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Mar 29, 2013 20:25:11   #
As an artist I can say that most of this is not true if your are an artist or a studio professional. However, as a photojournalist I can tell you that most of it is true if you are working as a photojournalist or sports photographer. It depends on what kind of professional you are talking about.
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Mar 29, 2013 11:32:11   #
A lot of it right
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Mar 29, 2013 11:09:46   #
Ok, I am certainly a pro then.
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Mar 29, 2013 00:15:35   #
NIkon Coolscan 5000 or Nikon Coolscan V
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Mar 27, 2013 00:35:38   #
Ok, please explain Denmark, Norway and Sweden. They are social democracies and always top the happiness charts. However, keep in mind population differences as that system could never work here.
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Mar 26, 2013 13:50:18   #
Define pro. A person can be a professional artist. This is where the amateur-pro dichotomy breaks down. People seem to think that pro photographers only includes editorial, commercial, studio or wedding. Most people seem to only think about commercial or studio as being professional. Being a professional does not just mean owning a studio.
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Mar 26, 2013 09:41:55   #
winterrose wrote:
Errr...gosh...SORRY ALL...what I meant to say was that people who shoot Manual are just a lot of old fogies living in the past. GET WITH IT!!! This is the 21st century! Things aren't steam driven anymore!....Mmmm, sorry again, what I really meant was that Photoshop isn't ruining landscape photography but it would definitely be a great help to all you disaster prone manual shooters.


What is your point? Artists work in all sorts of mediums. Painters still use oil paint. Printmakers still use stone lithography. Many artists who work with photography still use film. Shooting in manual has many advantages. Letting a computer do things for you all the time doesn't work and often leads to exposure that you didn't want.
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Mar 26, 2013 09:37:13   #
Crwiwy wrote:
Oh Dear - from an initial stupid, inflammatory post - some have now degenerated into a 'mine is bigger than yours' argument.

I must differ from a large number of you as I believe that it is not what you have got - but what you do with it and whether the results please you.

The attitude of 'I must have the latest model' serves to keep the camera manufactures in business and encourage them to keep producing a slightly different model at premium price - but does it actually really benefit the purchaser other than to relieve them of some surplus income?
Oh Dear - from an initial stupid, inflammatory pos... (show quote)


My point was about resolution. This person thinks Nikons are better in several ways than Canon. However, it pales in comparison to cameras with larger imaging planes in terms of resolution color and dynamic range.
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Mar 26, 2013 00:10:37   #
JR1 wrote:
This IS an ENTRY level camera

Give a pro a 1960s film camera and he/she will take and produce stunning images, what is so great about this camera, come on, ALL cameras can produce great images in the right hands


:thumbup:

Exactly, I began with an AE-1 and am glad that I did. I really got the learn the basics of photography that are often missing with beginners today.
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Mar 25, 2013 16:54:49   #
Canon AE-1 Or Nikon F
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Mar 25, 2013 16:00:58   #
winterrose wrote:
"He probably shoots a Canon."
NO WAY !
I have always used only the best....
Canon? NEVER!
Wouldn't be seen near one...Have you canon people ever looked in the mirror? See that drawn, deeply disappointed look on your face? Those reddened eyes strained by trying to find even one redeeming feature in your photographs.
The company should be commended though, they foresaw the deeply psychological effects of their pathetic attempts at producing a decent camera and designed the bodies with wimpy looking rounded corners and edges so as to minimize the degree of self harm their users could inflict. Deep cuts to the scalp were virtually eliminated overnight and subsequent injuries have thankfully been limited to only some bruising and mild concussion.
Canon users would also have noticed the warning on the box for them to remain clear of brick walls and sharp objects after reviewing their images.
Canon was also forced to develop a vibration reduction system in an attempt to compensate for those uncontrollable fits of rage, frustration and induced tremors their cameras caused.
Nikon on the other hand, ever sympathetic to the pathetic who finally woke up to themselves, decided to follow suit because they found that it takes several years for those who survived the canon ordeal to get over the terrible trauma.
In direct contrast, Nikon users, ever proud and confident, have nerves of steel and switch the VR off.
I wonder if canon isn't largely responsible for the growing alcohol problem we see amongst our group.
Alcohol problem?
Unfortunately yes. It's sad but true that those Canon people suffering from this creeping affliction do a pretty good job of camouflaging their disillusionment in normal life, but we proud and ever diligent Nikon users have been aware of this for some time. This dependence is in addition to Canon users' long-known tunnel vision and brand denial problems and their inordinate inability to accept simple truth. The morbid defense of their silly clickers seems to be a part of the inexplicable brain washing that seems to come about upon opening that silver box. (The choice of silver, universally meaning second best to gold, is a Freudian slip.)
Some believe that the hand grips of these cameras are impregnated with some sort of brand-loyalty trance-inducing ingredient similar to that which makes MacDonald's so popular.
I would tend to agree.
What other explanation could there be?
Don't despair though, it's never too late.
Come and join the elite!
Cheers, Rob.
"He probably shoots a Canon." br NO WAY ... (show quote)


