CamB
Loc: Juneau, Alaska
User ID wrote:
That "definition" concerning specular highlights is waaaaaaaay off base. They are explaining what could be reasonably called "Bokeh 2.0". Bokeh 2.0 is basically online misinformation that was adopted by the marketing operaters of the photo industry. Wider apertures cost more, and that cost rises more steeply with longer focal lengths. Its a marketeers dream.
Bokeh "1.0" concerns the rendering of imperfect but reasonably well focused image edges and details. This is what differentiates "vintage" from "modern" rendering, even between two lenses of similar resolution and visual contrast.
The Asian term "bokeh" leached into the Western vocabulary via those eternal discussions about the mystique of Leica imaging ... not about any quantifiable "superior IQ performance" but about "magical rendering".
Bokeh 1.0 is in no way at all concerned with out of focus image areas.
That "definition" concerning specular hi... (
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What is the signifacance of the photograph in your reply? It doesn't seem to have anything to do with this discussion.
CamB wrote:
What is the signifacance of the photograph in your reply? It doesn't seem to have anything to do with this discussion.
There are now three similar photographs. Agreed that any one sample alone would demonstrate nothing.
EL S. Usually i look forward to your contributions. This time you are adding to the disinformation. The chatacter of the blur is most easily seen in out of focus specular highlight. These misnamed "bokeh balls" are not what we are referring to per se. They allow you though to see various characteristics more easily. Go back to the link provided on page 1 by Ysarex for a perfect discussion with graphic examples.
These attributes are arcane as all get out. Very few people notice or care about them. They rarely add or detract from photos. And yet they are what the term bokeh refers to. Popular parlance is butchering the term. Even the linked article from the Nikon site only gets it partly right.
Captvideo36 wrote:
This day Lilly is one of my favorite uses of bokeh. Best to you….
Love those two Lilly images.
So I guess I “cheated” with this photo, shot on auto at Longwood gardens. Or perhaps this isn’t what you’d call bokeh? Idk but I kinda like the effect.
SalvageDiver wrote:
Bokeh is a function of the lens, lighting and perspective. For examples, I suggest you check out one of our UHH member's, Kymarto, website. He has bokeh examples of MANY different lenses. His website covers more on this subject that I've ever seen. You will be amazed.
IMO, he is more knowledgeable about this subject than any other UHH member, by far.
Kymarto's website is toby-marshall.com
Here is a link to a bokeh sampler on his website.
https://toby-marshall.com/galleries/bokeh-tales/bokeh-variations-on-a-theme/Bokeh is a function of the lens, lighting and pers... (
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Yes, interesting, lots of lenses giving different effects. Not sure how I would use the information. As far as I can tell I have one of the "normal" lenses he talks about and shows an image thru a window illustrating the bokeh that lens produced for him. This was the (Asahi-Pentax) Super Takumar 50mm f/1.8. It might be interesting to see if I can intentionally get various bokeh with some of the lenses I own.
The ability to seamlessly move from a focused are to an out of focus area.
Every lens can produce it...with varying success.
The design of the lens has everything to do with performance.
This is shot at f/8. Nice transition... because the lens is designed to do just that...in the right circumstances (that part is on you).
Nice shot Susan...gorgeous.
Curse the Internet -- humanity's largest and fastest growing repository of misinformation.
Here's an example of what bokeh is (and is not). Hopefully a couple folks will see this and understand which is good, but at the same time the Internet will misinform 10 times as many and the misunderstanding of what bokeh is will be further reinforced. We're not going to win and that's kind of scary.
I have two lenses of very similar focal length. A 58mm Voigtlander Nokton and a 60mm Rodenstock Rodagon. So I used both to take almost the exact same photo -- camera on a tripod unmoved, subject unmoved and same f/stop (f/4) for each photo.
