TracyT4i wrote:
This is the situation: I'm taking a picture of three people sitting in a field of leaves. I want a shallow DOF, but the same time all three people in focus. Can I use a f2.8 aperture and still get all three people in focus? Would using several of my focusing squares help?
Tracy,
There are way too many variables involved to provide you with a good answer.
Example: Lens focal length, distance between subjects and camera, separation between subjects, and camera make and model.
Check out the link below and try some variables.
http://www.dofmaster.com/dofjs.htmlIf all the subjects will be sitting "cheek to cheek" you will not have to worry much about the angle off set from center focus. (If your distance from camera film plain to center subject is 20 feet and the outside subjects are 5 feet apart the angle offset will cause an error in your DOF calculations. The two outer subjects will be slightly farther away from the camera than the center subject).
Using multiple focus points is not a good idea, the camera will try to average all the focus points and provide an out of focus image. If you have three subjects and all are sitting 3 feet apart the camera will focus on the center point, two of the outer subjects, and all of the background. It will become a wild guess on the cameras' part to which focus point is used for image capture.
Your best bet is to use Center Spot Focus and set focus lock on the subject in the center.
Keep in mind that along with DOF you also have HFR (Hyper Focal Range) to help you get all subjects in sharp focus and allow the background to fade into soft focus.
At any Aperture value you will have a set DOF, within that DOF you will have a set number of feet behind the subject in acceptable focus and a set number of feet in front of the subject. A general rule says 1/3 in front, and 2/3 behind the subject.
HFR allows you to set the focus on the central subject (on the eyes) and switch to manual focus and adjust the focus ring to bring the soft focused background to just behind the head of the central subject, it also allows you to keep all of the outer subjects in sharp focus while paying attention to the background for all the subjects.
This is artistic control over the capture and can be used in reverse to adjust the foreground where required.
Michael G