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Posts for: Hal Masover
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Feb 11, 2024 10:26:48   #
I'm preparing to take a 3 week international photography journey and might not take my laptop. I'm using a 45 mp camera. A reasonable estimate of how many photos I'll shoot on this trip would be something north of 2,000. My D850 uses an SD card and a CF Express B card. My decision is whether to buy a large capacity SD card, like 512, and just leave it in the camera, or several smaller cards that will be backed up by the CF Express card in case I lose any or all of them as I move through several countries? Are the large SD cards stable? Do these read as fast as smaller cards?
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Feb 11, 2024 10:19:07   #
I recently acquired a lightly used D850 to replace an extremely well used D750. All my old lenses work fine and many of them are ED lenses. BTW, I also bought a lightly used D750 to have as a backup and it's interesting. I loved using the D750 for 10 years but now that I have the D850 I never touch the D750. The D850 is that much better. Best DSLR ever made and depending on what you're shooting, might be the best full frame camera period and lightly used ones can be bought for a fraction of what the new price was a few years ago. Love it.
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Feb 2, 2024 12:41:54   #
I've decided to order the Smallrig carbon fiber. It's only 2.8 lbs and has the kind of latches on the legs, rather than the twisty locks, and I prefer the latches. I really appreciate all the input. It's been fantastic. I'll let you all know how it works out!
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Feb 2, 2024 09:13:01   #
OldCADuser wrote:
Yes, the Zomei tripod I described in my post, which I've used for over five years, does indeed have a hook on the bottom end of the center column from which you can hang your camera bag to provide more stability.

As for the camera mount, the Zomei ball head is designed to accept the Arca-Swiss Standard mounting system brackets. Note that all of my current cameras (4), as well as my 400mm long telephoto lens, has a Arca-Swiss mounting bracket so they can be quickly attached/removed from the tripod. In fact, I've added a Arca-Swiss receptor on my older, and larger, traditional pan & tilt head tripod so that it's compatible with all of my gear, including BTW, that Busnell Spacemaster spotting scope, as I've added a mounting bracket to it as well. Even the focusing-rail, that's part of my macro kit, is designed to not only mount on a Arca-Swiss compatible/equipped tripod, but it also accepts a camera with a Arca-Swiss mounting bracket. As I've mentioned, I've supplied all of my mountable items, cameras, lens, etc with a single standard quick-release system. It makes life very simple when having to work quickly in the field.
Yes, the Zomei tripod I described in my post, whic... (show quote)


With your suggestion I revisited Zomei. After the discussions here I'm very clear that carbon fiber is the way to go. Looking at the Zomei carbon fiber version of their Z669C, it comes in at a hefty 4.4 lbs. Quite heavy for a travel tripod and would save me less than 1 lb over my current Vanguard tripod so not enough of an advantage to make it worthwhile. I'm a little disappointed no one on this thread has commented on Ulanzi. Their MT-60 model would save me around 2.6 lbs, almost half of the weight of my current tripod, and it's carbon fiber. The few reviews I could find were enthusiastic but with so few reviews it's hard to know if those are ones promoted by the manufacturer or not. But as of now it's the one on the top of my list. All of that said, my doubts now are whether a tripod that's so lightweight be stable with a heavy DSLR and lens on top of it. Maybe with my pack hanging from a hook under it? Not sure.
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Feb 2, 2024 09:03:33   #
Lagoonguy wrote:
I agree with the Leofoto suggestion. Mine is sturdy, light and tall enough without a center column and it only costs me $289 several years ago. The whole kit weighs about four pounds including ball head and Acratech leveling bowl. I also have a new Heipi travel tripod, haven’t used it but seems well made and fairly sturdy.


Thanks for the suggestion but since my current tripod is quite satisfactory and weighs 5.3 lbs I'd be spending $289 to only save 1.3 lbs of weight. Definitely looking to save more weight than that.
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Feb 1, 2024 14:29:48   #
Dwiggy wrote:
K & F Concepts carbon tripod. Can't go wrong!


I have one of those and I have used it with my heavy DSLR and a heavy lens. It worked but I had problem. At one point the center column just came right out and it wasn't easy to get it back in. Common problem with their tripods and not one I want to have out in a remote location that's I've spent considerable money to get to.
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Jan 31, 2024 21:14:27   #
I have a very good Vanguard TBH Tripod that weighs about 5.3 lbs including the ball head. I'm preparing for a photo tour that includes a couple of days of backpacking and am thinking of something lighter. At first what I saw from Peak Design and others was that for roughly $300 I could get the weight down to 3 pounds. That hardly seemed worth the money. But now I'm seeing that Ulanzi has some options for a lot less money and slightly less than 3 lbs. So now I'm interested. Here's my questions. Does anyone have experience with Ulanzi? And my second question is carbon fiber vs aluminum. Ulanzi Ombra weighs 1.1 Kg and supports 8 Kg of weight. It's aluminum. Their more expensive MT 60 weighs 1.25 Kg and supports 10 Kg. so pretty close to the same payload to weight ratio and the Ombra stands a little higher - meaning it will be more comfortable for me to use without having to extend the center column. So what am I missing? One thing is I would expect the carbon fiber to be more durable. What else?
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Dec 7, 2023 16:19:15   #
I also have a Dell G15 and agree. It does the job. Not the fastest computer but fast enough for PS and LR
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Dec 4, 2023 16:20:35   #
CHG_CANON wrote:
I still have a credit card sized WB card in my wallet. I use to be religious about taking a WB shot. But honestly, it's now been years. I just edit the images to fit my desire, using the AWB of the camera and shooting RAW.


