #
Brucej67 wrote:
Isn't that assuming you are using the same lens on the crop sensor camera as on the full frame camera? If you use a lens made for a crop sensor camera on the crop sensor camera and use a lens made for a full frame camera on the full frame camera and if both lenses have the same focal length the results should be the same for testing.


No, I don't think that's right because if I put my 35mm DX f/1.8G lens on my D7000 I thought it still provides me a 52.5mm FF equivalent FOV. I believe it's just that being for DX by design, the circle of light coming through the DX lens is reduced to fit the crop sensor in full rather than being cropped, therefore the lens is made smaller and lighter, or am I wrong and the DX designed lenses are providing the full MM result? [I don't have a FF body to compare this].
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Feb 3, 2013 03:13:51   #
OP here: with all that said, I must ask, in spite of the "sweet spot" benefit of the crop sensor mentioned, wouldn't an image of a distant subject enlarged using true magnification power create a better image than the illusion of the same image created by just a crop sensor's reach ? If so, is it because the resolution would be better and/or less noise would result by true magnification than the blow up effect of the reach?

I should state that one of the reasons I posed the original "reach vs. magnification" question is that my FF Envy Syndrome has returned because I bought a couple of used primes for my D7000, (20mm f/2.8 and 85mm f/1.8D), and I'm not fully satisfied with the image results.

The 20mm manifests as a 30mm FOV (as I knew it would) and is not wide enough for me and the 85m is like 127mm, and so, while the bokeh and blur is great, the composition is often too tight.

Therefore, I have started watching ebay to see how fast the price drops on D700's as hopefully more and more owners sell them to flock to the D800 and create a supply/demand imbalance so that I can afford one.

Jeffrey
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Feb 2, 2013 02:19:56   #
Can anyone please explain in simple terms the difference between the DX "reach" (compared to FX) versus image magnification?

I'm guessing the increased reach of the DX crop sensor on any given focal length lens is not really the same as increasing magnification, or is it in regards to the end result of an image?

Thanks in advance,

Jeffrey
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Feb 2, 2013 02:15:38   #
I was just coming to post a question about DX "reach" versus magnification, and that helped answer some other questions as I ponder going FX with a used D700
thank you
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Dec 15, 2012 18:32:34   #
Anything wide better for the price under $500 (used) than Nikon 20mm f/2.8D on a D7000?

I already have the 35mm f/1.8G, 85mm f/1.8D and I'm looking for a wider lens to round out my prime kit bag.



Thank you in advance so I don't litter the thread with "thanks" over and over....


Jeffrey
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Dec 13, 2012 11:15:04   #
thanks, Russ, and your web site images are great!
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Dec 13, 2012 02:11:11   #
Annie_Girl wrote:
Finch585 wrote:

Annie_Girl wrote:
can you post a sample of what you are looking for? even a link to a sample?


here's one example I found quickly, but not the extreme effect I originally saw and asked about, can't locate that right now (yet).
thx
[I think the next answer to use PP may be what I needed to hear]

http://www.flickr.com/photos/57514591@N02/8133354610/in/faves-finch585/


The sample you posted has a hazy effect applied in post, it's actually not hard to do at all. After you have finished all you edits. Apply a solid color adjustment layer, something like pantone color #b7a170 adjust the opacity of the layer to you liking something around 10-20%. Done.
quote=Finch585 br quote=Annie_Girl can you pos... (show quote)



That's a good example of what I was looking for, too, thanks
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Dec 13, 2012 01:50:52   #
PalePictures wrote:
In fashion, Images are shot sharp and softened in post.

Typically this is done by reducing the range of colors in the photo and adding a color cast. It's basically the reverse of color correction, where your white points and black points and midpoint(grey) are adjusted.
The "Hazy Look" which deals with color should not be confused with the "Blurry Look" which deals with focus.
When an image is soft it can mean either one depending on the context.

Soft and inviting typically an expression of color.
Soft focus means you didn't get it right. (Not sharp)

Here is a before and after image.

The colorcast on the second image was blue which give it a vintage look.

Russ Elkins
In fashion, Images are shot sharp and softened in ... (show quote)


You hit the nail on the head, Russ, that's the hazy effect I was asking about, great sample image of it, too. I never meant blurry or out of focus as others inferred (some in jest).

Is that reduction of range of colors something I'd have in LR3 or PS CS5? If so, I have Scott kelby's great books on both, any idea what it's called there? (CS5 has a huge amount of content)

J.
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Dec 9, 2012 13:30:15   #
Annie_Girl wrote:
can you post a sample of what you are looking for? even a link to a sample?


here's one example I found quickly, but not the extreme effect I originally saw and asked about, can't locate that right now (yet).
thx
[I think the next answer to use PP may be what I needed to hear]

http://www.flickr.com/photos/57514591@N02/8133354610/in/faves-finch585/
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Dec 9, 2012 13:02:05   #
How do I get the hazy / soft focus effect I see others purposely use in portraiture? Seems to be more than the lighting. Is there a filter for this or is it just lighting and/or a technique?

I'm shooting with D7000, 85mm f/1.8D.


Thank you in advance for sharing.

Jeffrey
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Dec 3, 2012 10:25:56   #
profpb wrote:
I am ignoring this list. I have them all and just for 2013 I hope to avoid any outside influences that will continue my fatal case of NAS.


PROFPB: Since you have them all, please tell us which TWO are your favs and why, if you could only bring two, you know, in the boat along with the hen, the grain and the fox?
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Dec 3, 2012 02:42:29   #
lighthouse wrote:
Nope, OP said Nikon camera, said nothing about Nikon glass.


Well, half correct, in the title I asked "pick only two Nikon primes for DX...."
;-)
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Dec 2, 2012 23:58:42   #
GoofyNewfie wrote:
lighthouse wrote:

100mm macro
and 21mm Zeiss


oooooh, oooooh, Can I change my 24 to a 21mm Zeiss?
I'm droolin' here.


no, no, no boys... the OP (me ;-) said "Nikon"

(meesa can't afford Zeiss or Leica ;-)
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Dec 2, 2012 23:25:58   #
Db7423 wrote:
Not knowing what lens you currently have and what you like to shoot will limit us the ability to give you good answers to your question. However, my favorite lens on DX was a nifty-fifty so that would be my firt choice. An 85 mm may also be a good choice as well.


Ok, sorry, I was trying to take a poll of what two primes everyone else already likes on DX, especially wide, regardless of my criteria :-) if they could only have two (you know stuck on a desert island...)
but I shoot everything but wildlife and sports, so don't feel i need a super-tele, and I currently have:

35mm f/1.8G
85mm f/1.8D (love the aperture ring)
17-55mm f/2.8G

I shelved the kit 18-105mm f/3.5-5.6 G and wondering how wide others would commit to as a practical prime.
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Dec 2, 2012 23:03:46   #
lighthouse wrote:
Finch585 wrote:
If you Nikon DX shooters could have only two primes for general photography (not sports or birding) what FL would you take?

I'm thinking 35mm (for a normal view) and 85mm (for bokeh shots).

You?

Best,
Jeffrey


What other lenses do you have?



17-55mm f/2.8G, love it, but enjoying the primes.
Wondering how wide to go if I get another prime (for D7000) and what you all like.

J.
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