My Mamiya beats anything Nikon has. I'm sure the same goes for Hasselblad, Linhof, Deardorff, Toyo, Calument, etc... I'm having a hard time taking you seriously with your small camera. Of course I have also produced great work with a pinhole camera that I made from scratch.
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Mar 24, 2013 01:46:38   #
The bw film is likely to be ok. I am still using film that expired in 1995 and was frozen.
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Mar 24, 2013 01:17:13   #
anotherview wrote:
Yes, but later AA adopted the approach of doing straight photography using photographic techniques (as he stated in his autobiography) AA also spent hours and hours in his darkroom developing his photographs to suit his taste.
anotherview wrote:
Mudshark: Perhaps. But really, how could we know? They had no ready forum like the Internet to air their opinions. Further we may suppose fewer skilled photographers existed back in the day, owing to prohibitive costs and a smaller human population. Blah, blah. Still, I chuckle to myself when I review the various opinions posted online in a forum like this one without ever seeing a photograph.
Mudshark wrote:
Just a thought......the old photographers didn't have the internet to sit around and argue over Raw vs. JPEG or Photoshoping, etc., they were either out in the field making photos or holed up in the darkroom breathing hypo and washing prints....They did a bit more photography and a lot less BSing....just a thought...
Mudshark: Perhaps. But really, how could we know... (show quote)
Yes, but later AA adopted the approach of doing st... (show quote)


Straight does not mean unedited. It was a reaction to pictorialism. Pictorialists attempted to make their photographs look similar to paintings through soft focus and other techniques. Ansel Adams, among others, felt that photography should rely on its own inherent qualities and not the qualities of other mediums. Straight photographs generally have everything in focus because focus is a quality unique to photography.
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Mar 24, 2013 01:12:56   #
Ralph Lambrecht released a 500+ page book on b&w analogue photography in 2011. There is some much you can do in the darkroom. All of the tools in photoshop relate to this.
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Mar 24, 2013 01:05:57   #
selmslie wrote:
Mogul wrote:
You're talking about 6000 pixels per inch at an Aspect Ratio of 3:2. At 200 ppi, you can have a 36" X 54" print. If you need that big a print, I guess it will be worth the money. If the largest print you'll ever make is an 8 X 10 @ 300 ppi, the largest image you"ll ever need at that aspect ratio will be an 8 X 12, which you can get from a 9 mpx camera.

I don’t disagree – 24MP is already overkill. If you want 50MP+ you can do it with a Hasselblad but it will cost you over $35,000 (body only). But somebody wants it or Hasselblad would not sell it, so Nikon is likely to want a piece of that market.


I would rather see Nikon and Canon concentrate on other areas such as color quality, dynamic range (like film’s rounded shoulder and toe response) and noise reduction. But these are harder to quantify and more difficult to explain to the consumer.
quote=Mogul You're talking about 6000 pixels per ... (show quote)


That would be nice. But amateurs want more megapixel because the manufactures convinced them they needed it. Digital cameras have turned into a great marketing ploy
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