SimmonsCreek wrote:
Thanks anyway. Seems they are getting harder and harder to find. Almost makes more sense to build your own darkroom and learn to develop photos
You don't need a dark room and I have not needed one for some years.
Daylight processing is done in a tank, and you load reels in a dark changing bag. Requires a bit of practice.
In fact, I even avoid the routine chemicals, and use Instant coffee, vitamin C and washing soda. I process the film and also do enlargements and process the paper in the same. I do admit that enlarging requires a dark space.
No dark room.... use daylight tanks, process in Caffenol, and then scan, or send for printing, either negative or digital image.
If I caught your attention with Caffenol, here are two sites that are blogs/forum oriented on the process. It's a kick.
I informally call my Caffenol prints..."Coffee Break Images".
The two sites:
http://caffenol.blogspot.com/http://www.caffenol.org/Shoot film and self process... enjoy yourself and avoid the digital mayhem.
When I do send film for developing, I do use Walmart. You can be a Walmart Hater, but it's costing you.
At my request, Walmart sends my 35mm and 120 roll film on their "send out" basis (deposit film in their Fujifilm kiosk) directly to Fuji Pro Labs, on their trucks and back. Time out - ten days. The envelopes are not open in Walmart stores going or coming back. You get a phone call in ten days when the film is back. Processing and prints, less than $10 and no ship charge.
I know it's "campy" to be a Walmart hater, but this service is so good, I do it, and I don't wear a disquise walking into or out of the store.
If you re-evaluate your hatred of Walmart, you are welcome to PM me and I will send you the long story about how the "send out" process is done. If you just walk into any Walmart and ask about this process, your are most likely just going to get a blank stare, or a denial of the service.
I've been doing this for Ten years at my local, as you so disdainfully say "Wally World", and have never paid the going rate of camera stores, received professional results, and never lost a roll of film. I particularly do this with medium format film, because digital simply does not meet the IQ standards of medium format film or larger format.