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Nov 27, 2023 20:34:55   #
tripsy76 wrote:
I loved my Fujifilm X-T5 and X-H2s. They produce beautiful images and are significantly better than they used to be. As far as comparing them to Full Frame, I would still give it to full frame for noise, dynamic range, etc. But you can be a professional with aps-c. M43 is also much better, but I don’t know much about photo there just video.


I met a big dollar wedding photog in LA that uses Fuji. I don't know which model. Used it in night photography too. I get a bit picky about noise. When the Nikon D500 came out a friend of mine bought it. We were shooting a ballet. He was working for the ballet company and I was working for the theater. He handed me the D500. I popped a card out of my D750 and put it into his D500, and replaced his lens with mine so the only variable would be the camera body and on the card I had shots of the same ballet on both the D500 and the D750. Unquestionably the D750 handled the low light conditions better than the D500. What I've learned from this discussion is that all the camera sensors have advanced and that the best quality is still going to be in the larger sensor but the advances just might be enough for me to now be happy with APS-C. Before I send Nikon their Zfc back, I have a night photosession scheduled with a model for this weekend. Just have to put the Zfc on the tripod and compare it to my D850 under the same conditions.
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Nov 26, 2023 22:25:45   #
MrPhotog wrote:
Each year the ability to make better chips improves, and the quality of smaller sensors does too. Moore’s law isn’t perfect, (every 18 months you get twice the capacity for half the cost) but it certainly illustrates the trend.

While you are specifically mentioning formats common to pro and amateur cameras, consider also the trend to even smaller sensor formats which are buried in cell phones. Not only are the tiny sensors very good, but the computers they are attached to get better every year, too.

I think pictures from last year’s 12 mp cell phones are as good as pictures from 12 mp cameras of a decade or more ago. And future year’s cell phones will be even better.

A hundred years Leica showed that with higher resolution film, and higher resolution lens designs, a 35 mm camera could produce images on par with what a 4x5 press camera could produce. In a much smaller and lighter system.

Some of the improvements in small format were picked up with larger format gear and emulsions, but obviously the market shifted to the smaller size. Cell phone cameras are now that smaller size.

You’ll probably see something similar play out over the years with digital. Innovation in tiny sensors for cell phones will be applied to larger sensors used in cameras.

The question you might have asked would have been about even larger sensors. Look at the other end of the spectrum, too: there aren’t a lot of physically big sensors on the market at any cost.

I think Lots of people are waiting for a cheap 4x5 sensor with even 1 mp per square inch—the equivalent of a 20-year-old 1.5 mp full frame camera—but multiplied over 20 times the area. It would be a 20 mp large format sensor. And if they could make the 60 mp chips (about 40 mp per square inch) then there would be something between 1000 to 1200 mp on a 4x5 format!

I think the bigger chips are just too difficult to make currently. I guess they find more flaws as the chip size increases, which makes it more expensive to produce bigger sensors.
Each year the ability to make better chips improve... (show quote)


I was originally going to put medium format in my post along with the others but though I've thought about medium format, I'm not interested in the increased weight and price. So I kept my question to what I might be interested in actually buying.

Your point about cell phones is worth a few comments. Maybe the incredible advances in cells will find their way into dedicated icl cameras. I hope so. Apple, Samsung, etc have much more design and engineering capabilities than Canon, Nikon, etc With the possible exception of Sony. The advances keep coming fast and don't look likely to slow down soon. But I can't imagine spending all day shooting with one. They have zero ergonomics. They're good enough in a pinch but it's hard to do serious work with them. But then, they aren't intended for serious work so that makes sense.

Thanks for your very thoughtful comments
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Nov 26, 2023 20:38:11   #
Peteso wrote:
I am 77 and I use MFT and FF, depending upon what I am shooting and how long I have to tote around heavy gear. There’s no question that there is a quality difference, but my Olympus cameras with Pro lenses are still excellent. As to APS-C, if you’re looking to downsize, IMHO, APS-C is the worst of both worlds.


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Nov 24, 2023 15:02:54   #
bonjac wrote:
May I ask which APS-C camera you are using?


As stated, temporarily using the Nikon Zfc on a 30 day free trial
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Nov 24, 2023 13:48:52   #
For the last decade I've been a devoted user of full frame DSLRs. It's been quite a love affair. dozens of weddings and portraits, commercial work and thousands of miles of travel, lightpainting and astrophotography. My digital photography started in earnest with a Sony NEX6, which is an APS-C camera. From there I graduated to a Nikon D750 and what a difference! Boom. But in the last decade it seems that APS-C cameras have greatly advanced. I'm currently trying out the Nikon Zfc, which is a 2022 APS-C camera and comparing to my D750, it's really hard to tell any difference. I've tried low light, high ISO, etc. No, I don't want to buy the Zfc. It simply doesn't have the amount of control I'm used to and it's hard to hold in my hand. But here's my questions - are today's APS-C sensors equivalent to full frame or are they just equivalent to my 10 year old D750? Are new full frame cameras better at handling noise? How about dynamic range? And my second question is, if APS-C has gotten so much better, what about MFT? In other words, does sensor size matter anymore? Because my 72 year old body wouldn't mind lighter gear on my shoulders but I also don't want to go backwards in quality and capability. Comments?
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Nov 18, 2023 13:07:26   #
R.G. wrote:
A global shutter is relevant as far as speed and fast movement are concerned, but there's a slight drop in image quality. If fast movement isn't a concern for you, global shutters aren't that big a deal.


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