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When 'photographers' post processing goes too far
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Jul 21, 2014 17:31:48   #
dynaquest1 Loc: Austin, Texas
 
Rongnongno wrote:
What really got me going is to offer 'slimming down' in open contracts in order to look... well 'different'. This is always possible and I have no problem with folks asking for it. I have a problem - A repeat - with basically creating a situation that pushes folks to do it just because some other person next door did it.


Gotta let this go....not important enough to get so riled up about.

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Jul 21, 2014 17:42:17   #
orvisk
 
With the invention of the camera came an optical device called a lense. There is no lense that perfectly records what exists in the external world--it is an artificial, manufactured instrument for measuring light; Leonardo Da Vinci came close as well as Vermeer and his classical followers. Would you in your criticism include Ansel Adams as a "post processor" or as an accurate interpreter of the visual world as it exists?

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Jul 21, 2014 18:10:21   #
coyotecall Loc: New Mexico
 
Bingo!

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Jul 21, 2014 18:11:20   #
charleo53 Loc: Ocala,fl
 
Very well put, hold yourself to a higher standard,you will feel better about what you do. Been there done that and learned what counts.

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Jul 21, 2014 19:26:53   #
taglo1 Loc: Norfolk VA via NYC
 
Most people cannot afford two thousand dollar cameras and hundreds of dollars worth of lenses and tripods. So post processing levels the playing field. Sharpening a picture or increasing its brightness is an option for the photographer. Even those who can afford a Canon EOS use Photoshop. Film photography is gone. Digital processing is here. Get over it.

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Jul 21, 2014 19:45:17   #
dynaquest1 Loc: Austin, Texas
 
taglo1 wrote:
Most people cannot afford two thousand dollar cameras and hundreds of dollars worth of lenses and tripods. So post processing levels the playing field. Sharpening a picture or increasing its brightness is an option for the photographer. Even those who can afford a Canon EOS use Photoshop. Film photography is gone. Digital processing is here. Get over it.


:thumbup: :thumbup: :-D

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Jul 21, 2014 19:46:13   #
BobbyT Loc: Southern California
 
JohnSwanda wrote:
So are you talking about photojournalism, or just photography in general? It is well established that such things are unethical for photojournalism. If it's photography, who should decide on and enforce these "limits" you are calling for? You don't have to like what anyone else does, but I am disturbed when people call for limits on other people's creativity.


I should not have introduced the ref. to photojournalism. I misspoke but you are correct that creativity should not be limited. But also I think you are misinterpreting my intent. So I will pose another question. When is a photograph not a photograph?

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Jul 21, 2014 20:28:10   #
JohnSwanda Loc: San Francisco
 
BobbyT wrote:
I should not have introduced the ref. to photojournalism. I misspoke but you are correct that creativity should not be limited. But also I think you are misinterpreting my intent. So I will pose another question. When is a photograph not a photograph?


I think a photograph is an image made by light hitting a light sensitive material which is fixed and made visible by chemical or electronic means. And I think if it starts out as a photograph, it remains a photograph.

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Jul 21, 2014 20:44:50   #
BobbyT Loc: Southern California
 
JohnSwanda wrote:
I think a photograph is an image made by light hitting a light sensitive material which is fixed and made visible by chemical or electronic means. And I think if it starts out as a photograph, it remains a photograph.


I think that this a naive and very shallow interpretation.

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Jul 21, 2014 21:14:40   #
Nikonos II
 
Rongnongno wrote:
No, this is not about distortion of really, well, it is but that is not the what gets me going here...

It seems that now 'photographers' (I would call them con artists not photographers) seem to want to charge extra for simple things like minor retouching whitening teeth by example. I was aware of it before but now it the envelope is pushed further with 'slimming down' option, in effect altering a picture in such a way that reality has no place left.

I am really irked by this as offering this (slimming) as part of a default package. It is wrong in my opinion.

Your thoughts?
No, this is not about distortion of really, well, ... (show quote)


Have enough trouble keeping my own behavior constructive without worrying about what other people dol

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Jul 21, 2014 21:26:29   #
dynaquest1 Loc: Austin, Texas
 
After nine or ten pages, I think this thread is a dead horse and we need to stop beating it. Time to move on.

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Jul 21, 2014 21:43:27   #
stan0301 Loc: Colorado
 
They can fish--you don't have to bite--I think one and all should do the best they can--and if their idea of best doesn't match yours it is still ok for them to offer--not charge?--well I suppose each and every knows what their time is worth--I can't think of a good reason not to--you could always offer work of very high quality and charge accordingly--not necessarily itemizing.
Stan

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Jul 21, 2014 21:46:33   #
twindad Loc: SW Michigan, frolicking in the snow.
 
