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Olympus OM-d E-m1
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Feb 12, 2014 12:27:45   #
hb3 Loc: Texas
 
lukan wrote:
Is that 70-300 a Mk2? The 2nd iteration is better in its ergonomics, and at least 5% better image quality but it isn't a glaringly obvious thing. It's so subjective, because I like shooting that long lens wide open, other people take it down a stop or 2. The mkii is actually beautifully made, and on either of the OMD bodies will just look better, perform better and more smoothly, and I personally think it has better color rendition because of the coatings. The images have a "purer" , more expensive look about them, and they don't look too punchy or noisy, but actually more naturally "colorful". It's the perfect wildlife lens, especially wide open.
HB, btw the EM-1 will change your life. It's that good and capable. It elevates standards.
Is that 70-300 a Mk2? The 2nd iteration is better... (show quote)


Yes it is the MK2, what I am struggling with is whether to get the 12-40, given that I already have the 12-50mm and the 45mm...I suspect that the 12-40 is a much better lens than the 12-50 and should simply think about the 12-50mm as a lens for macro...and possibly sell the 45mm, wondering if the 12-40 is going to give me similar quality to the 45mm, your thoughts?

I can imagine longing for the 40-150mm when it is available.

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Feb 12, 2014 12:39:00   #
lukan Loc: Chicago, IL
 
hb3 wrote:
Yes it is the MK2, what I am struggling with is whether to get the 12-40, given that I already have the 12-50mm and the 45mm...I suspect that the 12-40 is a much better lens than the 12-50 and should simply think about the 12-50mm as a lens for macro...and possibly sell the 45mm, wondering if the 12-40 is going to give me similar quality to the 45mm, your thoughts?

I can imagine longing for the 40-150mm when it is available.


If you get, or keep, a second body then the 45 should probably stay on it. I keep the 12-40 on the EM-1 and the 45 on my EP-5. If you sell the 12-50 and get the 12-40 it'll be newer gear but not necessarily better. If you keep the 12-50 and get the 75, then the 40-150 becomes more utilitarian at the long end only. If you just clean everything up and get only the 12-40 and then the 40-150, and sell the 12-50, you'll have awesome and beautiful lenses but have spent $$$ to accomplish that. The 45 is a superfine lens, and in my humble opinion should be considered a keeper.

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Feb 12, 2014 12:41:28   #
Cdouthitt Loc: Traverse City, MI
 
hb3 wrote:
Yes it is the MK2, what I am struggling with is whether to get the 12-40, given that I already have the 12-50mm and the 45mm...I suspect that the 12-40 is a much better lens than the 12-50 and should simply think about the 12-50mm as a lens for macro...and possibly sell the 45mm, wondering if the 12-40 is going to give me similar quality to the 45mm, your thoughts?

I can imagine longing for the 40-150mm when it is available.


Oye,
My pocket book is going to take a hit next year...

http://www.43rumors.com/first-pictures-of-the-next-two-olympus-pro-zooms-7-18mm-f2-8-and-300mm-f4-0/

As to selling the 45...personally I love that lens, it's small, compact and very SHARP. Only the 75 out resolves it. While the 12-40 is a great lens in it's own right, it's a totally different beast. When I have a prime on my camera, and maybe this is just me, I tend to think more about composition rather than just clicking away...but when i have a zoom, I tend to fixate on, should I be zooming or not, and not as much about the subject...like I said, that's me. I think this is why I prefer zooms. However there is something to be said about the connivence of a nice zoom, especially one with a constant aperture.

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Feb 12, 2014 12:42:32   #
hb3 Loc: Texas
 
lukan wrote:
If you get, or keep, a second body then the 45 should probably stay on it. I keep the 12-40 on the EM-1 and the 45 on my EP-5. If you sell the 12-50 and get the 12-40 it'll be newer gear but not necessarily better. If you keep the 12-50 and get the 75, then the 40-150 becomes more utilitarian at the long end only. If you just clean everything up and get only the 12-40 and then the 40-150, and sell the 12-50, you'll have awesome and beautiful lenses but have spent $$$ to accomplish that. The 45 is a superfine lens, and in my humble opinion should be considered a keeper.
If you get, or keep, a second body then the 45 sho... (show quote)



Thanks...appreciate the analysis...will probably get the 12-40, the 40-150 and keep what I have...thanks again...

