There have been many threads on thi topic. This one is an update from the manual of my new 200-500. I suspect it means an update has been made to the technology.

As most know the pervious guidance for most lenses was turn off VR when using a tripod. They didn't mention monopods and I'd say opinions from the peanut gallery were mixed on that.

This lens has two VR modes: NORMAL and SPORT. They recommrnd the latter when the subject may move erratically. Here is what they say:

"NORMAL and SPORT vibration reduction can reduce blur when the camera is mounted on a tripod. OFF may however produce better reults in some cases depending on the type of tripod and on shooting coditiond. NORMAL and SPORT are recommended if the camera is mounted on a monopod."

Purists might note that with this lens you should never mount the camera to either a tripod or monopod. They provide a lens mounting ring for that purpose. They mention that later for tripod but not for monopod.

You can decide if this is just updated advice, and therefore applicable to other lenses, or reflects a VR upgrade and only applies to lenses with this guidance.

OBTW they still don't suggest turning VR off at high shutter speed (as some peanut gallery folk suggest). I always leave it on when using high shutter speed. I don't think shutter speed has anything to do with VR, which is stabilizing for camera movement. It at least stabilizes the image in the viewfinder.

I think you have to realize that it depends on what resolution you need in your print. Yes, a 6000 X 4000 pixel file will produce a 20 X 13.33 print at a print resolution of 300 dots per inch.

However, if you are willing to reduce the print resolution to 200 dots per inch, you can print a 30 X 20 inch photo.

A resolution of 300 dpi seems to be the standard for off set printing for magazines (not newspapers) or for the highest quality prints. A resolution of 200 dpi is usually considered as a good quality print as long as you don't look at the print too closely, but from a distance (think about a distance of 3 feet) it will look just perfect.

I know I have all winter to research, but it seems the camera I am closing in on is the Nikon D7200. I have looked at others, including full frame, and quite frankly I don't see a reason to go full frame. The D7200 looks to,have all that I want in a good camera. I like the fact that I can use just about any previous edition Nikon lens with it. I don't I tend to blow anything up to poster size, so I think the D7200 will be more than adequate.

I guess want I. We'd to know is if there are any problems or issues associated with this camera that I need to be aware of. Anything negative? I am really looking forward to getting this camera and have already downloaded the user's manual for winter reading so I will have a leg up on it when I get it. And I want to get the 18--140 lens as a do-all lens to start with. Now all I have to do is get my motorcycle sold.

I've had my Pixma Pro 100 for two or three years now. Because I'm lucky enough to do some RV travel, I abandon the printer for months at a time. It has never been a problem. It always would start up and print with quality.

Today I tried to print for the first time since the middle of July. The print was a pink mess.

A few cartridges were low, one was empty. I replaced them and there was no improvement.

I tried the "Cleaning" function followed by a "Nozzle Check". It was still plugged up.

I tried "Deep Cleaning" and the "Nozzle Check" showed it was well.

The printer is fully functional now. I'm impressed that it could fix itself.

Attach the lens to your monopod and sling the rig over your shoulder. Usually you can balance it near where the lens meets the monopod. It's similar to how I carry my 600mm F4 + D4 + 5 series Gitzo tripod. Padding on the leg of the monopod will help. I'd keep it extended and ready for use so all you have to do is place it and shoot if you see something.

Also, good call with not putting the weight on the camera. When a lens has a foot, it's a good sign that you shouldn't support the weight by the lens mount.