repleo wrote:
OP here.
A lot of these responses are about what you do (or don't do) with your pics. The real point of my question was do you ENJOY your pictures after you are finished with them. Is the joy of your photography purely in the taking and creation of the image or do you enjoy viewing them afterwards. I don't mean viewing them to critique them, I mean looking at them because they make you feel good. If not, maybe you should be asking yourself 'why not'?'.
I'm no great photographer (yet), but many of my pictures give me great joy. I have some of my favorites on my work computer as a screen saver slide show. I have some on one of those digital picture frames in the kitchen. I have some on my phone. I make a picture book of any family oriented pictures for Christmas every year. Sometimes before going to bed I'll caste my favorites up onto the TV. I have a small 'gallery' along my corridor wall with some of my favorites. There is rarely a day that I don't 'visit' some collection of pics. In spite of their faults, the pictures lift my spirits and give me a sense of well being. Sometimes the joy is in the memories, but often its a sense of 'damn it - I like that one!'
Unfortunately, as I get better, the standard for what is satisfying raises too. Occasionally, I'll delete a picture that doesn't make the grade any more, but many of them have endured for years.
So do you actively ENJOY your pictures when they are done or do they just go into storage in your well organized hard drive?
OP here. br br A lot of these responses are abo... (
show quote)
The simple answer is yes on all counts. I enjoy the process, I enjoy the results, I enjoy others' reactions to the results, and in my case, I often enjoy seeing others learn from my results. Here is the ridiculously long answer. If you don't like autobiography, just skip it:
Photography has many, many purposes. That was made very clear to me back in the mid-1990s when I attended a Photo Marketing Association convention in Las Vegas. There were over 40,000 people at that event, from all over the world! Virtually every possible use of photography, and every tool available to do it, was represented there. (Unfortunately, PMA became PMAI (nternational) and was subsumed into the CES show, so it is now defunct.) But I'm getting ahead of myself…
In my life, I've found lots of ways to enjoy photography:
As a five year old, the camera was another toy — a magical box that produced pictures of my relatives (parents, sister, aunts, uncles...). I was thrilled I could press a button and a week later, prints would come back from the drugstore. My parents had to put me on a budget — one roll of 620 film, one box of Press 25 flashbulbs, and one develop and print order per month!
As an eight year old, the camera was still a toy, but something that I began to understand could record important memories. And I began to realize HOW and WHY those memories were important. I had taken a photo of a friend who died in a car wreck. Her parents were grateful for my snapshots of her. That year, I also learned how to type. It was taboo for guys to learn to type in those days, but I'm so glad I did!
As a ten year old in the darkroom, I learned the joys and frustrations of controlling the process. I also learned how much fun a Polaroid could be.
As a 12-year old, I began reading periodicals and books on photography. I discovered it was a deep ocean of visual potential with lots of uses. My parents bought me an enlarger. I spent way too much of the next month in the dark!
As a 13-year-old, I learned how powerful an adjustable camera with interchangeable lenses can be. I was grabbed by the yearbook/newspaper advisor of my Jr.-Sr. high school, and practically begged to photograph for those publications. She would pay me for prints. I would come to admire her, and take all three of her advanced courses in journalism and creative writing. My typing skills paid off, as I would become sports editor — later managing editor — of the school newspaper.
I spent the next 5 years behind the camera at almost all school events. I had fun with photojournalism, and bought a lot of equipment with my profits. In my spare time, I dabbled with abstracts, landscapes, nature, and wildlife. My Siamese cat was a frequent subject. He liked to eat chipmunks and baby copperhead snakes...
During my senior year, I got to photograph a lot of powerful people in the community at City Hall, Chamber of Commerce, Rotary, Civitan, JayCee, and other group meetings. My slides went into a multi-image show celebrating these folks' help with various building projects at the local community college. That experience planted a seed.
Another seed was planted when I saw a Clear Light Productions multi-image show at a church retreat in 1973, a week before I went to college. I would later use their projection control equipment as an AV producer. There was NOTHING in that show that I could not have done, and later did. I kept thinking about that in recurring dreams.
In college, I kept using slide film in my limited spare time, since I had no access to a darkroom. I fell in love with the campus radio station, and wired their first production studio. I was operations manager there, and learned a lot about audio.
On holiday breaks, I saw several multi-image shows, each of which reinforced the idea that I would some day be combining my skills. Photography, writing, and audio production were my three passions. I majored in economics, and got a great liberal arts education with some of the finest people I've ever known, but communications was my passion.
After graduation, I worked in radio — on air and producing commercials — for a couple of years, at three small stations. Commercial radio was just as ridiculous as
WKRP in Cincinnati, however, so I quit and looked around. Delmar was looking for a yearbook salesperson, so I interviewed. The sales manager saw my resume, and asked me if I could produce AV shows. That was the start of a 33-year career and eight roles with three companies (Delmar, Herff Jones, Lifetouch) on that same business campus.
So I turned every hobby and skill I had ever known or loved into a job role. I produced multi-image shows for meetings and training, product promotions and inspiration. I produced filmstrips, slide-tape shows and video tapes for HR orientation, yearbook staff training, portrait photographer training, and production employee training. THAT exposed me to every facet of the business, and led to a special projects manager role, fixing broken production departments and product lines in the photo lab. THAT led me into a business systems management role, a production systems management role, an IT systems project management role, a product development marketing role, a digital products management role, and finally, seven years in training program development and delivery. Liberal arts prepares one to be versatile, understanding, fearless, communicative, and connective. Thank goodness my parents sent me to Davidson!
Photography is, for me, a tool and a hobby. I enjoy writing about it, reading about it, doing it, and yes, enjoying my work. It has provided me with a secure retirement, and countless hours of fun, but not without a price!
When I left my AV role in 1987, I put down my cameras and did other things at Delmar and Herff Jones for about 13 years. The only times I picked up a camera or video camera were to cover family events, or to do some special project at work that required photos or video. I had burned out on photography — I was doing it 45 to 70 hours a week, sometimes, in the early 1980s. Manic 40-hour stints programming multi-image shows, followed by a two-day crash after meeting a deadline, were not unheard of. Watching an audience respond raucously and enthusiastically to one of my shows was an adrenaline rush that made the effort all worthwhile. But like a drug rush, you pay the price in imbalance. It took me a while to overcome the numbness of the burnout. Digital photography was my renaissance.
For me, the greatest gratifications of photography are always in:
• Showing the best sides of humanity as examples we can learn from
• Recognizing success and achievement and celebrating it
• Preserving memories and documenting events
• Showing people procedures, providing visual grounding for narrative pathways to performance, and laying the ground rules for success.
That last one is where I can combine all my skills in a multi-media, multi-dimensional approach to training.
My mantra is that I turn worthy thoughts into streams of appropriate words and grounding images, to elicit desirable actions.
That's my story, and I'm sticking to it. If you read this far, I apologize for lack of brevity!