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Feb 12, 2014 15:05:01   #
lukan Loc: Chicago, IL
 
hb3 wrote:
Yes it is the MK2, what I am struggling with is whether to get the 12-40, given that I already have the 12-50mm and the 45mm...I suspect that the 12-40 is a much better lens than the 12-50 and should simply think about the 12-50mm as a lens for macro...and possibly sell the 45mm, wondering if the 12-40 is going to give me similar quality to the 45mm, your thoughts?

I can imagine longing for the 40-150mm when it is available.


I think the Mk2 is great because where else can you get that reach with such small weight and dimension?

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Feb 12, 2014 16:46:31   #
hb3 Loc: Texas
 
lukan wrote:
I think the Mk2 is great because where else can you get that reach with such small weight and dimension?


yep 600mm reach is wonderful...I sometimes use the 2x teleconverter on a distant shot to ensure focus...

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Feb 12, 2014 16:49:18   #
Cdouthitt Loc: Traverse City, MI
 
hb3 wrote:
yep 600mm reach is wonderful...I sometimes use the 2x teleconverter on a distant shot to ensure focus...


I've set up the toggle switch (on setting two) that when I press the AFL/AEL button to switch to the teleconverter...super quick to toggle on and off.

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Feb 12, 2014 17:59:14   #
hb3 Loc: Texas
 
Cdouthitt wrote:
I've set up the toggle switch (on setting two) that when I press the AFL/AEL button to switch to the teleconverter...super quick to toggle on and off.


same here....

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Feb 22, 2014 11:21:38   #
hb3 Loc: Texas
 
Wonder what this baby will go for?

www.dpreview.com%2Fnews%2F2014%2F02%2F12%2Folympus-confirms-development-of-7-14mm-f2-8-and-300mm-f4-pro-lenses%3Futm_medium%3Dtwitter&newwindow=1" rel="nofollow" target="_blank">https://www.google.com/search?q=http%3A%2F%2Fwww.dpreview.com%2Fnews%2F2014%2F02%2F12%2Folympus-confirms-development-of-7-14mm-f2-8-and-300mm-f4-pro-lenses%3Futm_medium%3Dtwitter&newwindow=1

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Feb 22, 2014 17:57:51   #
fawlty128 Loc: LI, NY now in Allentown, PA
 


I would definitely be interested in the 300mm f/4 hopefully it won't be ridiculously priced

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Feb 22, 2014 18:48:32   #
hb3 Loc: Texas
 
fawlty128 wrote:
I would definitely be interested in the 300mm f/4 hopefully it won't be ridiculously priced


It will be hefty....my guess is over $1000....

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Feb 22, 2014 20:13:19   #
Cdouthitt Loc: Traverse City, MI
 
hb3 wrote:
It will be hefty....my guess is over $1000....


closer to 1500...cause they know people will spend it...not me...I'm quite happy with my new super Tak SMC 200 f/4.

The 7-14mm f2.8, now that's a different story. I'm buying that one for the extra stop for doing astrophtotography. That and I hope its a bit smaller then the ZD SHG 7-14. Speaking of which, anyone want to buy mine...$900 takes it...it's an awesome lens, much better than the panasonic version.

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Feb 24, 2014 13:05:19   #
fawlty128 Loc: LI, NY now in Allentown, PA
 
Cdouthitt wrote:
closer to 1500...cause they know people will spend it...

$1500 sounds good to me. If I start putting away $85 a month now, will have the money by next Sept. Just don't tell my wife.

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Feb 24, 2014 13:09:40   #
Cdouthitt Loc: Traverse City, MI
 
fawlty128 wrote:
Just don't tell my wife.


Only if you double it and buy me one too...;-)

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Feb 24, 2014 13:35:58   #
Morning Star Loc: West coast, North of the 49th N.
 
fawlty128 wrote:
$1500 sounds good to me. If I start putting away $85 a month now, will have the money by next Sept. Just don't tell my wife.


Oh, I like your math.... Keep more in my purse and still have the required amount of money in record time...

Sorry, I like teasing people, surely you meant $185/month ;-)

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