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Feb 16, 2013 11:12:37   #
BigBear wrote:
I'm looking for a spot in #1 to put my cabin. :P


Nice shots. Bet the fishing is better in #3.
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Feb 16, 2013 10:09:17   #
Peanut wrote:
Bushido wrote:
Often in our enthusiastic haste to photograph a scene or subject we don't really look at what we have. Many times I have gone back to an image and discovered so much more within the frame. This weekend challenge is one of awakening. Opening the eyes to see more than what is obvious, to look for it's hidden treasures.

The challenge is to take two images, archived, new or a combination, and create a second and third appealing images from each. Display the original first and then the new.

Peanut's and my comments will be slow coming on Saturday for we will be shooting together. We have a great opportunity to photograph in the oldest established cemetery in the U.S. which is open only a few times a year. However we will be checking in and looking together at the work and commenting as the day progresses. Personally I am expecting some exciting examples of "Pictures in Pictures" from everyone.
Often in our enthusiastic haste to photograph a sc... (show quote)


i am so excited to be co-hosting with Bushido this weekend and to be shooting with him again so soon!
Last year when i started shooting Pat and Rivernan both encouraged me to do this and then last summer Bushido and my other mentor told me again.
A very valuable lesson.
In the first i had my eye on the window but started out large because i didn't know exactly what was there if anything.
With the second one i had no idea what was waiting for me!
quote=Bushido Often in our enthusiastic haste to ... (show quote)


Nice monster!! Why does it say EXIT going to the house?
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Feb 15, 2013 19:47:13   #
adapalakishore wrote:
I am a beginner and trying to use manual mode as much as possible to learn exposure. I tried with different aperture values and I am sharing the one which I felt ok as per composition wise. In this portrait I used f2.0 and will post soon with other aperture values too. Earlier I used to think aperture is used to blur the background only, but with all the info from you guys, I understood that it also controls the focus in the depth of field.
The below link might be useful for beginners like me. http://dofmaster.com/dofjs.html
I would also crop so the elbow is touching the bottom of the frame.
Once again thanks for all your suggestions. Do love to hear all your valuable comments on this portrait.
I am a beginner and trying to use manual mode as m... (show quote)
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Feb 15, 2013 13:27:00   #
Looks like fun!!
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Feb 15, 2013 11:06:03   #
Sinbad wrote:
The love of the gun will harm the US, the cowboy era is over and the old men with money must not be allowed buy politicians.
There must be a better way forward.


There are plenty of cowboys and cowgirls where I live.
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Feb 15, 2013 10:45:01   #
sarge69 wrote:
Well, I'm in Saigon Vietnam and I walk the streets and ride cyclos quite a bit of the time.

My camera is held to my chest with strap around my neck and down one arm (diagonal) No steel cable though.

I look each person in the eye friendly like and walk to the side away from motor bike traffic which could carry someone going to grab your camera.

Money is carried in front pocket and only what I need for the day. Passport is photocopied and original is in safe in hotel room along with credit cards and other ID. I only carry my photo copied passport for immediate availability for police. They can always transport me to the hotel for the original.

I don't drink to excess while out with camera and have a few beers near my hotel in the evening without my camera with me.

If I want a photo of a person, I indicate so with my camera and a smile. If it is a street person selling/cooking etc I always offer 5,000.00 Vietnamese which is about a quarter here, sometimes jumping to .50 cents.

Just don't go overboard with worrying about security or you won't have a good time there. If you are really worried, ask about daily security with a guide and pay.

Sarge69
Well, I'm in Saigon Vietnam and I walk the streets... (show quote)


Is it still that bad? First time I went there you could get anything for a bar of soap or a package of gum.
The last time I didn't even go ashore.
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Feb 15, 2013 10:39:49   #
fthomas wrote:
Having left Southern California for the Philippines I am finding the people to be extremely hospitable. We have our bad parts of town in the States and I'm finding that no matter where I go in Manila I am constantly reminded that I should not be walking around with a camera - "You are going to be held up!"

I've taken precautions and use a California Sunbounce Sniper Strap Pro, which has a steel cable sewn into the strap. I am constantly aware of my immediate surroundings and always looking for a safe route out. I don't go down side streets even during the day.

It is disappointing, because I would like to capture all of the culture here in Manila. Yes, it is a third world country, but though there are slums those people still have something to share with us. If it is their misery in the conditions or the fact that they can still smile and love their families and friends. I'm sure they have something to say!

There is so much to be captured on the streets here it is endless with possibility.

Any thoughts on staying safe and continuing to capture images? I'm learning the ropes here I assure you.
Having left Southern California for the Philippine... (show quote)


Was in Manila once. Guy tried to rob me on the launch going back out to the ship. I threatened to through him overboard and the guys running the launch made him settle down.
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Feb 15, 2013 08:49:39   #
MT Shooter wrote:
I remember reading a short interview in a magazine MANY years ago about this subject. And while I do not remember the name of the photographer in the interview nor the story word-for-word, I will try to represent it here for all.

