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Dec 9, 2021 19:17:57   #
OR: Select an younger still spry participant to lightly touch the shutter button and get back into the front row.

If your camera has the Wi-Fi capability, the Canon App available for IPhone and Android solves teh problem without any out of pocket expenditure.
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Dec 9, 2021 18:44:00   #
rmalarz wrote:
I'm quite familiar with the "reset" and start over approach.
--Bob


YUP! Except it doesn't involve expensive pieces of Phot print paper!
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Dec 9, 2021 18:37:18   #
DWU2 wrote:
Typically, after basic editing in Lightroom Classic (straighten, crop, remove distractions, exposure adjustments, sharpening) I then export to NIK Silver Efex Pro. After using Silver Efex, the photo imports back into LR.


That's my "workflow," too.
C
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Dec 9, 2021 18:28:08   #
I went from a 50D (The T2I's big brother to the 77D which is the 80D's lighter smaller brother, but with the same Sensor and Operating System. Both Jared "Fro" Polin and Tony Northrup have excellent step by step set-up and usage tutorials on You Tube. The touch screen and other controls will have you producing quality 24MPIX photos immediately. and with 2/3rds more resolution, you can crop more with the 80D. Great Choice!
C
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Dec 8, 2021 23:05:54   #
Locking up the mirror is no big deal. Easy way is to use the delay feature. Also live view where you compose and actuate the shutter using the back screen, the mirror is safely and quietly outa tha way!
C

PS: AND YES!!! Pro's use lock up for tripod based landscapes and detail shots and others as required. At every Workshop I've attended, they emphasized mirror vibration as a sharpness killer, especially at slow, like 1/20th.
C
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Dec 8, 2021 22:54:31   #
Hi Pat,
I always thought, and you very nicely illustrate, that Blue was the orphan cousin of the Primary RGB. And the physics show it by Blue's position on the refracted spectrum. In addition, the old English Christmas Hymn could very well be the inspiration of your first photo.
C
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Dec 8, 2021 22:43:31   #
Subtilty isn't a word I've ever used to describe a sunset photo. The blaze of the setting sun on the horizon is the initial pull, but the dramatic, nearly monochromatic sky and clouds and the gentle reflections of the golds and yellows in the shoreline ripples contrasting with the blues would earn a prominent place on my wall.

Thanks for sharing. Perhaps those vets are who sent this opportunity to you.
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Dec 7, 2021 20:45:47   #
E.L.. Shapiro wrote:
Perhaps you are overthinking the state of the art and are too preoccupied with gear.

Electronic imaging has been around for a very long time in the form and television production of electronic newsgathering and television production. I'm surprised that it did not relace film long ago. It was just a matter of time for it to cause a transition into still photograhy combined with computer-driven technology.

No doubt the technology in cameras, optics and image processing but the elements of artistic photographers have not changed at all. as advanced into a work of complex technology. It is still all about composition, lighting, use of light and the artistic or journalistic expression and creativity of the photograher. The rest is a bunch of technobabble. The technology is there to make things more convenient and accessible and you can use as much or as little of it as you need or want. All cameras all have a lens, an aperture a shutter and a focusing mechanism and if you know how to control that thing and how they interphase with each other, you are good to go.

You no longer need the stock foil of different characteristics- speed, colour palette, grain structure, curves, etc. You can count all those aspects with the flip of a switch or the movement of a slider. You needn't store all your images on little plastic cards and electromagnetic or digital media- you can still make prints.

In my own "world", I do photography for a living so if my equipment fails or is inadequate or if my picture is not up to snuff, I don't eat! Yet I am not all that preoccupied with gear upgrades. Even professionals do not have unlimited budgets and every purchase needs to be justified.

There are folks who spent all their photography time testing gear, chang it up, trading it in, worrying about the latest and greatest, etc. I would rather spend my time taking pictures or "making photographs" as the purists say. I buy good gear and use it 'till it disintegrates and I have no issues with image quality.

Cars? I drive an 11-year old Saturn SUV. it gets me from point A to point B and accommodates all my stuff. If my next car is electric, so be it. Hopefully, there will be plenty of charging stations and battery technology is improving every day. I certainly won't miss the gas pump and all the pollution- especially with the current prices for gas.
Perhaps you are overthinking the state of the art ... (show quote)


E.L.,
I always appreciate your comments and observations, and in a case or two, corrections. Your use of the formation of "interphase" to express what the tech community define as interface is thought provoking. Because the artfully conscious manipulation of mechanical and electronic controls is a phase of activity get the desired physical results is what we do, after all. Your thoughts on equipment is ultimately practical, and it recalls come comments by a prominent Wedding and Portrait photographer who reminded her audience that she and others were making a darn fine living using 10 and 15 MPIX APS-C sensor cameras at the dawn of the Digital age. Of course the first "Full Frame" DSLR had 12 MP.

C
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Dec 7, 2021 20:07:29   #
I like the interaction of the tree branches and the boards on the building and roof, especially.
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Dec 7, 2021 20:03:49   #
Sunrise is for photography. and sunset is for cocktails..............

Nice middle ground. Those pesky leaves block so much of the view you woke up so early to capture.
Love It!
C
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Dec 5, 2021 18:18:20   #
Voss wrote:
I agree. Removing them crossed my mind as well. But they ARE a part of the scene, and are therefore important.


In reality, how many snoozing "passer's by" do we see in the "neat and tidy, everything's picked up" spaces around town. Another important element is the gradient of the red color of the bench from sunlight to shadow.

Removing the debris crossed my mind, and then continued .......
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Dec 5, 2021 18:10:11   #
jaymatt wrote:
Nice. Again, the colors distract from the scene, so it’s b&w for me.


I'm a B&W Bigot. But, the color image tells me more of the story. Some of the building detail is revealed in the color shades which are pretty subtle in the BW.
C
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Dec 5, 2021 17:50:01   #
rgrenaderphoto wrote:
That is just gorgeous. We do not have fall colors like this in California.


Except Nevada City on HWY 49 East of Sacramento. The early residents imported Maples and other Oaks from New England. Otherwise we usually get Aspen Gold and some sparse scattering of reds.
C
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Dec 5, 2021 17:37:28   #
Architect1776 wrote:

Actually they did a very good job with the new Mill Ave bridge making it fit in with the original.
No, not a copy but a good compliment to the original design.


I know you spent some time here:

They did a nice job keeping the old look along with mdern methods when replacing the Reno Virginia Street bridge in Reno.
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Dec 5, 2021 17:27:02   #
Photolady2014 wrote:
Yes, I was expecting to next month! Other primes such as the 400 2.8? I went for the 600mm because in Yellowstone you have to be 100 yards from bears, wolves etc. I got some ok photos with my 100-500, but wanted much sharper images….. this Eagle certainly was closer than the wolves in Yellowstone…


I don't have personal experience with big glass. BUT: These are about as sharp as I've seen. Even Download, the eyes and beaks are sharp. A slight rim lighting around one of the beaks. The feather detail is crisp. I've seen worse in major Photo Publications.

Be proud,
C
PS: I'm a fan of your postings,
C
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