Both have similar out of focus backgrounds. An out of focus background is not bokeh. I can create an out of focus background which I did in these photos. I did not however create bokeh. Bokeh is the manner in which the specific lens renders the out of focus background. Both of my lenses produce bokeh and the bokeh they produce is different. (I prefer the 58mm Nokton which is smoother). You can easily see the difference in the two photos side by side. The Rodagon's bokeh has more distinct light/dark transitions -- almost false lines created by the lens. Just to the left and behind the white ball is a cylindrical lidded ceramic jar. The bokeh of the Rodagon seems to outline that jar while the bokeh of the Nokton is creamy smooth. Bokeh is how your lens renders the out of focus background. And you can see that for photographers who do a lot of say portrait work and want the background out of focus the bokeh created by different lenses can matter. I'd rather have the bokeh from my 58mm Nokton than the 60mm Rodagon in a portrait.
dennis2146 wrote:
With all due respect, what do you mean, you don't make it happen. I make it happen all the time when I take photographs of flowers and want to isolate the flower from the background. I can take the photograph at f16 to include, in focus much of the background beyond and in front of the flower OR I can use f2.8 or maybe f4 to isolate the flower from the background. In the attached photo I made that happen.
So please tell me how I am not making it happen?
Dennis
You used DOF to separate the foreground from the background. There’s no “bokeh” to speak of in that shot. It is about the quality of the out of focus light, not simply being out of focus.
sunsandwater wrote:
So I guess I “cheated” with this photo, shot on auto at Longwood gardens. Or perhaps this isn’t what you’d call bokeh? Idk but I kinda like the effect.
Hi Susan. Are these out of focus highlights bokeh? No. But....they are a fairly good teaching example.
How might one refer to the characteristics of these out of focus highlights?? Take a look at the edges of several of them. Notice for instance that some of the purple ones show a hard outer line that is a dark blue. White ones show a greenish edge. Having a hard edge and a differing color are considered unpleasant aspects of the blur.
Other questions asked in examining bokeh include, is the interior solid or does it have an onion ring effect? Can you see the polygon from the aperture blades or is it truly round? Is there a secondary ring around the edge?
Susan your example also shows some of the secondary rings as well as the aperture geometry. Onion ring is often from aspherical glass elements in the lens.
Who actually looks at images this way? For the most part, optical nerds.
Just be careful using the term bokeh. Most of the time you will be better served just referring to it as blur.
Canisidrus, Nice image. And yes, pleasant transitioning out of focus is a very desirable trait concerning blurs. Does it define or demonstrate bokeh....no.
In this case, the background is sufficiently blurred that no discernible edge effects can be seen. Hence nothing good or bad can be said concerning the bokeh.
Orphoto wrote:
Hi Susan. Are these out of focus highlights bokeh? No. But....they are a fairly good teaching example.
How might one refer to the characteristics of these out of focus highlights?? Take a look at the edges of several of them. Notice for instance that some of the purple ones show a hard outer line that is a dark blue. White ones show a greenish edge. Having a hard edge and a differing color are considered unpleasant aspects of the blur.
Other questions asked in examining bokeh include, is the interior solid or does it have an onion ring effect? Can you see the polygon from the aperture blades or is it truly round? Is there a secondary ring around the edge?
Susan your example also shows some of the secondary rings as well as the aperture geometry. Onion ring is often from aspherical glass elements in the lens.
Who actually looks at images this way? For the most part, optical nerds.
Just be careful using the term bokeh. Most of the time you will be better served just referring to it as blur.
Hi Susan. Are these out of focus highlights bokeh... (
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I have to disagree. The question here isn’t whether it’s bokeh or not. It qualifies as bokeh. The question is whether it’s good bokeh or not.
Superfly, I replied to her image that way because most folks here are wrongly equating the presence of this sort of blur as bokeh. As you note, whether it is pleasant, neutral, nervous or any other such characterization is a different aspect of it.
Susan was fairly clearly saying she liked the effect of out of focus specular highlights. That's cool. But I seriously doubt she was going beyond that.
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