RichieC wrote:
Artist's like Picasso take some work to appreciate, not work while standing in front of the painting, but work in understanding in what he/they ware intending to accomplish. Know that Picasso could paint like DaVinci... but that wasn't what he wanted to do.

Modern art is a puzzle of sorts, or a whole play, meant to be seen in person- not in a book. Their effect is designed, sometimes by weight, or size, or colors-as they were created, intended to be seen in person...like seeing Starwars in a theater rather then on a phone... or a Stones concert in person rather then on the tube... or a Broadway play... ON BROADWAY-- anywhere else and you don't get the effect. That being said, a lot of modern art is crap.

Once you understand and know what you are looking at, you can then judge if he was successful or not, You don't have to like it. Sometimes they don't want you to like it. But you get to interact/challenge with the paintings in a gallery, rather then stride through. I like Ansel Adams' work much more when I know the story of how he waited, etc. etc. how he experimented, how he printed.

Below is a movie that may not make you like his work, but will allow you to make the decision based on knowledge. Understanding the story behind and around his painting Guernica was the epiphany for me. It is as big as a billboard, and makes your feel the horror of the story better then any photo ever could. It is a whole play in one frame.

http://www.youtube.com/watch?v=eNC92dP_RRc
Guernica is at 39:00 or so- but best to watch the whole thing. (Next to the gas chambers, Guernica is arguably one of the worst atrocities the Nazis ever did- and Picasso captured it in perfection)

Between you and I, I don't have any of his prints hanging on my walls, but I appreciate it and thoroughly enjoy looking at them in museums as they are meant to be experienced- after knowing the story.


For what it is worth- ;0)
Artist's like Picasso take some work to appreciate... (show quote)

Thank you, Richie. Well said. Picasso was a complicated man; frankly, not very likeable, but a true genius, nevertheless.

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Jul 21, 2014 22:02:37   #
Waterfall9
 
MW wrote:
I recently read part of an essay by Ansel Adams. Recalling one part of it as best I can - Every photograph starting from the very first on is an illusion. It takes light reflected from four dimensional space (four because thing move) and projects it as a pattern on to a finite, static two dimensional space. No photograph can show reality; the very best you can hope for is the "illusion of reality". The only question is whether the illusion achieves your intent.


Your quote should end the argument while not settling the feelings. I look at my senior picture from 1957 and it is flawless. I wasn't. I checked with a digital color lab and the fee for retouching was roughly $7.00 per minute. $70.00 + to move a head from one group to another. Computer programs are expensive and Learning curves are long. If you want pure images use National Geographic. I am delighted to have the potential to cheat by using photography and digital tools like artists have fudged images with oils, pastels and watercolor for centuries. They often started in pin hole tents and traced the inverted image using what they wanted and changing why they did not like.

I will always appreciate the purest who produces exceptional fine art and I am stunned by many photographers skills. I am also aware that as the camera came into its own the sketch artist faded back, but there still are a few. The joy and creativity that the digital age has brought to the masses is challenging the professional photographer just like the camera challenged the sketch artist. Photographers are advised to make a separate charge for time and various digital services which represents real time, programs and equipment. Unfortunately you do not have to pass a test to charge professional prices and many charge so little that it is almost impossible for most photographers to claim to be professional and actually be making a living. Many of the skills it took to understand and produce good photography a few years ago have been handed to the masses in a much easier pathway toward understanding and success. Now you have instant evidence of your success and or failure and that excites many. I know a few folks who for various levels of understanding with film cameras photographed a wedding for a friend and never got a single picture back.

We are in an age of visual overload and good photographers are everywhere. Pick your illusion and smile while having a good time with it. If you want to make a sale, make your illusion rise above the masses some way. A purest can do that.

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Jul 21, 2014 22:56:31   #
JohnSwanda Loc: San Francisco
 
BobbyT wrote:
I think that this a naive and very shallow interpretation.


No, it is a very inclusive definition. When you start saying that some amount of manipulation of a photograph makes it not a photograph, who is to decide what that point is? Everyone is going to have a different idea of where the line is drawn, or whether it should be drawn at all. People have been manipulating and altering photographs ever since photography was invented. There's room for a wide variety of photographic techniques. You don't have to like them all, but you shouldn't deny the validity of ones you don't like.

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