Becoming a professional photographer is exactly like becoming a high priced call girl. Once you have given it away for enough years to actually be GOOD at it, then you have to whore yourself out doing nickel and dime tricks for many more years until people start requesting "special" tricks from you that they are willing to pay more for. Once enough of these big-dollar Johns like your results, word will spread and you will be able to get the really big money, out-of-town clients. Eventually you will become the highest paid whore in town, or else just another gutter slut trying to turn tricks in the street. That's life.....that's photography.
I remember reading a short interview in a magazine... (show quote)

That's right. Two ways to make money. Sell to the people who have the money to pay for it or sell the products of someone who is good enough to provide the product - the house.
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Feb 14, 2013 17:37:39   #
raysailor wrote:
Hi, I read many photo magazines and visit many photo web sites also. They all give me good advice about how to make better photos and show me how to use new techniques on the computer. However none have shown me how to make a living as a photographer. I'm not interested in wedding photos, that's the obvious, I'm looking for companies that buy photos. Who is paying for photo projects. Anyone have a unique idea on how to make a buck at doing what we love to do?

A lot of photog. laugh at people who take the first camera out of the box and start making money but it can be done. In the 60s I was a Merchant Seaman running between the West coast and VN. I bought a Polariod Land 100 that had just come out to film my travels. Of course everyone on the ship wanted me to take their picture. I was sitting in a bar in Seattle complaining about buying all the film and everyone else getting the pictures. Some guy I didn't even know said "why don't you sell them?" I said "Sell them? How much?" He said "$1.50". While I was making a sign "Color Photo in 1 Minute $1.50" one of the city guys in there checking licences told me I needed a permit. A $5.00 occupation licence. The bars in Seattle closed at 2:00am. so I went to New Orleans where they go 24/7. I would leave the appartment with $2.00 in change, drink beer all night (long necks .25) and get back home the next day with $30-$40 in my pocket. I went on to do Portraits of Mom and kids in their home, and fashion photography in beauty salons. My last gigs was Computer Portraits making I Love Mom t-shirts and banners in the flea market. There are ads on there internet for Cruise Line and Convention Photographers now. They say experience and equitment required but for a price they will provide both. Good luck and have fun.
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Feb 12, 2013 12:16:25   #
Steve221221 wrote:
CaptainC wrote:
OK - as normsImages noted, your post indicated you wanted to to "Senior Portraits," not family stuff. HUGE difference. Here, senior portraits means high school seniors and is something that requires a level of skill well beyond that which is possessed by someone who has to ask, "...what settings."

So, to get back to your question on settings: it depends. You need to read up and study how a camera works and understand exposure. People here seem to like Bryan Peterson's book, "Understanding Exposure." The 85MM 1.4 lens is a wonderful portrait lens.
OK - as normsImages noted, your post indicated you... (show quote)


That's funny, when I first read "Senior Portraits" I thought of elderly people.
quote=CaptainC OK - as normsImages noted, your po... (show quote)


Me too!
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Feb 12, 2013 11:58:02   #
Yeah, I liked DOS and hated the lack of freedom in Windows because I could never find the right place to click.
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Feb 9, 2013 12:36:36   #
When I was in my 20s I thought we were about 10 years behind England in heath care. If Obamacare works it will turn out we were about 40 years behind. Glad it took that long so I don't have to mess with it.
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Feb 9, 2013 12:20:04   #
charryl wrote:
Yesterday our portraiture class went to a gallery that had two main exhibits...one by Sid Avery (The Art of the Hollywood Snapshot) and the other by Vivian Maier (an amazing street photographer whose work was discovered after her death). This led to an interesting discussion about the difference between "snapshots" and "photographs". A lot of photojournalism and street photography have the casual characteristics of snapshots but clearly there is something that distinguishes them to make them more. I thought I would post this question to learn your thoughts.
Yesterday our portraiture class went to a gallery ... (show quote)


My first profesional was a Polaroid Land 100. I would go from bar to bar first on the Seattle waterfront then in the French Quarter in New Orleans with a sign on my case "Color Photo in One Mimute $1.50". Those photos were snapshots. Later, I went to peoples homes with a twin lens Roli, 3 three lights, and a backdrop to take photos of Mom and the kids. I would pose them so no arms and legs ran out of the picture, say something like "say purple pickels" then snap the shot just as Mom smiled and the kids giggled. When the sales person took the proofs back for them to pick the pictures for their 1 8x10, 2 5x7s, and 6 wallet size for the $29.95 package those photos became portraits.
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Feb 8, 2013 14:37:37   #
bobmcculloch wrote:
What copperhead? that's why I walk heavy, lets them know I
m coming and get out of the way, do not wish to annoy brother snake, Bob.


Thats right! Walk noisey!
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